No Direction Home 2012 - acoustic days

It is true that I have already mentioned a few of my, more or less, acoustic highlights of NDH 2012. The truth is that they were many and varied and so here a few more. Some hailed from very distant lands, others rather less so, but all of them were very good.
Now where am I to supposed start? Not least because it also includes both the stages that I have not even mentioned yet. Now where should I start with this, too?
Let's go with Urusen, who performed on the Boathouse Stage at 8:30pm on Saturday evening. We will come to the fourth stage later.
This is only two of the members of Urusen...

You know me - I complain when I'm too far away to take the picture that I want and now I'm too close! In fact I'm perched on the front corner of one of their bass speakers for a reason that just escapes me now because that is how festivals are.

This next one is two of the others but Urusen is a five-piece. There is also the drummer whom I never really saw at all...
It is a lovely stage but it has one problem. That is, and for entirely plausible reasons due to its approach access and lake-side location, it has a strictly limited capacity that has to be monitored and that was an issue at times. On the other hand it was certainly a popular stage!
  

That is not to say that the Electric Dustbowl Stage was short on acoustic action. Far from it in fact and here, on it Saturday lunch time, is 'Tiny Ruins' a two-piece from Auckland, New Zealand. She was accompanied by beautifully appropriate but very importantly never-overbearing double bass and backing vocals.                                                                                                                                                                                                                                                                                                                                           

It was magical... This is Hollie Fullbrook of 'Tiny Ruins'.