I was sold on North Dorset Folk Festival 2012 pretty much from the get-go and was quite happy to buy a ticket for 2013 without knowing any artists - just as I do for End of The Road Festival (EOTR) - I simply trust that it will be excellent and I have never been let down yet. On the other hand, when I discovered that Emily Barker and The Red Clay Halo was to headline NDFF 2013 I could hardly believe what I was reading - and I checked that it wasn't 1 April. It certainly wasn't, and I wasn't dreaming about it either. I first saw them, previously quite unknown to me at EOTR 2009 and was totally taken. Here is that occasion:
No drummer back then. The kit was there for other bands on the stage to use as required.
Other than that the line up remains the same. Here is how it turned out at Marnhull Village Hall on 26 October.
L - R (in both pictures): Anna Jenkins, Jo Silverston, Emily Barker and Gill Sandell.
Emily Barker and Gill Sandell in an acoustic guitar and piano accordion duel.
It is easy to forget in the seamless sound the individual contributions of each member.
Anna Jenkins on fiddle.
Nostalgia really doesn't get much better than this.
If percussionist Nat Butler thought that he was not going to be mentioned on account of his very recent inclusion in the Red Clay Halo then that is not so.
Percussion and bass underpin much of Dear River. Jo Silverston on electric bass.
That two of the artists have also recently released music as side-projects is very worthy of note. Gill Sandell's second solo album, Light The Boats, in September 2013 and the second after Tarry Awhile (2010 and which is also excellent). Emily Barker also participates in London-based collective Arctic Circle that released its first five-track EP 'Lantern Waste' today. Here, taken from it, is 'Hushabye Mountain' to stream and the EP to buy. I have to say that I have a particular fondness for track 4 ' Unreasonable Dreams'.
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