Showing posts with label A Lot Of Love A Lot Of Blood. Show all posts
Showing posts with label A Lot Of Love A Lot Of Blood. Show all posts

Sunday, May 10, 2009

Stuck on repeat...

In the midst of a global market in melt-down, and with the music industry having long claimed it was in crisis, you might have thought that any release might be readily available anywhere. That it is not the case may actually be a sign of things to come; that the fat, sweaty fingers of greed are finally losing their grip on an industry that might never be the same again. They have strangled the life out of it so, if such a demise is true, both artists and music buyers should celebrate but with both caution and restraint.
That is not to say that the brave new world will be without problems, for it will have plenty of its own, but at least it is a start and the signs are there. It is out there to be found and just as in the old days, of 'wants lists by snail mail,' it still takes some finding but it is more than worth the effort...

'Stuck on Repeat' and 'Meddle' on vinyl are awesome so how good is the album going to be?
Now get this...


A Lot Of Love A Lot Of Blood - Florence and The Machine.

Another vinyl 12" by IAmSound (IAM 027), and one for which the track list is in the wrong order on both sides, is equally magnificent. The blistering bombast of Welch is apparent on tracks such as 'A Kiss With A Fist', 'Hospital Beds' and 'Dog Days' and there is no doubt that she can write as well as sing; the last of these also appears again as a long, but quite beguiling, dance remix.

You might imagine it would be some gritty anthem - she's not afraid to attempt songs by 'The Clash' live and can snarl venom with the best of them after all - but it isn't anything of the kind and the real curve-ball is a cover, and a very short one at that, which is another startling demonstration of the New York state of mind.
'You've Got The Love', a dance-pop song written using left-over bits and pieces of lyric and melody, originally recorded by Candi Staton in collaboration with 'The Source' for a TV documentary in the 1980s, was not released as a single until 1991, and this is a truly worthwhile version of it.

Monday, March 30, 2009

Black Is The New Black

Note added 18 May 2009:
***Nancy Black live in Frome - 5 June 2009 as part of Acoustic Plus at the Cheese and Grain***

Yesterday I mentioned the part that traditional music shops still have to play in the current music environment. One aspect that has changed immeasurably in the digital age is one that is as new and as revolutionary as downloading and yet less often mentioned in wider circles. What is that?
Well, for better or for worse, you are reading one of many manifestations of it!
User created digital content has just made the sharing of music easy and global, it has done the same for the sharing of information about it. Barely a decade ago the truism was that 'everyone is local to somewhere' now, thanks to the internet, it might better be summed up as 'anyone is local everywhere', or at least have we have the means to exploit that potential if that is what we want to attempt.
If you hear a band or album that surprises you can review it for an audience of millions - almost instantly and for next to no cost except your time and effort. The obvious question I think is this: "Isn't that too good to be true?"
"Yes and no" is my unhelpful but considered answer. If I can have my opinion I have to accept that you can have yours too, that you can let me know it, and that we might not agree. That is part of the bargain and why I will publish comments to this blog even if I don't actually agree with them. One outcome that critics levelled at this explosion of content, be it MySpace or customer reviews on Amazon or blogs, was that it would create homogeneity based on the lowest common-denominator. It might not be thus if I were a music critic by profession, but from my point of view it has been anything but that way. Everyone is still local to somewhere, just now I know about artists that in the earlier situation I would almost certainly never knew existed.

Add to that is the fact that there is plenty of local live music worth hearing. I have mentioned Bristol-based Phantom Limb before and their gigs at the Griffin Inn are already local legend and they play there again on 2 April 2009.
The previous evening, and just a couple of minutes stroll away, is the opportunity to see another local act that is gathering good reviews from further afield:

Is the hype justified? I'd say that it is.

On the subject of hyped artists or acts one that most certainly has been so in recent months is London's Florence and the Machine, so you might think that new releases are easily available in the UK. Well that is not quite so, and another example of the fact that it has not become a case of one-size-fits-all globalisation. I have the A Lot Of Love, A Lot Of Blood 12" EP on pre-order...

...and while it is from Puregroove in London, is a US import item only!