Truck Festival 2015 - Part 3

I wrote on Monday, in the first instalment, that I wasn't going to do this by stage. So far I haven't but now I shall. The "new stage" at Truck 2015 was the Palm City Stage but its greatest attraction was that from start until early evening on both days it was home to Gorwelion - Horizons, a joint project by The Arts Council and BBC6 Music, that seeks to promote music of all genres that comes from Wales. It is nothing specifically about traditional music, although that can of course be included, and although I didn't hear all of it the variety on offer was wide. I have a soft spot for music from Wales and therefore I have mentioned plenty of it over the years in these posts.
This first artist I mentioned recently and was therefore delighted to see that, when the line-up was revealed, she was part of it.

Hannah Grace, who hails from Cardiff.

Her powerful voice makes me think of North Wales' Casi Wyn, although the latter predominantly writes songs in Welsh. I'm not quite sure where she is with new music other than to say that she played the Gorwelion-Horizons stage at Brighton's Great Escape 2015 back in May.
This next artist, with his acoustic Americana, would not have been at all out of place at the nearby Saloon Bar stage (of which much more soon!).

Dan Bettridge, described here in the words of Gorwelion-Horizons.

These next two acts are as different to each other as they are to either of the aforementioned. That was the big appeal of this stage but also one that makes it difficult to write about. Saturday saw Haula perform a very well attended set, complete with enthusiastic audience participation. 

That is far from being something that can be taken for granted for it requires a almost indefinable empathy between artist and audience. Very well known artists can have epic fails with this kind of thing and yet she made it seem natural therefore oh-so-easy. Her heritage is Ugandan but Wales is now where she calls home.

Finally although it is actually from late Friday come the small, for it is a trio, but very determined crew of HMS Morris.

Heledd Watkins on guitar and lead vocals.

This is pop music, but not quite as you expected it. Another of the wonderful discoveries of last weekend. Some of this was sung in Welsh. 

The best discovery since the weekend is that Gwenno is indeed playing Green Man 2015. Result!

New Music 2014 - Part 11 - The Cadbury Sisters

I wasn't really planning on a new post so late tonight but then these things just demand attention - now.
It is becoming clear that Bristol sibling trio The Cadbury Sisters is garnering much attention for their acoustic harmonies but not just because of them. Much inspired by Laura Marling they say, but also by artists that are much older than either her or them. The first place I heard their music played, although I was already faintly aware of them, was on Amazing Radio, where Kathryn Tickell has been on the case for some time now, hence the session below. So have others, including the likes of BBC6 Music.

It is three-part harmony but quite unlike The Staves and certainly not like Haim either. Their latest EP 'Close' is released by Bristol-based label and live event promoters Fear of Fiction in June. The Cadbury Sisters are appearing at many festivals and suchlike during the summer and it would be a mistake to miss the opportunity to see them live on a small stage.

New Music 2010 - Yet another wants-list.

It is time that I retuned to this again, it is in effect 'Part 12', and is there anything
more to wish for? Let me tell you that, at least in my world, there most certainly is.
I'll start with some items from the US including this one that was released in 2009 but I only discovered recently and received in physical form today.  It is surely no secret, unless that is you have been Google-transported here on a whim in which case I can only apologise and welcome you, that I am a fan of folk, acoustica and Americana amongst other genres.

It is true that buying music essentially unheard, based on a hunch and the odd review by who-knows-who, is something of a risk but I don't regard it as gambling; for a start the odds are better and the risk is commensurate with the reward.  You might win big-time, in terms of new music, but you will never lose more than you pay for the item in question.  Based on two listenings this evening this one is a winner: quietly optimistic and plaintive by turns, but not by numbers.
Many have made the Bon Iver comparisons; Bowerbirds toured with him and aside from that I can see why they are made.  'Upper Air' also made me rediscover my CD of Laura Veirs' 2004 album 'Carbon Glacier': It is less melancholy than 'For Emma, Forever Ago' and rather less icily wrought than 'Carbon Glacier', but certainly none the worse for that.  If you like 'A Fine Frenzy', and therefore wonder about pain and piano, then you might like to try this.


You might by now have realized that my definition of new is not something concocted by a major label, or for that matter any other but it seems less likely, nor will it be predictable.  Formed in 2004, and on their fifth drummer before the release of their first album later this summer but until now little known in the UK.
Los Angeles present:

Today there was also an historic victory for new music of all kinds...  the BBC trustees ruled against the proposed shut down of Digital Radio BBC6 Music.  This is no time for complacency however; we need to build on that victory for the benefit of public service broadcasting worldwide.