My Music in 2016 - Live albums

Ten years ago I mused about the resurgence of the EP and have never regretted that comment. Occasionally I have mentioned the interest that I have in live music recorded. I mentioned that my 2016 End-of-Year list would have a new category and this is it. Just two entries in this, at least for now.  I think it interesting not just for their obvious differences but, at least to me, because both are by artists that I have been following from the very first time that I heard about them. It is particularly appropriate because in both cases my first experience of both was actually seeing them play live!

I first came across Northumbrian band Lanterns On The Lake at End Of The Road Festival 2010 and I have seen them play live several times since.

Lanterns On The Lake - Truck Festival 2011.

The music is often almost subconscious in its beauty - bleak yet optimistic. This collaboration is a perfect match and in order to maintain the tension it had to be recorded live. This was the result.

Lanterns On The Lake with The Royal Northern Sinfonia - Live in Concert (Bella Union, 25 November 2016).

This next is a rather different beast. The Black Feathers is a duo comprising husband and wife Ray Hughes and Sian Chandler. I have written about them a few times before now; this was in anticipation of their début studio album Soaked To The Bone.
This next was, by popular request, recorded live at The Convent, South Woodchester, Gloucestershire earlier this year. 

The Black Feathers - Live at The Convent (Bird In The Hand Records, 2 December 2016).

It comprises eleven songs, most of them are original compositions but there are a few covers too. This isn't one of them nor is it actually featured on Live at The Convent! It is a live version of an original song from Soaked To The Bone.


'Down By The River, Under The Apple Tree session, 2016.

If you want me I'll be in the bar...

Another attempt to write a post about a road-trip through music has just been cunningly subverted, this time by a festival announcement. As for the title, it's just a case of me with apologies to Joni.
For all that I shall start with the artists and the LP that I was intending to start with anyway.

This album has been out in the US for a while now but is released in the UK very shortly and there is a tour in the offing too. It should be clear that we are on a trip and that we are starting in California. Or at least this outfit is.

Speedbuggy USA - South of Bakersfield (Wagon Wheel Records, 2015).

The four-piece are purveying the Bakersfield sound of Californian country rock that grew up in counterpoint to the increasingly highly polished and produced sounds emanating from Nashville in the late 1950s and early 1960s. This music is definitely the concern of ordinary, blue-collar folk.  They are coming to a small festival that takes place on a farm in Oxfordshire, England in July. It is rather appropriately called Truck Festival. Those trucks may run on rails as in this, taken from 'South of Bakersfield'. Speedbuggy USA plays Truck Festival on Sunday 17 July.

In fact this trip through music is defined only by the end-point of the various journeys and that is a single small stage - The Great Western Saloon Bar - at the above mentioned gathering. The starting points vary wildly and indeed some of the artists have already been mentioned in these pages. Here is the full schedule.

Applewood Road headline on Friday. Top of the bill on Saturday is BJ Barham, perhaps better known as the on-going lead singer and songwriter for American Aquarium. This is his solo side project that includes the soon-to-be-released LP 'Rockingham'. Robert Chaney, whom I mentioned with regard to his album 'Cracked Picture Frame' early last year, is a must-see as far as I am concerned. In fact there is nothing that I don't want to see, whether I have seen that act or artist live before or have not! Indeed, and as well as the above, at the very least these six have already been mentioned by me specifically in regards to LP releases: The Black Feathers, Danni Nicholls, Delta Bell, Redlands Palomino Company, The Rosellys, Paul McClure. I know quite a bit about them. I have seen Stevie Ray Latham live too, I think, but I need to look into that.
What interests me now is all the rest of the artists on the above list; many of which I know little or nothing about. There is no point whatsoever in going to festivals just to see acts that one is already well aware of.
What I dig up about this will form the second part of this post.

New Music 2016 - Part 1 - The Black Feathers - Soaked To The Bone

Yes, I know it is not even November for another few hours; enjoy Hallowe'en and bear with me.  I am far from done with 'New Music 2015'  but I have decided to start on 2016 with this post for a reason beyond merely the fact that I can.

'Soaked To The Bone' is the début full LP from Gloucestershire-based duo The Black Feathers that comprises Ray Hughes (vocals and guitar) and Sian Chandler (vocals). It is released by Blue House Music on 26 February 2016.

It follows the five-song 2014 EP 'Strangers We Meet', which I mentioned here and that also featured in my best-of 2014 list in the category EPs and Mini Albums.
'Soaked To The Bone' consists of ten self-written songs and a Bob Dylan cover (albeit one more recently associated with a well-known UK female artist!) and none of these songs appeared on the aforementioned EP.  The track list for it is as follows:

• Take Me Back
• Goodbye Tomorrow
• Arclight
• Blind
• All For You
• Homesick
• Winter Moves In
• Down By The River
• Make You Feel My Love (Dylan)
• Spider and The Fly
• Clear Blue Sky

I'm not even going to try and pick a favourite here, despite having had the CD on heavy rotation for well over a fortnight now and this should tell you something about how I regard The Black Feathers. On the album they have a splendid cast of collaborating musicians including Phillip Henry (dobro) and Anna Jenkins (violin and viola). The Black Feathers are on tour in the coming weeks and live as a duo they are quite something.

Frome Cheese and Grain - 25 April 2014

I shall be going to see the pre-launch tour locally and I suggest you do so too if it is within reach - it includes dates in Inverness and Glasgow in early December. I'm sure that you will wish, and likely be able, to purchase a copy of 'Soaked To The Bone' direct from them at the time.

My Music in 2014 - EPs and mini albums

Just four out of so many possibilities are included in this list but there could always be a 'part 2'. These are not in alphabetical order either but rather in ascending order of the number of times I think that have listened to them since I came to be aware/it was released and this is not adjusted for the time factor in each case - I don't keep statistics in that detail.  It is also less influenced by that which I have seen live but I have designs on that too.

• Aimée - Codes

Originally the solo project of Aimée Mackenzie from Liphook, Hampshire, Codes is the latest EP and one on which she has been joined by younger siblings Freya (violin and backing vocals)  and Ross (cajón).

The first Aimée LP should appear sometime in 2015 and this is not only something I look forward to because I have never seen this outfit live either. It should not be a problem; Aimée is announced to play at Behind the Castle Festival, Sherborne, Dorset on 13 June 2015. Their music while predominantly acoustic is really quite a challenge to categorize, which is no bad thing I hasten to add, for it jumps styles and genres between, and sometimes even during, songs.

• Cardboard Fox - Cardboard Fox

This is the most recently released of the four in this list and it is a début release of kinds - three of the four members of this acoustic quartet have featured in these pages as the still fully functioning Carrivick Sisters - Charlotte and Laura Carrivick and John Breese are joined by Joe Tozer on mandolin and acoustic guitar in Cardboard Fox.

Still very much folk based and with self-penned songs this is rather less heavily bluegrass influenced than the Carrivick Sisters' recordings.

• The Black Feathers - Strangers We Meet

This is a duo that I have seen live twice in 2014 and I'm planning on making that three times at Nunney Acoustic Café later this week.

I'm rather hoping that Gloucestershire-based Ray Hughes and Sian Chandler's Strangers We Meet EP might presage, in a wholly good way however, an album sooner rather than later. I just have a feeling that it could be the start of something big. 

The Black Feathers, Cheese and Grain, Frome, 24 October 2014.

I have, unusually for me, chosen three acts based more or less in central southern England here. This next, although I was alerted to it by Folk Radio UK, comprises three young ladies from thousands of miles away.

• Free The Honey - In Our Hands

Free The Honey is from Gunnison in the high mountains of western Colorado, USA. 

This EP had, in so far as I was aware until this week, no physical release and so it marked a rare foray into downloads as far I am concerned. 

This it seems is not true any longer. The rest of this shop looks fascinating too!

That it is my most played EP or mini-album of 2014 says a great deal. As I mentioned back in June it is a delight of unexpected twists and  turns. At seven tracks it is the only one in this list that truly counts as a mini-album although as strictly-defined EPs should have only three, not more or less, and all the above fail on that criterion: Strangers We Meet has five and the other two four tracks each. The really key thing and I think it important to the renaissance of EPs and mini albums in the last several years, is that there is no need for filler. New music, even just a small body of work, can be made available in a physical format, as well as on-line, as a unified whole far sooner and at less cost than heretofore.