New Music 2016 - Part 22 - Cale Tyson - Careless Soul
While this is about a forthcoming LP, Careless Soul is the first full-length by American artist Cale Tyson, it is also a very appropriate vehicle for the continuation of a number of themes concerning the music industry that I have espoused over a period of a few years.
There is a great deal of tradition involved here - this is country soul - but very little pastiche. It was recorded in Muscle Shoals, AL, at Fame Studios and with top-drawer acoustic musicians. This is part of a wider revival and indeed re-invention of traditional country subject material. Careless Soul comprises twelve songs:
- Staying Kind
- Somebody Save Me
- Careless Soul
- Easy
- Traveling Man
- Pain in My Heart
- Railroad Blues
- Dark Dark
- High Lonesome Hill
- Gonna Love a Woman
- Pain Reprise
- Ain't It Strange
Well I certainly don't know that, but it appears not to be a result simply of a single generation. Both artists producing such music and the audiences attracted by them have been becoming younger without, unusual historically-speaking, alienating older listeners; it pains me to feel I ought to count myself amongst the older listeners. The most encouraging thing is the egalitarian nature of the younger ones and the everyone-has-something-to-bring attitude to all this.
Cale Tyson came to the wider attention of UK audiences in 2015 when Clubhouse records released Introducing Cale Tyson, which is a complete synthesis of his previous two EPs/mini-albums High On Lonesome (2013) and Cheater's Wine (2014) that had only had official US releases.
As a taster, because I like it and it displays some of the old-time flavour, I have chosen this original song:
I think it important that music is starting to rediscover that there is real value to be found in simple links like this. Music as a space to be shared by all those involved, from musicians to audience, rather than dog-eat-dog, short-sighted exploitation. That is another reason why learning to trust artists, independent labels, festivals and one's own instinct is coming to the fore again as a community aspiration after far too many years under the patriarchal hegemony of the major label system.
Added April 7, 2016:
Another example of the change that all this represents are the possibilities provided by crowd funding. My next post is likely to be about an album made possible that way.

