Showing posts with label Patsy Reid. Show all posts
Showing posts with label Patsy Reid. Show all posts

Tuesday, March 21, 2017

New Music 2017 - Part 13 - Oka Vanga - Dance Of The Copper Trail

Thanks to many people, not least the band, this is the next in a series of posts about new music that has grabbed my attention for all the right reasons.

Oka Vanga - Dance Of The Copper Trail (Crazy Bird Records, 31 March 2017).

Oka Vanga - Dance of The Copper Trail:
  • The Wicken Tree
  • Capercaille
  • Ashes To The Wind
  • She Moved Through The Fair
  • Don't Let The Clouds Roll In
  • The Devil's Tide
  • Song of the River
  • Rose of the Hill
  • My Sweet Guitar
  • Out Of The Fire
  • This Train
The heart of this duo is husband and wife Angela Mayer and William Cox, the former from South Africa and the latter from London, but what you get here goes far beyond anything that those facts might begin to reveal. This is their second LP, following 'Pilgrim' of 2014 that was instrumental. If songwriting and singing talent was hidden under a bushel then, neither is the case any longer! This album also features Patsy Reid from Scotland on fiddle and Oliver Copeland on double bass. The variety in the songs is just about perfect.
'The Wicken Tree' is a new revelation of many an old theme; 'She Moved Through The Fair' is a song about as venerable as any that can be reliably traced - the air is likely of mediaeval origin and may have origins in the music of south-eastern Europe. Regarded as of Irish tradition numerous versions, yet still recognisable as such, are to be found throughout the folk canon of the British Isles and especially so in the Romany communities of Ireland as well as further afield, particularly in North American tradition.
The lyric is usually adapted to fit the place and circumstance so it is probably rather recent by comparison. It has been serially adopted by players and singers wheresoever they have found themselves, often far away from their native home, and this elective mutability is another key attribute of folk tradition.
You could 
sing about the hardships of cod fishing on the Newfoundland Banks when stuck in drought-stricken Oklahoma during the years of the dust bowl and depression, if only for the sake of remembrance. Most likely you would still sing but about things more immediate and pressing.

One of my particular favourites, given just a couple of listens through the whole album so far, is 'The Devil's Tide'.
I'm wondering if this has subconsciously to do with the fact that last week was the fiftieth anniversary of the disaster that was the wreck and foundering of the oil tanker 'Torrey Canyon' off the SW coast of Cornwall on 18 March 1967. The French called the shoreline pollution that the spill caused "la marĂ©e noire" - the black tide.  It is in fact about a quite different peril 
on the high seas - piracy -  and in this case a female pirate from Co. Cork, Ireland!

Here is the aforementioned 'She Moved Through The Fair' performed live:



There is also a song about the plight of coal miners 'Rose Of The Hill' and one about railways 'This Train', so that has most of my folk interests covered.
This is the variety you get here and it is well worth your time to explore it. Oka Vanga is well and truly added to my list of acts to see live.

Sunday, November 25, 2012

Live Music 2012 - A Weekend in Frome (Part 2)

This may seem illogical to you but not to me. I decided to divide the six acts that I saw over Friday and Saturday evenings into two groups of three. For a reason I have decided to do this - the result is that, having counted Acoustic+ backwards in order of appearance, it was time to do the remaining three in running order. That the first was on a different stage fully 24 hours before the others is merely a spatial and temporal quirk of fate.

I shall start with the first artist to appear at Acoustic+ on Friday evening. I have always felt for anyone who opens a show and I'm sure that it can never be more nerve-racking than when performing solo.  This may have been the Cheese and Grain but rather larger stages beckon (sooner rather than later)...

Molly Ross solo and performing her self-written songs.
  
I started with that for a very good reason. TV talent shows do turn up talented artists and the key to lasting success is quite possibly not winning. Think about it. 
Sam Kelly didn't win 'Britain's Got Talent 2012' but in the process he earned himself a solid support base and, judging from his performance with a band at Rook Lane Chapel yesterday evening, it is very well deserved. The combination of traditional, covers and self-penned songs was very well judged and, best of all, they looked like they were really enjoying themselves.
  
And it was quite handy for my meagre photography too.
The next photo is from towards the end of yesterday evening's performance. 
Kathryn Roberts and Sean Lakeman - a duo recently short-listed for BBC Radio 2 Folk Awards 2013 but certainly no newcomers to the performance scene - a 'cello, three fiddles, a flute, two guitars and a keyboard liberally plastered in kids' stickers, with Patsy Reid joining them on fiddle and 'cello...  and have them play in a Grade 1 listed building that is currently also home to the 155th Royal Photographic Society Exhibition of Prints.
That pretty much sums up Frome.