New Music 2016 - Part 48 - Seth Lakeman - Ballads Of The Broken Few

This is not perhaps what you might have expected Seth Lakeman to do next. All I can say is that I am mighty glad that he did. I did wonder if his focus on music about or from the South West of England might have run it's course. Well now we don't know, at least for now.
Seth and his band toured the UK in 2015 with Devon trio Wildwood Kin, whose own music is acoustic Americana folk with much UK influence, as his primary supporting act. This is the musical development of that.

Seth Lakeman featuring Wildwood Kin - Ballads Of The Broken Few (Cooking Vinyl, 16 September 2016).

This is certainly no lash-up. The two acts seem to have bought the very best out of each other - that is Seth Lakeman was tempted into Appalachian territory and Wildwood Kin self-deployed in three-part-harmony heaven on nine of the eleven tracks. So who might buy into this vision? 
Ethan Johns produced the record, much of it was recorded as live takes, and that says a great deal. There is a single cover song - and a surprising one - for it is 'Anna Lee'. Written by Laurelyn Dossett it first appeared on Levon Helm's 2007 album 'Dirt Farmer'.


Ballad Of The Broken Few - live at Torre Abbey, Devon. Some of the other videos were recorded in the rather ramshackle parts of Poltimore House in East Devon. As well as all that Wildwood Kin is recording its own début album but that's for another post...

Behind The Castle Festival 2015

It is almost 13 April as I write and Behind the Castle Festival is therefore just two short months away.

Get your tickets here and especially if you wish for camping on Saturday for these are very limited and will all be gone soon. The line-up is of course stunning from start to finish. There is nothing not to cherish, which it just as it should be. With three stages there will be some agonising choices to make; I have been promised that. Bring it on, this as a festival compact enough to see part of one set and then part of another without missing much whilst between them.
I'm not saying, because I won't decide until the very moment, what I want to see most.  Here is a Spotify playlist including some, but not all, of the artists that will be there on the day. It is entirely my own choice of songs, of course, but hopefully provides some idea of what is on offer. 
There will almost certainly be additions and updates. I just needed to post something at the point that I had got to. It might just help fend off some of that the Monday feeling too - it is nearly 100 minutes long.
The Spiral Earth Awards 2015 have now been announced and two of the winners, both for albums, are playing BTCF 2015:
Moulettes - best album - Constellations
Larkin Poe - best Americana album - Kin
If that weren't enough another  of the winners -  Blair Dunlop , best solo artist, is playing Marnhull Acoustic sessions this coming Sunday (19 April) and that is not all; Emma Stevens is supporting.

Behind The Castle Festival 2014 - Part 2 - The Main Stage

The four main stage acts were scheduled that they did not coincide with those on either Stage 2 or the MAS stage, which hosted acts simultaneously. This resulted in two things; it was possible to see all of the main stage acts in entirety without sacrificing anything else and that there was almost no down time in which there was no live music taking place. Another advantage is that never could the sound from the main stage bleed over into the other two stages whilst allowing the site to be compact but never feeling overcrowded.
The first artist on the main stage was one I had never seen live before - Irish acoustic songwright Paul Brady. I must admit I knew shamefully little of his work before Saturday and it was probably an omission, and certainly a mistake on my part, not to check it out before the event once I that I was aware that he was playing.

The early afternoon slot saw most of the crowd sat on the grass, which was a shame.

After another hour interlude on the other stages, about which more in 'Part 3', it was time to head out to the main stage for Newton Faulkner. He again is someone that I had never seen live before but at least I was well aware of his catalogue and so with baited breath I wondered...

In the glorious mid-afternoon sun there would be no danger of the soporific attitude mentioned above. It was some set and I was well impressed by the good-natured fervour of many of his fans - this was less folk festival than many might have thought. 

His set was text-book showmanship without actually showing off. That is a fine line to tread.

After another sojourn it was the time for the prolific Seth Lakeman to take to the stage. It seems that hardly a few months pass during which he does not release something or other in one of his guises and collaborations. I have seen him live on several occasions and you are being lectured by one of the converted - it's my blog and so I can be biased in it! Indeed my bias largely determines all that is covered, including Behind The Castle Festival.

Much fierce fiddle playing included. 'Solomon Browne' saw the tenor guitar bought to bear.

It is a tale of a tragic modern disaster told in the traditional folk idiom.

The festival was finished in style by a band that deserve the epithet legendary - The Levellers. When in 1991 their second LP 'Levelling The Land' was released it did what it said - it changed the map. The Pogues had done this kind of thing, and to some degree so had The Stranglers and others, all with great success but this really album bought it home to roost.

It was hot on that stage.

I'll finish with a quote overheard... "This is absolutely f*****g amazing."
It was. Exactly that. He was quite right to be proud of it.

[Behind The Castle Festival - Part 3 will follow soon.]

2014. Whither am I bound?

Time to think about festivals again. From experience I can tell you this - it doesn't get any easier. The title applies just as much to artists too.
The first ever Behind The Castle Festival, a one day mostly folk event in Sherborne, Dorset, on June 14 is a must. I shall, of course be attending End Of The Road 2014 but then that probably goes without saying. This is the start of the road.
I'm not a great believer in resolutions for the New Year but this time I decided upon a few. Some are more instantly commenced than others.  This is one that certainly is active immediate.
I shall listen to - and pay proper attention to - at least eight hours of music that is new (to me at least) each week. The investment will be in time, for there is no reason for this to cost much and it could be done entirely legally on-line. It's going quite well I must say but then many good intentions founder before the end of January. The fact that it has rained almost continually has helped and that January looks like it will be a very quiet month for me as regards going to see live music isn't going to be a hindrance either, although that would also count if it were new to me.
One can spend many happy hours trawling through profiles, reading reviews and listening to Soundcloud, Mixcloud and the like, as quite often I do and it costs nothing. On the other hand the likes of Amazing Radio can provide much that is just there and ready for the listening. The presenters have done the pre-filtering for you but, and this is important, not too much filtering. It is free, legal and available worldwide.
I am happy to tell you that, until about twenty minutes ago, I was quite unaware of Finnish accordion player Johanna Juhola. Here is that track and Amazing Radio was the reason that I got to hear it.

You might like Olivia Chaney too ---  yet another one to watch in 2014.

More albums I want - 2008, part 7.

Here goes with another selection from 2008 and these are already on order and, indeed the last I already have. One of the most common enquiries here in the last few weeks are about who is supporting Seth Lakeman on his autumn UK tour. I don't know and, when I saw Seth Lakeman live in Frome in July the support act was not advertised in advance as far as I could find.

Only later, when it finally occurred to me that she was not completely overshadowed by Seth Lakeman, I realised that should have bought this at the time but I didn't. Now I have it on order and can't wait to hear her renditions of delta blues and rock again.

With backing musicians playing various instruments on various tracks, this is not the same as the remarkably visceral, if slightly messy, solo performance that she provided when supporting Seth Lakeman back in July. That is not to say that I was disappointed, for I wasn't, but I did wonder at the time that perhaps with backing musicians...
I also, rather contrary-wise, anticipated not liking the album as much. I was possibly wrong on both counts: NOT playing solo seems to make her sound more focussed on CD. Live with a band I can't say but now I wonder.

That topic tempts me to mention another artist of whom, until very recently indeed, I was completely unaware:

Kelly Richey - Carry The Light (2008)

High school history teacher and also blues-rock guitarist, this album is on US import only and that is a pity.

In a completely different style, but still quite American in a totally different sense, is the pop-fusion trio called Brazilian Girls. Brazilian they are not and the only female is Sabina Sciubba, an Italian New Yorker bought up in France and Germany, while Didi Gutman is Argentinian and the trio is completed by Aaron Johnston. The music, which involves a host of guest musicians, is eclectic but involves elements of pop, dance and electronica combined with any other influence that took their fancy (and they are very many and varied) in an unconsciously free-flowing way and similarly employs lyrics in at least five languages, several of which are often combined in one song. It is not however music difficult to listen to, far from it in fact, and I find it hard to pick favourites but here goes:

• Losing Myself
• Berlin
• L'interprete
• I Want Out
  

Some artists have been invoked as influences and Blondie is the one I have seen cited most often. I think that that is an invidious comparison when, as it often is, taken too far. This album doesn't actually, when taken as a whole, sound much like anyone else well known and this is exactly why its unpredictability is so welcome and refreshing - take it as it comes and it is a delight to listen to again and again.
That there are very slight similarities at times, particularly in the prominence of the vocals, that at times make me think CSS - all of who are Brazilian and, Adriano Cintra aside, female - is perhaps no great surprise. While the second CSS album, Donkey (2008), is greatly different to their 2006 début, CSS, it remains a splendid example of how something rather improbable can take hold and soon become something unforgettable; at Glastonbury 2007 they even made the sun come out! I had seen the Glastonbury footage before I saw them at Latitude 2007 in the sunshine a couple of weeks later and, given the circumstances of their formation, they were simply electrifying playing live. That trait, I strongly suspect, is also true of Brazilian Girls and I hope to get the chance to find out.

Poor Man's Heaven - Seth Lakeman live in Frome.

Well, all I can say is that it was something special.

Seth Lakeman and his band were show-stopping. It is probably the only time that an artist with a top-ten album (UK #8), for the first time and on the week of release, has played 'The Cheese & Grain'. That was to a sold-out audience (of 625), as part of Frome Festival 2008, and I wonder if it will ever happen again? The set was brilliant and included tracks from all the albums. There were many highlights but two in particular come to mind:

Solomon Browne from the new album 'Poor Man's Heaven', which is about the disaster that befell the Penlee lifeboat of that name on 19 December 1981.
It was smashed to bits, with the loss of all the volunteer crew and all who they were attempting to rescue, when the ship-wrecked coaster Union Star rolled on to it during the rescue attempt in 40 ft seas. I don't think I've ever been to a concert that reduced a significant proportion of the audience to tears.
On the other hand another potentially sad song, Kitty Jay (the title track from the 2004 album and the story of a suicide), was given a rousing version that, with Seth playing such furious fiddle that he was shredding his bow, means Dartmoor ponies must now forever live in fear of their tails being requisitioned. It was also the song that took the gig, and the audience, into truly remarkable territory.

It was not only a wonderful show but also a fine example of the changing face of music. I was however slightly annoyed by the reception given to the support act; much of the audience simply talked loudly at the back as though they had gone to a pub and there happened to be live music. I know that is not unusual but I still think it rude. In fact I now think the problem was, at least in part, that the sound was set up badly and that her genre of music was not what most of the crowd was expecting.
It wasn't exactly in accord with my expectation either but, as I wanted to be near the front, I wasn't ever going to make that obvious. In fact I had no idea what 'support' to expect as, although that there would be some was mentioned, it was not specified on anything I could find.
To be honest Bex Marshall did a fine job playing electric guitar (country & delta blues style) and singing, without any back up, in what must have been a very trying situation indeed. It just strikes me as an odd choice of support and that it would have been better if she had been with her band rather than solo. http://www.bexmarshall.co.uk/. For all that I wouldn't be averse to listening to the album Kitchen Table and in fact I'm much minded to buy it.

Kitchen Table (House Of Mercy), 5 May 2008.

She played only one cover version and a brave, quite impressively successful, one at that. A bluegrass-rock version of Hendrix' Purple Haze!

It is supposed to be summer... Virtual Festival 2

This is less virtual than the last post. It is the 5th July and - as part of the Frome Festival - there was an international food event in the town centre this afternoon and evening. The weather for today was not predicted to be good but it was actually fine if perhaps a bit windy until about 4pm, which is when it really started to matter.

Then it started to rain steadily, if not particularly hard, when it really mattered most and this may have dampened enthusiasm but nevertheless the turnout (and the food of course) was good.

Local blues-rock band 'Sloe Jam' tried, quite successfully in a rather difficult situation, to keep spirits up and unusually for such a band they do no cover versions at all.

Sloe Jam live at Frome Festival, 5th July 2008.

How not to plan a festival schedule?

Having just concluded that perhaps I should have chosen to go to Glastonbury, I've just been looking at the latest list of performers at Latitude 2008 with an eye to trying to work out my preliminary schedule. Last year I didn't even attempt it until the Thursday evening, by which time I was in my tent and armed with the festival program. This year, despite the fact that I've thought about it at the point when last year I had just decided to get a ticket and go, the situation looks more problematic! I suspect that I'll end up making some decisions on the fly but at least I'll have considered the possibilities that will give rise to the greatest conflicts.

As it happens I don't have to wait until Latitude for some live music, although of a somewhat different slant. My longstanding liking for folk-influenced music has probably already become apparent on at least a few occasions in this blog and I've got a ticket to see Seth Lakeman live at the "Cheese and Grain" on 9th July, as part of the 2008 Frome Festival. While Latitude 2008 will involve a round trip of almost 500 miles, this is about as convenient as it could get; I can be at the venue twenty minutes after leaving home and that is on foot!
His latest album Poor Man's Heaven (his fourth) was released today.

The one I want to hear first however is 'Kitty Jay' (2004), his first album. The title track is a telling of a well known, although very indistinctly chronicled, Dartmoor story (probably dating from the 17th or 18th century) thus making it good for elaboration.
Kitty Jay apparently killed herself due to the infidelity of her lover and was buried at a remote crossroads, lying on the boundary of parishes and remote from any settlements, because suicides could not be buried in consecrated ground. That much is, in so far as it is possible to say, fact.
That the grave remains to this day, at the crossing of a minor road and a bridleway, still remote from any settlement but always with fresh flowers, is really quite surprising. The fact that this is the second, completely distinct song, attempting to tell the tale is remarkable. The other song I am aware of is 'Lady Jay', which was on the fifth album by Wishbone Ash (another band with Devon roots) There's The Rub (1974).

That it is the last day of the first half of 2008 has reminded me that no-one has asked about my favourite albums of 2008 yet, which is good, but I will say that I'm not anticipating having any shortage to choose from come the appropriate time. It does however prompt me to consider what I would like on my listening list in the next month or so. I've just been thinking while writing this and I'm a bit lost, which has much to do with my comment above concerning the amount of new music I already have.
I have had to single out one album completely unheard (well sort of, but I'll try to add more later in the week) based on their first album and seeing them live last summer, it would have to be 'Donkey' by CSS:

It is not going to sound like their first, Cansei De Ser Sexy, but if it is anywhere near as catchy it will be a winner and, given the reports from Glastonbury 2008 it most probably is. The latest release date that I am aware of is 21st July in the UK.