New Music 2016 - Part 21 - Ninebarrow - Releasing the Leaves

'Releasing the Leaves' is the second long-player from Dorset folk duo Ninebarrow, comprising John Whitley and Jay LaBouchardiere. It was released on 26 March 2016.

There has long been superstition around a malaise known as "difficult second album syndrome": these days even getting the first album out there and noticed is a huge hurdle. Without a doubt Ninebarrow achieved that, magnum cum laude, with 2014 release 'While The Blackthorn Burns' that I mentioned here.
Like its predecessor 'Releasing the Leaves' consists of a mix of original and traditional tunes and songs. The balance is approximately equal, but you would often be hard pressed to guess which fall into each category. That could be either a blessing or a curse. 
My inclination is much towards the former opinion - this record had a satisfying coherence and that is a very good thing. This is the track list.

• The Pinner
• For a Time
• Lord Exmouth
• To the Stones
• Weave Her a Garland
• Back & Sides
• Three Ravens
• Blood on the Hillside
• Silent Prayer
• Coming Home
• Dark Eyed Sailor

The original songs are for the main part inspired by places that the artists love and the associated stories  This anchors them to the chosen traditional songs. If there were to be a critical counterpoint it is that some of the stand-outs that punctuated 'While The Blackthorn Burns' such as  Mother, whilst all present and correct, need more seeking and attention this time out. That I even feel the need to mention this is a situation quite enviable.
One of my bugbears is LPs that don't contain lyric information. Ninebarrow have gone beyond that here by making a Songbook freely available on-line - this includes both the lyric and also information about the inspiration and stories behind the songs.

I became aware of Ninebarrow not through recorded music and my biggest recommendation of all is to see the duo play live. Here is a slightly unusual slant on that taken from the hundreds of wonderful acoustic sessions that are most often recorded by Jon Earl in his remarkable garden shed in north Somerset - Songs From The Shed.

This is 'The Sea' and "The Shed on Tour" at its temporary home at Larmer Tree Festival, North Dorset, in 2014.

In the Songs From The Shed archive you may discover a cornucopia of music that you had not yet realised quite existed, or  existed but not quite in the form in which it appears here. 

Behind The Castle Festival 2014 - Part 3 - and on it goes

That I can fill three posts with the result of ten-and-a-half hours live music says a great deal about what was on offer at Behind The Castle 2014 (BTC). There are a couple of acts that I don't mention and simply because I didn't get to listen to, see and photograph everything!
One case in point was Steve Knightly on Stage 2, which was the busiest that venue was all day. That said I saw him recently on his on-going tour of village halls and covered that here. I headed to the MAS stage to catch Dorset duo Ninebarrow instead.

I have seen Ninebarrow live before but could listen all day.

The album 'While The Blackthorn Burns' was released in April 2014.

The same ability to listen also applies to the next artist, also on the MAS stage, who I have never seen live before. Indeed, before the BTC line-up was revealed I was quite unaware of Lizzyspit. This is another fine example of why I like festivals so much.

Arresting original songs and a fine interpreter of others' songs.

If I had to choose just one highlight, and I strongly think that many others shared my opinion here, it would be Megan Henwood and her band on Stage 2 in the early evening. The new songs, from the forthcoming album 'Head, Heart, Hand', are so good and the whole set was a delight.  I couldn't tear myself away and this is why I didn't get to see any of the set by Tinderbox. I'll just have to wait until North Dorset Folk Festival on October 25, 2014.

I haven't even mentioned Rodney Branigan yet...

New Music 2014 - Part 13 - The Best of British

The principal feature that these four acts have in common is that I have seen all of them live at least twice and therefore, although only one of the albums has already been released, I reckon I have a pretty solid grounding in what to expect.

The first is the début LP from Dorset-based acoustic duo Ninebarrow.

'While the Blackthorn Burns' is the only one that has had a full release (26 April 2014, on the band's own Ninebarrow label) and the only one that is acoustic folk, both original and traditional songs. In the few weeks since release it has garnered much attention and praise; I have it on good authority that a track from it will feature on Mike Harding's Folk Show this coming Sunday (18 May, but also available on-line 24/7/365). I would not be surprised to see it nominated for BBC Radio 2 Folk Awards 2015 in due course.
Bold Sir Rylas is one of the traditional songs, seen performed at Purbeck Folk Festival 2013. This version is from the sold-out album launch at The Lighthouse, Poole.
  Bold Sir Rylas has much in common with the song Matty Groves, although the details as to how the the working man is betrayed and the names of the Noble Gentleman are many and various. Alela Diane has recorded a stunning version of Matty Groves and I commented on it here, having seen her perform it live with Alina Hardin at EOTR 2009. It was also released on a six-track 33 rpm 10" vinyl EP, 'Alela & Alina' (Family/Names Records, FAM001, 2009) that I have. While it certainly is good, Bold Sir Rylas is not what is going to make the reputation of 'While the Blackthorn Burns'. The new and original songs will do that.
The second LP on this list is also a début.

'The Midnight Novel' is the work of singer-songwriter Chl0ë Warren from Somerset and is released to the world on 2 June 2014. It is not folk. Bits and pieces can be found on-line, including Chloë with her previous band South Divide. I saw South Divide play in Frome late last year and was impressed enough to mention that here. For that matter I took some pictures too.

Voice aside, her instrument of choice is keyboards and 'The Midnight Novel' will be no exception.

The next two, although not released yet, are not début albums and so it becomes easier to judge them by previous releases. This is not always a good plan, because things can change for better or for worse, but in both these cases I feel that the omens are very promising indeed.
This next is a very good example of just why festivals matter so much to me. I was heading from one "must see" act to another one on a different stage and arrived just in time to see the last five minutes of a set by a band that was simply not on my radar. My thought, within seconds, is that something special is going on here. I was right, as it happens; it turned out to be The Moulettes.

My opportunity to make amends for this came at North Dorset Folk Festival 2012 - the first of its kind.

'Constellations' is their third LP and it is released by Navigator Records on 2 June 2014.

Completing this musical journey is an album for which I currently have no cover image available but, and please believe me here,  the music will not disappoint.

This will give a taste of the theme, however, of the forthcoming album by Jennifer Crook Trio.

Westbury Station, Wiltshire, 2013.

It does not have the iconic clock, nor the 'Brief Encounter' association.

The album 'Carnforth Station' will be released in the early autumn of 2014.