Thoughts of forthcoming UK 2012 Festivals.

I haven't forgotten how to write, and I certainly haven't forgotten how to read or listen either. To follow in the coming weeks are some of my thoughts summarized by the post title and also by this lyric...
  
But who cares what the night watchmen say
The stage has been set for the play.
  
Townes Van Zandt is sadly unable to be there in person, although perhaps still present in spirit. On the other hand and in a similar, but mortal, vein Richard Buckner will be appearing at End Of The Road 2012. If that is something the same event also features a legend of Americana before the term was coined, or at the very least widely understood - Van Dyke Parks. From writing lyrics for The Beach Boys album Smile (he lived to see it released, if not as it was originally intended), as amazingly so did Brian Wilson (although not functional as originally intended), much more recently he conceived much of the arrangement and the production of Joanna Newsom's Ys (2006). In-between times, and amongst many other projects, he recorded and released six albums of his own material.

Have One On Me - Joanna Newsom

I don't know if her Australian distributor, Spunk, intended to do this on purpose but it seems to have spilled the beans.

Joanna Newsom live at Latitude 2008

The link might be hard to reach, or have even been abolished, but it certainly existed as I and many others reached it. There are however reasons to think that it is probably genuine...

Her US label, Drag City, posted the following enigmatic cartoon on its site a little while back...
The date, 2/23/2010, is very plausible as albums are usually released on a Tuesday in the US. The Australian release date was given as 19 February, which fits with local release practice. In the UK albums are almost always released on a Monday and all of this has to do with the way weekly sales figures are recorded in the respective territories.

If this turns out to be correct I am more than interested to discover what it sounds like: no doubt her harp and trademark vocal acrobatics will be back but I wonder what else. When she performed at Latitude 2008 she played three then very new and unreleased tracks and performed all of them unaccompanied on grand piano and I remember thinking at the time that two of them were really quite special but sadly I cannot remember their titles.

Here it is...

Latitude and the US influence...

"Is Latitude a typically British Festival?" was another topic that we ended up talking about while there, not that we ever came to a definite conclusion about this, and in so-doing I think we probably got it just about right!

In some ways it is, particularly in the non-music arenas, but although the music programme is certainly predominantly given to UK artists it is not overly so and to prove it this was a truly wonderful choice.

Did it matter that she actually forgot the lyrics to one of her songs? Not at all! In fact she seemed more embarrassed about the genuine applause that greeted her admission of fallibility than that for her earlier confession concerning her nervousness of playing completely solo, and at a festival too, for the first time in over a year.
Latitude was a perfect venue and in the middle of the set she took to the grand piano to showcase a new song, which became three new songs and the second of them was particularly good I think, but what really struck me was that the way she plays the piano made it sound rather harp-like. I wonder if she writes songs on piano, at least primarily, and then transposes and elaborates them on the harp? Whatever the truth about that she was awesome and without-doubt one of the top-three acts I saw at Latitude 2008, which leaves you to guess the other two.

We like to complain that the US market does not, generally speaking, readily take to UK artists. That is true but I think we have a little soul-searching to do here because we are guilty of this too and almost certainly for the same reasons. This is taken from a message I sent to my niece earlier this afternoon:

That said the current wave of US talent doesn't stop there. One of my favourite albums of the moment is not yet on general release in the UK but was released by Archer Records (ARR 3319272-2), a US independent label, in late 2007. Anchors and Anvils is the second album by Amy LaVere who writes, sings and also plays a rather unusual instrument, upright bass, which is like a double bass but even larger!
The album is a seamless mixture of new tracks and a few covers (including Bob Dylan's 'I'll Remember You') and is, on the face of it, a fusion of delta blues and Americana but for the use of Wurlizer, gypsy violin (that lends an eastern European folk influence) and various unusual guitars, plus of course upright bass, which makes it near indefinable. While I dislike none of them I find these two tracks particularly impressive:

• Tennessee Valentine
• Pointless Drinking
  

Now I also want her first album - This World Is Not My Home - too!

It is supposed to be summer... Virtual Festival 3

This has to do with festivals both real and imaginary. On the real side, the latest Latitude 2008 update shows that a "special guest" will play on the Obelisk arena at midday Sunday. I can think of several that would be fit for purpose. There is however one, amongst them, that I would have deemed the most improbable...

...and that is Joanna Newsom.

She is often pigeon-holed as freak folk, which may or may not be a good call, but one thing is certainly true --- there are few artists, in this or any other genre, for whom the instrument of choice is a double-stringed acoustic harp.

One thing that I totally failed to predict for 2008 is just what an influence American music would have on me. Some of it I have mentioned already but, if more examples were needed, here are another couple of albums on my 'Want To Listen To' list.

She sings while also playing upright bass at the same time.

This is yet another, from New York, that has come to my notice in the last couple of days.

Perhaps the most wonderful thing about it is that these three albums have all been released on North American independent record labels. Three different ones as it happens and artists and labels such as these deserve our support.