Shameless Winter

Do you remember those mirage summers?
Tousled hair and golden skin
Writing lyrics on the heath and smoking Luckys
It didn't matter what month we were in.

It is that time of year again, the one that invites the writing of lists. Take my word for it, this year the compiling of them has probably occupied my mind more than all the ones that have come before combined, and yet I like that very much.
I simply couldn't resist the lyric from a song from one album and that is why it appears above.
Live music thoughts - well don't even get me started...

Live Music - Marnhull Acoustic Sessions

Marnhull Acoustic Sessions take place in Marnhull Village Hall, a small but intimate and well appointed venue in North Dorset that recently hosted the rather wonderful North Dorset Folk Festival 2013, about which I have already posted (1) (2) (3) and that shares the same organization.

This is simply my thoughts on why I'm so looking forward to the forthcoming artists as the event enters its second year early in 2014.

Tickets are £6.60 (including £0.60 booking fee). This is exclusively secure e-ticketing, so you do not have to worry about the post arriving in time! All the necessary information is on the website linked above.

The next date for your diary is a week tomorrow, Sunday 24 November, and features The Moulettes. If you were at North Dorset Folk Festival 2012, held at Sturminster Newton High School, you will know of them. There's a lot going on.

The Moulettes - North Dorset Folk Festival 2012.
  

If I haven't convinced you that you need a ticket then perhaps this will. Just now the Mike Harding Folk Show Number 47 (on Mixcloud here) also featured 'Songbird'.   In support this coming Sunday, apparently Liz Green. If this is real then what are you waiting for?
The following event is a Ceilidh on 22 December. I have to say that I shall be giving that one a miss. Not only do I have two left feet but it is close enough to Christmas that I shall likely be unavailable in any case.
After recovering from the Christmas and New Year excesses Marnhull Acoustic Sessions return with a vengeance in February.

On 2 February another veteran, although he might not see it quite that way, of North Dorset Folk Festival 2012 returns in the guise of Tom James originally from Falmouth. I seem to have taken few photos of that and this is the only remotely usable one, so hopefully I will be able to take some better ones in February!

Joining Tom on the bill that evening is an artist quite new to the Dorset acoustic scene. Travelling all the way from near Richmond, the one in North Yorkshire, is Pip Mountjoy. She certainly made it as far south as Somerset in 2013, as she played for BBC Introducing at Glastonbury Festival. I saw her live at Deer Shed Festival 2012, up near Thirsk in North Yorkshire. I didn't take any convincing that her star was rising after that and both are certainly ones to watch in 2014.

   
This is followed, just three weeks later, by Phillip Henry and Hannah Martin. In a year that has seen many remarkable albums, and of which more soon, at least from my perspective their latest 'Mynd' is certainly one of them. I have had the pleasure of seeing them twice live, both times at The Cheese and Grain here in Frome.
As of today Phillip Henry and Hannah Martin are nominated in the category 'Best Duo' at BBC Radio 2 Folk Awards 2014.
This picture was taken the first time I saw them play live - at Acoustic+ in the Cheese and Grain, Frome, 25 March 2011.

Hmm... I'm not sure why, but I have a feeling this is going to become something of a regular fixture.

New Music 2014 - Part 1 - Snowbird 'Moon'

I'm so glad that I can mention this now, but also that it is not released until 2014! I have never forgotten seeing Stephanie Dosen live at my first festival in the new era, Latitude 2007, performing songs mostly from her second album 'A Lily For The Spectre'.
Well, finally she is back with a band Snowbird that includes a very surprising line-up, and the album 'Moon' is to be released by Bella Union in early 2014 and to be quite honest I can't wait. This is an album that just has to be purchased on vinyl and I can't see that Bella Union will disappoint.

All that does not detract from the vocals however. This is the lead single from it:

Frome Blues Festival 2013

Well that's North Dorset Folk Festival 2013 reviewed but I'm quite sure that you haven't heard the last of it. 

There is no rest for the wicked and so the following day it was all change. I was closer to home, less then a fifteen minute walk, at Frome Blues Festival 2013. I have to say I wondered how it, and the change of genre, would fare with me in comparison to the previous day. My stamina was one thing I was pretty confident about - this was no test like End of The Road Festival in that respect!
The good news is, that at least from my point of view, it was all good and I have now had ten days to think about it. What I haven't done much of is working through the pictures that I took that day...
It was opened byAlbany Down that I first experienced live saw live at Rook Lane Arts in Frome earlier in the year as support for Chantel McGregor; a few months after she had played Frome Blues Festival 2012 as first support.

Here is my first take on Albany Down at Frome Blues Festival 2013 and, no doubt about it, they were very impressive.

That isn't the quite the term that I would have chosen six months ago.

  

I couldn't have taken this then either but it was, in all probability, not there to be taken.
  

To be quite honest Ron Sayer Jr. had no intent to be taken lightly, and with some reason, if not always exactly perhaps the one that he had in mind. 

He was good but his band kept him on tip-toes all the time and that is well worth seeing.

Innes Sibun was new to me but blues-rock of some impact. Indeed I thought in the moment that it might even become the highlight of the day but, while that ultimately was not to be so, it says a great deal about Frome Blues Festival. 

Innes Sibun on lead guitar.

With album 'Lost In The Wilderness' to trial. It is released 18 November 2013 in the UK.

  

Jo Harman and Company became the first and only act to play both editions of Frome Blues Festival. Last year I noted that I was impressed and this year was a step change.

Here, during an instrumental interlude, is the eponymous vocalist with a quite different take on blues-rock. Jo Harman is one-to-watch in 2014, there is no doubt about that.
First support was Nimmo Brothers and kicked some ass... as well as it falling to them by fâte to announce the sad demise of of Lou Reed. Their response was anything but a sombre set but then again I don't think that is what he would have wanted. As live performances go this could truly be described as visceral.
  

This was at the start of the set and shows all of the band. While clearly committed it gave little hint of the intensity that was to follow. Not least the brothers' dual lead guitar work and certainly not that it would become quite as complicated as this. I took this next picture on a hope and a prayer, whilst simultaneously trying to believe in that which I was watching.

It would be a good trick if...    and they certainly could.

In some ways this repeated last year's festival when the first support act, Chantel McGregor, pitched the headline act into what proved to be an impossible situation. The Climax Blues band headlined this year, and it was excellent too. It was made quite clear however that it was fully aware of what it had to follow. On any other occasion either could have been the highlight of a marvellous day for the pleasingly large audience. It just so happened that Frome Blues Festival came with more than one highlight... and I for one can't help but look forward to the next edition.
Here are a few pictures of Climax Blues Band and, I have to say, I must start with their astonishing saxophonist.

Some slide guitar to die for...

...and a lead singer for whom the epithet 'craggy' is something of an understatement.  

What a wonderful day that was. See you next year!

North Dorset Folk Festival 2013 - Part 3

I was sold on North Dorset Folk Festival 2012 pretty much from the get-go and was quite happy to buy a ticket for 2013 without knowing any artists - just as I do for End of The Road Festival (EOTR) - I simply trust that it will be excellent and I have never been let down yet. On the other hand, when I discovered that Emily Barker and The Red Clay Halo was to headline NDFF 2013 I could hardly believe what I was reading - and I checked that it wasn't 1 April. It certainly wasn't, and I wasn't dreaming about it either. I first saw them, previously quite unknown to me at EOTR 2009 and was totally taken. Here is that occasion:

No drummer back then. The kit was there for other bands on the stage to use as required.

Other than that the line up remains the same. Here is how it turned out at Marnhull Village Hall on 26 October.

L - R (in both pictures): Anna Jenkins, Jo Silverston, Emily Barker and Gill Sandell.
  

Emily Barker and Gill Sandell in an acoustic guitar and piano accordion duel.
It is easy to forget in the seamless sound the individual contributions of each member.

Anna Jenkins on fiddle.
  

Nostalgia really doesn't get much better than this.
  

If percussionist Nat Butler thought that he was not going to be mentioned on account of his very recent inclusion in the Red Clay Halo then that is not so.

Percussion and bass underpin much of Dear River. Jo Silverston on electric bass.

That two of the artists have also recently released music as side-projects is very worthy of note. Gill Sandell's second solo album, Light The Boats, in September 2013 and the second after Tarry Awhile (2010 and which is also excellent). Emily Barker also participates in London-based collective Arctic Circle that released its first five-track EP 'Lantern Waste' today. Here, taken from it, is 'Hushabye Mountain' to stream and the EP to buy. I have to say that I have a particular fondness for track 4 ' Unreasonable Dreams'.

North Dorset Folk Festival 2013 - Part 2

So there. That (as in Part 1) was the lower half of the running order and how good was that, I thought to myself a week ago yesterday, sometime mid-afternoon. My only concern, though I dismissed it, was whether it was possible to maintain this momentum.
The next to play was again a duo - Jack McNeill and Charlie Heys. This is the point at which folk, or folk inspired music, actually becomes quite challenging both in subject and treatment. They played a number of new tracks from their forthcoming LP (due early 2014) too.

One to watch, for sure, and so NDFF 2013 powered forward with Boat To Row as the next act to take to the somewhat small stage. I had heard a short section of a Boat To Row set at an outdoor festival earlier this year and I wanted more. This was my chance to put it right.

All five of Midlands-based Boat To Row. North Dorset Folk Festival 2013.

Deriving from a university solo project this has developed quite some momentum.  Hannah (far left above) is the latest addition and, just a few weeks in, she is a fully integrated band member - which is as well as they have a distinct tendency to swap instruments, some of them rather unusual.

Faye Haddon on table-harmonium.

The first support needed no introduction in so far as I was concerned. Emily Baker is the the only artist to play both editions of North Dorset Folk Festival as a named artist and this was also the fifth time that I have seen her play live.
This time she did so live and unplugged - never fear - you could hear it all perfectly from the back of the hall. The highlights, some of which she previewed at NDFF last year, are songs from her 2013 album All At Sea.

Emily Baker, playing as first support, at North Dorset Folk Festival 2013.

Headlining was Emily Barker and The Red Clay Halo and this was the first time that I had seen them live since End Of The Road Festival 2009. They amazed me then and proved more than equal to the task of doing so again last Saturday night. The same four as back then but recently with Matt on drums too. The 2013 album Dear River was just a part of this.

'Nostalgia' live. This set actually deserves a post all its own. It will happen sooner than later.

North Dorset Folk Festival 2013 - Part 1

Let me make this clear right from the start. While last year's inaugural NDFF was excellent (see here) this was better on any and all objective measures that I can think of. It was indeed only matched by one or two other days in music that I have experienced in the preceding year. Now I need to try and explain why. It is likely to involve more than one post.
This year, at Marnhull Village Hall, North Dorset Folk Festival commenced with Bob Burke. He was to be seen at North Dorset Folk Festival last year too, if you remember, appearing with Tinderbox. This time he was solo and while his blend of acoustic singer-song writing is ample, it is better show-cased live by his in inter-song banter about the road-trips shared with his teenage son and suchlike. It seemed infectious too, and that it is a very important aspect of folk music of all kinds.
He did, however, suffer from a perennial problem of mine - that being that right at the start of any event I have an inability to take worthwhile photographs. I don't know why this is so, but it is true. I've tried several suggested remedies but none has proven to be in any sense reliable. It is not unfamiliarity with the venue, because it happens at ones I know very well, and at least as it seems to me not nervousness as it doesn't feel that way to me at the time. 

Bob Burke - North Dorset Folk Festival 2013.

The next on stage was James Findlay - winner of the 2010 BBC Radio 2 Young Folk Award. This set was for the most part composed of traditional material and always performed to the highest calibre. Sometimes he accompanied himself on any one of a variety of instruments, other songs he sung unaccompanied.

The next to play was duo Ninebarrow, who are local and hail from Swanage, Dorset. Ninebarrow is a hill topped with ancient burial barrows in that locality and to which many legends and superstitions are attached. Their song writing is mostly about places and times but that which sets them apart is their vocal harmonies. 

I had never seen or heard Ninebarrow live before and it was a pleasure to do so. You can stream some of their songs here - but I wholeheartedly recommend seeing them live. They are currently recording a new album too.
As regards the next act I have an admission to make - I had never even heard of it before it was announced to be playing. ODi is another duo - who both sing and play stringed instruments and sometimes a small piano accordion. This is ODi live last Saturday afternoon.

They were mighty impressive, and Dave Readfearn's contribution is absolutely vital, but the secret weapon is Claire Odlum's song writing and astonishing voice. A native of Co. Wexford, where not much of interest happens apparently, she has certainly made good use of her time there. ODi may yet not be that widely known but I suggest that this is just a matter of time. Listen to some songs here. The craic, and the all-round stage presence, is already there too.

Live and local - just part of one weekend in October.

The title says it all. This weekend just gone was a blast - right up there with anything else in my 2013 in music. It is true that on Saturday I ventured a full twenty miles away from my home town of Frome to a tiny hall in a village that, I guarantee, most people even round here are quite unaware of. Why would I do that?
We won't start there. On Friday evening I was less than a mile from home - Acoustic+, Cheese and Grain, Frome. Usual format: four bands, roughly half-hour set from each, all for a fiver. To be honest, can you go wrong with that? The answer is no. In this case it was more a matter of pinching oneself in order to check that this was indeed for real. That is not a trivial thing to say, but that I still feel the same in the light of that which I saw on Saturday says a very great deal.
Of the three acts that I had never seen live before I can't speak more highly. Blue Midnight is the exception, I have seen them live several times and so I hope that their omission from this post is excusable. This is Salisbury-based Arch Garrison, with acoustic tales of landscapes and the thoughts that they evoke. He was prescient: this would prove to be something of a theme throughout the weekend.

That the next chance to catch him live is at Union Chapel, Islington says a great deal about the artist and also the standard that Acoustic+ sets for itself.

  

The opening act was another that I had not seen live before - Kelly and Alana, so here they are.

First support was South Divide. I'd say that this was my highlight of a very good evening. It is not just about the music for all of that was excellent, nor raw ambition either, it is about the presentation of it as a coherent whole. On that basis this is why I think it the most impressive of the four acts that evening. Here are a couple of photos from the set.

Full band, in the usual Acoustc+ setting.

On lead vocals and keyboards - Chloë Warren.

As I have recently been commenting on the remarkable resurgence of the EP, both physical and digital, you will find it continues with this one.

If you missed the forgoing then all is not lost. On Saturday, November 9, South Divide is playing The Griffin, Frome.

An annoyance revisited and a work around...

Thank you to all the many people that have added reports and suggestions to work around the problem updating links and list in the sidebar. I have tried these and, for me at least this has restored functionality that has been missing for almost a week now!
Go here:
http://draft.blogger.com/home
Then:
In the 'Go To Post' Tab, chose 'More Options' > 'Layout'
Create new side bar widgets and edit existing one exactly as you would do it you had reached this point from the options at the head of your blog page. The only difference, aside from being slightly long-winded, is that when you click 'SAVE' something actually happens!

The only blot I have discovered thus far is that, at least in list widgets, it adds new items to the bottom of the list rather than the top and, while they can be "promoted" using the up/down arrows it is a little tedious. Maybe there is an 'invert list' option that I have yet to find? It is however less tedious than simply waiting for Google/Blogger to fix the primary problem.
In addition, so another slight issue, I cannot add links to the list items but I haven't the faintest idea why that might be. It is, I guess, just all part of the fun - the learning process. Were that not so I would no doubt have given up long ago.
No doubt Blogger will fix the underlying problem, probably sooner rather than later. It may be frustrating, particularly at first, but don't quit for there is plenty of free help out there and, at the very least, a carefully worded Google search will point you towards it.

Thinking ahead... Folk Festivals 2014

I've only just got back home, from something completely different, and now I am listening to Mike Harding Folk Show Number 43. You can also find it, and all the previous editions, on Mixcloud here but I recommend consulting the former for it also has a plethora of links to all the acts/artists ever featured and to listings of forthcoming live music events.
One more good piece of news is that Bristol Folk Festival is to return in 2014, after a hiatus in 2013, and at two new venues. Indeed venues that I believe are ones far better suited to it: 3 - 4 May 2014 at St. George's, Clifton, Bristol and Bristol Folk House.
To go with that theme, here is another 2013 album of which I was quite unaware of until today. Bare Foot Folk, the second album by Somerset-based Ange Hardy.

Amazon.co.uk only have it to download but the CD is available, signed if you wish, directly from the artist.

How one chooses to define 'folk' or 'roots' is open to endless debate but, any which way you chose, I doubt that I have ever listened to more of it than I have in 2013. 

Gwobr Gerddoriaeth Gymreig 2013 Welsh Music Prize

From the Brits and Mercury to the Grammys, AMA and CMA, via any number of others, many of them interesting, the world seems awash with music awards. Canada has the Juno Awards and Australia the ARIAs and the UK has the British Blues Awards that at least in part mirror the Blues Music Awards in the US.
New on the scene is the one mentioned in the title and it is, in some ways, just as interesting as any of the aforementioned. Last week it was only the third time the Welsh Music Prize had been awarded. OK, you might simply think "what is all the fuss about?"
Well, whilst Wales is not quite like Iceland as a musical volcano (yet), it seems to be simmering with musical talent. The above award was whittled down by those that do such things to a short-list of twelve albums. Of those I already had three, so I was clearly aware of what was cooking, and was surprised that several others that I have were not amongst them. Release dates for consideration, too-old or too-recent, may well have a lot to do with some of them.
The winner, announced in Cardiff on Wednesday, October 16, was one of the artists whose album I do already have and have already mentioned in passing... Week Of Pines - Georgia Ruth from Aberystwyth. Take it as read that this was already a certainty for my list of albums of 2013. I was already smitten as I have the 'In Luna EP' on 12" vinyl.

To be honest the title track of that EP is actually one of the weakest on Week Of Pines.

Thinking ahead...

Last weekend it occurred to me that, with so much live music to see in the last week of October and much of November, it would be wise to start considering all the new music that I have acquired during 2013 so far as it relates to those inevitable end-of-year lists. I made a start then and then during the week made a long-list that actually turned out to be rather scary even well before Hallowe'en!
I'm not listening to it all over a few days, which would be like an alternative Glastonbury but without the crowds. Nevertheless my neighbours, if not actually Mendip District Council, might have something to say about that.
If all that were not enough then suddenly my in-box seems to have become filled with enticing new prospects for the months ahead.
Another slight problem is that in order to keep a sense of perspective about all the new music it is necessary also to revisit some that was in that place in previous years. That must include things that I still listen to regularly and also consideration of that which, however enamoured I was at the time, now languishes in the racks of LPs and CDs and is rarely listened to.
   
This is an impossible ideal.
[And a 'Black Box Recorder' lyric - you need to imagine it with Sarah Nixey's crystal diction.]
  
It is however the continuation of a very improbable journey. Seven years ago I could never have foreseen what that first post would lead to and, looking back, I wouldn't change it for anything.
The next issue is all those 2013 albums and EPs that I haven't heard but intended to do so and all those that are still to be released in the next six weeks or so. Arrows - Polly Scattergood, released October 21, being a case in point but as it happens it arrived here today. 
This is not only unfinished business but actually impossible to finish. Back then I would never have imagined that albums such as this, which is another I need to hear, would even be under consideration but one thing leads to another. 

It is a concept related in some ways to "a little knowledge is a dangerous thing"!

The EP category was traditionally where I used to start as back in 2007 it seemed a format doomed to extinction and I had few to choose from. I got that idea well and truly wrong, I'm delighted to say!
Fast forward six years and nothing could be further from the truth for - whether digital or physical - it has become the calling card for new artists and existing ones wishing to explore another side to their music. I could spend the whole of the rest of the weekend listening to nothing but EPs released in 2013 that I have come upon during my travels both virtual and to festivals and some of these rank amongst my most listened-to and prized recordings of 2013.

Just to recap, all of this, including the wonderful people I have met along the way and the 1000 or so live acts I have seen, happened simply because I was bored one weekday evening and wished to comment on a blog post. At that time to do so I had to create my own account and, once that activation barrier had been overcome it seemed a waste of effort to not then put it to further use.

An annoyance revisited...

Last week I had reason to comment about this. Now it has happened again!  Again I know, from reading other comments to Google issues, that I am far from the only one that is experiencing this.
  
"For some reason that as far as I can see is not of my own making, I can't currently update my blog side-bar. If this works, and the problem continues although I'm trusting that it will soon be fixed, I shall simply add all content here in the meantime."
  
As you can see, I can add new posts and also edit them (or indeed earlier ones). The problem seems simply to afflict the side bar. It is hardly the case that Google can't afford to fix it:
http://www.bbc.co.uk/news/business-24572094

Just a thought... North Dorset Folk Festival

This is what you are missing as I write and, indeed, so am I.

O2 Shepherd's Bush Empire is an all-seated venue of approximately 2000 capacity.  It is now too late to go to this concert anyway. On the other hand the very same are headlining North Dorset Folk Festival on 26 October. The venue, Marnhull Village Hall, is much more intimate and as of an hour ago there were about twenty tickets still available. See you there? 

A minor annoyance...

For some reason that as far as I can see is not of my own making, I can't currently update my blog side-bar. If this works, and the problem continues although I'm trusting that it will soon be fixed, I shall simply add all content here in the meantime.
OK. That experiment worked! Watch this space...
  
Note added October 10, 2013:
It worked better still, not that I can in any way claim the credit. The problem, and I soon discovered that I was not the only one suffering from it, is now fixed!

Acoustic+ - live in Frome

It has been a couple of months since the last Acoustic+, with the customary summer hiatus following the Frome Festival Food Feast. It returned to the Cheese and Grain yesterday evening with aplomb, despite the fact that the venue is part way through a comprehensive £500k re-configuring to bring it up to the standards required of a regional venue and one of the four acts being forced to cancel at the very last moment due to a temporarily voiceless vocalist! The good news is that at the eleventh hour a quality replacement was scrambled and The Black Feathers have now been rescheduled for Acoustic+ on 22 November.
The evening started with Frome-based duo Seasons.

Bertie Harrison-Broninski on Irish bouzouki and Fin Scholefield on guitar.

Their original songs were very interesting and far from wholly traditional - so their chosen bookmark as alt-folk is very much warranted - but the choice of cover versions was no less remarkable.

The bouzouki is an instrument that has expanded its territory vastly in the last century or so; it made its way to Greece from Asia Minor as late as the start of the 20th century, Celtic-influenced folk by the late 1960s and is now in common use in Scandinavia too.
I seems that I need to 'look sharp' when it comes to the act that stood in in place of The Black Feathers and not least because Sloe Jam is appearing on Frome FM this evening (from 9pm BST/UTC+1).

Francis Hayden on guitar.

Sloe Jam is no flash in the pan - that should be obvious - so here is what I thought about Sloe Jam in 2009 and you really do need the album.
The third act to play was Albatross Archive. Once a four-piece, latterly a three-piece, and as it happened yesterday (because their saxophone player was in San Francisco presenting a research paper on Post Modernism) just a duo for the very first time. It was astonishing and not least because most others would have given up long ago. Then there was a faulty lead and then Coleridge smiled (possibly and posthumously). 

Everything went well thereafter.

   
To close was the band Three Corners fronted at least to a great extent by the organisers of Acoustic+. That said, this was Three Corners in full band mode and I'm not actually sure that I managed to get everyone in a single picture.

This is as good as I got.

    

You could take a completely different perspective of course.

New Music 2013 - Part 31 - Mahoney and The Moment

I wrote a preamble yesterday and I'm sticking with it. It was, indeed, probably indicative of a more fundamental truth than I realized at the time I wrote it.
After seven years of blogging about music some things are still difficult; starting new posts is often one of them and yet any resulting criticism is not so, strangely.  This, however, is the hardest thing of all...
Mahoney and The Moment is an act that chose to introduce themselves to my attention and I'm not sure that I really deserve that.
It has therefore taken me about a week to get my head around this. The title of their second and again self-released LP 'Don't Say No!' rather sets the tone to one of expectation rather than denial. That is when it gets really tough for me... so the only thing to do was listen to it. Once, twice... lots.
Very early on in the writing of this little blog I set down a policy of not writing about things that I don't like and I've been pretty good at sticking to it.

Don't Say No! - Mahoney and The Moment (2013)

    

As it happens I didn't have to worry about that, so here it is. They describe the music (Steve is from London and Emily from Boston, MA.) as transatlantic folk or Anglo-American folk rock. Those labels, whilst accurate, seriously under-sell this album - although perhaps better describe their self-titled début album.
The deal is that this is very good and it is quite distinctive too. Given the current situation concerning the cross-over between UK and US folk/roots/alt-country-rock, and every conceivable hybrid thereof (that is all to the good) this is one phenomenal achievement.

Track-by-track reviews are something I rarely do but, since I rate this album highly as a whole, I might just make an exception in due time... not least because the opening track 'Who Is Archie Lane?' begins with the lyric "I don't like you...", before some seconds later the brass section comes to the fore. What's not to like?
So good it is, indeed, that I shall share it with you.

EOTR 2013 - more from the Garden Stage - Part 2

As the title might suggest this continues directly on from my previous post. One thing I should add is that, for all the wonderful things that go on at the other stages, the Garden Stage is probably my favourite and certainly so for photography.
Here, early on Saturday afternoon, is someone probably better known as a producer of other people's records - including Laura Marling's last three albums - 'I Speak Because I Can' (2010), 'A Creature I Don't Know' (2011) and 'Once I Was An Eagle' (2013) but the only time I had previously seen him play live was (twice) at Latitude 2010 as a guitarist in Sir Tom Jones' live band when the latter was performing the album 'Praise and Blame', which Ethan Johns also produced. In fact he produced much of The Staves début album 'Dead and Born and Grown' too (see previous post).

EOTR likes tying things in knots, which only adds to the fun!

Whilst clearly busy with all of that Ethan Johns is also a sometime songwriter, singer and (mostly) guitar player and his set on the Garden Stage was all about that and his recent album 'If Not Now Then When'. On the other hand some of the prickly critics of such reinvention failed to curl up in a ball and proved to be rather soft-centered; PopMatters was just one such and they did not stand alone.
This however did not give us real insight into Ethan Johns' own music, although logic surely suggested roughly where it might lie. It is true that this assumption was not confounded but - and this is a very important but - neither was it derivative or a pastiche of any of the aforementioned artists. This is important in the evolving relationship between UK and US music and I shall return to it later - probably towards the end of this year.

The next is another band I had not seen before, and they do hail from the US, but the story of how the band came to be is as remarkable as it is improbable.

The Barr Brothers.

    

In one way perhaps the biggest winner on this stage was Fossil Collective. The band unexpectedly opened proceedings at noon on Saturday because Jessica Pratt (not to be confused with the Australian classical soprano singer with the same name) was unable to play songs from her self-titled début LP. Fossil Collective also played their booked set on the Tipi Stage late the same evening of course. I saw all of both sets making them one of the few acts I have ever seen perform full live sets twice in the same calendar day. Many, but far from all, songs came from the album 'Tell Where I Lie' (2013). You could likely write reams on the influences this band may have but then so could I and you might not want that. The point is, if it sounds good, does it actually matter?

It doesn't. Here is Fossil Collective, Garden Stage, End of The Road 2013.