Three to see twice - Green Man and End Of The Road 2014
I made a deliberate policy of seeing three acts that I saw at Green Man all over again, just a fortnight later, at EOTR. The three are Samantha Crain, The Rails and Alice Boman. The curious thing is that all appeared on the Walled Garden Stage at Green Man and on The Tipi Stage at EOTR but, in the latter case one each day. I intend to illustrate this post with pictures I took at both festivals.
When it comes to the stage the Walled Garden wins over the Tipi for its outdoor ambience, but when it comes down to the bottom line it is the band that really matters. I had high expectations of The Rails before I saw them live for the first time at Green Man. They blew me away then --- and then they did it all over again, only more so, last Sunday afternoon. 'Fair Warning' (2014) is the début album and it more than delivers on the promise.
'The Rails' Tipi stage, Sunday afternoon, End Of The Road 2014.
As regards photography, well for all that I am learning faster than I thought I might, it is very much a case of simply handling the cards one is dealt as best one can: everything changes, every time.
One thing that few people seemed to disagree about, at either festival, is the perfection of Alice Boman's vocals. She may not yet be an artist that people buy festival tickets on the strength of but either that time will come or perhaps equally importantly, the strength in depth of the offering will.
One thing that few people seemed to disagree about, at either festival, is the perfection of Alice Boman's vocals. She may not yet be an artist that people buy festival tickets on the strength of but either that time will come or perhaps equally importantly, the strength in depth of the offering will.
Alice Boman, Walled Garden Stage, Green Man 2014, Friday afternoon, squinting into the sun.
Alice Boman, Tipi Stage, EOTR 2014, 10:40 pm Friday.
Here she is selling and signing CDs thereafter. She got through most of that box come the end of the line.
Last but certainly not least, and with more released recordings than either of the aforementioned, this is Samantha Crain from Shawnee, Oklahoma.
Tipi Stage, End of The Road 2014, early Sunday evening.
Samantha Crain, Walled Garden Stage, Sunday afternoon, Green Man 2014.
Three acts from different countries, UK, Sweden and the US respectively, that exemplify the increasing strength in depth of the folk-roots revival in recent times.
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