Thursday, April 23, 2015

Live and not at all local...

'Thoughts on Music' is taking a time-out for a couple of days. It will return early next week. Rather than mull over last night's BBC Radio 2 Folk Awards, which I considered doing, I will hold that comment over until next week.
I decided upon sharing this instead. In a way it is more vital.
I have mentioned 'Free The Honey' before and whilst purveyors of for the most part Appalachian music that is not to say that gypsy fiddle and more beside will not be included, for they are. The four band members - 
Katherine Taylor, Jenny Hill, Lizzy Plotkin and now made complete by Andrew Cameron (upright bass) come from a wide milieu but are all based in the high mountains - Gunnison, in western Colorado. Free The Honey is working towards a début LP.
This was a support set to further that project. You will have to suffer, or fast-forward, the rambling introduction but that has nothing to do with the band. We have all been there, I'm sure, in similar circumstances. I'd recommend that you start 7 minutes 19 seconds in.

Once you get to the music, they play nine songs or tunes, it is a delight.

Wednesday, April 22, 2015

New Music 2015 - Part 33 - Lau - The Bell That Never Rang

This release is much awaited and not least by me. It is the latest LP from Lau, a three-piece band that I saw live at End Of The Road 2014 and that I mentioned here.

The LP is 'The Bell That Never Rang', released (in the UK) 4 May 2015.

It is also an example of something else, which might be of interest and not only to thrifty neophiles...
It is free to stream, legally and in full although not necessarily of the highest bit-rate, before its release and possibly only for a limited time. You can find this example at... 
No, that's not fun at all. I'll let you find it yourself. An added twist is that production duties on 'The Bell That Never Rang' were helmed by Joan Wasser. There are only six tracks on it and the title track is seventeen minutes long.
If you are interested in music from at least of now little known artists (and they all have to start somewhere) then the world is your oyster. There are also ways to get music in advance that might cost no more than buying the product when and if it happens - PledgeMusic, Kickstarter are example of this crowd-funding approach and there are many others. I have several LPs that are yet to see public release this way and the bonus is that they are signed copies.

The point may sound Holmesian but is that you have to keep eyes and ears wide open at all times and discretely carry a pocket notebook* so you don't forget things. It is amazing what you can learn at live events, especially festivals, even if it is merely overheard chatter. [Alcohol loosens tongues but certainly doesn't help with remembering what you saw or heard/were told the previous day.]
Beyond that it is up to you and your ingenuity to find out what, if anything, that which you heard or saw means in the great scheme of things. The most important insights are the subtle ones.

*a notebook and a soft black pencil:
It is a passé concept I know. Here's why it is important. You can write in the dark and the damp and your notes will almost certainly survive in a legible form even when the paper dries out. It doesn't have batteries that might go flat or a lit screen that attracts attention to what you are doing (inevitably so in the dark).

Tuesday, April 21, 2015

Live and local - Simon Kent, Blair Dunlop and Emma Stevens

In between hopping across the Atlantic with this blog, if only metaphorically though I would given the chance, it is more than refreshing to trundle a score of miles through the English countryside full of spring blossom to a gig in a village hall to hear such quality as was showcased last Sunday evening.
It was supposed to be a double bill. That it was a triple was the source of some pre-event strife, but did not impinge on the evening for the audience. The 'extra' was Simon Kent playing with only a drummer for company and at short notice due to unforeseen circumstances. I have to say that he was someone who I was only peripherally aware. It was a short set but it has certainly inclined me to investigate further.

The other two acts were a joint-billing - and this was the only date on that tour that was not a city. Blair Dunlop played first on this occasion, To be honest it would not have mattered one little bit had Emma Stevens played first. I don't think that they are competitive in that particular sense.
Blair Dunlop has been on my list of 'ones to see live' for some time and I can't think of a better venue than this. It is  I think not be going to be possible to do it in such a small venue without paying a high ticket price for much longer - in might, indeed, have been the very last time.
He played tracks from both his released LPs, and three brand new ones (the bedroom sessions!) and also this. It is a cover of kinds, I suppose.
It is a tune (instrumental)  'Si Bheg, Si Mhor' - written by blind Irish harpist and, rather more importantly composer, Turlough O'Carolan (1670 -  1738). How can a guitar sound like a harp? Played like this... that's how.
Emma Stevens is also two albums into her career as a solo artist, 'Waves' being the latest. Here she is captured playing an instrument that gives some people the creeps. As far as I know she doesn't play piano accordion.
She played this only on one song, and played nothing whilst singing another one, but otherwise played guitar and sang. 

Saturday, April 18, 2015

New Music 2015 - Part 32 - Samantha Crain - Under Branch & Thorn & Tree

Today is Record Store Day 2015 on both sides of the Atlantic. The press will be covering that on all levels without the shadow of a doubt. I will leave them to it, at least for now, in favour of the tenets that underpin it.

There would be none of this without the independently-minded artists and the labels, venues, festivals and stores that support them, and hopefully the mutual benefit they derive from that. It takes a certain mentality for all of this to exist, let alone thrive. I decided to choose one artist to represent all of this. From the many possibilities it is Samantha Crain.
I first heard about her a couple of years ago, although I forget quite how, but last summer I saw her play twice at festivals.
She is a story-telling songwriter above anything else and that scenario often works best in an intimate live setting. Here she is playing the Tipi stage at End Of The Road Festival 2014.

She releases her fourth studio album 'Under Branch & Thorn & Tree' this coming summer on Ramseur Records in North America and Full Time Hobby Records in the UK.
This recent interview, first published in the Tulsa Voice (OK, USA), is too interesting to miss out on.

Thursday, April 16, 2015

New Music 2015 - Part 31 - Jason Isbell - Something More Than Free

Less than a fortnight ago I mentioned the forthcoming Jason Isbell studio LP. This is confirmation of 'Something More Than Free' and some of the material that will appear on it. The eleven songs include:

  • 24 Frames
  • Children of Children
  • Flagship
  • If It Takes A Lifetime
  • Palmetto Rose
The musicians involved will be top-drawer as ever, including his wife Amanda Shires and they are expecting their first child. Production is by Dave Cobb who did the same with honours on the 2013 LP 'Southeastern'. It is released (in North America at least) by (his own label) Southeastern Records on 17 July 2015. UK/Europe release date is unknown to me at this time but, as things currently are, that might actually be 16 July 2015. It is by all counts a whole lot more cheerful than the last release, as might reasonably be expected in the circumstances. As he puts it "a lower head count".
This might even be the album artwork but I wouldn't bet on that.

Tuesday, April 14, 2015

New Music 2015 - Part 30 - Orchard Hill - Make It Out Alive

So how did this happen?
Well I was just following this and that, about festivals and stuff. They say never judge a book by its cover - and that applies to music - even digital artwork I suppose. I didn't get a chance because the music came first - I had to search for the artwork myself but it was worth it.

I think it sets the tone of the EP 'Make It Out Alive' perfectly.
I'm not even sure yet how to to categorise the music - there are three songs - on this 2014 self-released EP. It isn't folk, that is certain, but most other descriptors have connotations that I don't really want to attach to it. The answer, of course, is to listen to it yourself.
Forced to put a finger on it this female-fronted four-piece from the south coast of the UK is either pop-rock or rock-pop.
That it is not worthy of the lazy comparisons, particularly with certain American acts that may be held to be in that category, and with which Orchard Hill has seemingly come to be compared is without doubt.
In that sense the subdued artwork says as much as it possibly could.  This EP is an example of the British sentiment for understatement, if ever there were one. Never maudlin, 
it is a fine example of cheerfulness in adversity; the title alone bears that out. 

Listen to this.

See Orchard Hill live. ASAP [also a note-to-self]

A few recent (live) videos.

I never sure whether to make this sort of addendum a post on its own or to add the items to (recent) posts about the same act or artist. In this case I have avoided the issue as such and chosen a combination of the two concepts. These first two are added to recent posts (links included below):

  • Sound of The Sirens - 'Faith in Fire' (live, Plymouth, 11 April 2015) here.
  • Annabelle Chvostek - 'Be The Media' (live studio session) here.
I have a few more to share but they relate to earlier posts, some very much so, and I will therefore add the new content below but with links back to earlier posts or references as appropriate.
This next is in a sense a cover of a cover. The song 'Fields Of Gold' was written by Gordon Sumner, aka Sting, but the famous version is that by the late Eva Cassidy. This is a live version of that recorded by Hattie Briggs, and from her recent début album 'Red & Gold', that features violin and was also mixed by Eva Cassidy's brother Dan Cassidy. 

The rest of the album, and that comprises her self-written songs, is stunning too. It topped the iTunes folk chart yesterday. The next question is how soon we can get to see her play live in Frome - Rook Lane might be the ideal venue but The Grain Bar would be very good too.

This next is rather a different prospect and certainly a change of style and tempo. I have quite happily driven a total of four hundred miles to see Joanne Shaw Taylor live three times. Next time it is going to be a fifteen minute walk from home. 

Sunday, April 12, 2015

New Music 2015 - Part 29 - Jenny Lysander - Northern Folk

To be honest it wasn't going to be long until Sweden reasserted its claim to producing some astonishing music. The Söderberg sisters - aka 'First Aid Kit' - may have seemingly crossed the ocean, and very successfully too, but that leaves a gap of kinds, I suppose. She might not like this billing, or indeed some of the other comparisons that have recently come her way, but the chances are that she can outflank that. She is Jenny Lysander.

Her début album 'Northern Folk' is released by Beating Drum Records on April 27 in Europe.

Behind The Castle Festival 2015

It is almost 13 April as I write and Behind the Castle Festival is therefore just two short months away.

Get your tickets here and especially if you wish for camping on Saturday for these are very limited and will all be gone soon. The line-up is of course stunning from start to finish. There is nothing not to cherish, which it just as it should be. With three stages there will be some agonising choices to make; I have been promised that. Bring it on, this as a festival compact enough to see part of one set and then part of another without missing much whilst between them.
I'm not saying, because I won't decide until the very moment, what I want to see most.  Here is a Spotify playlist including some, but not all, of the artists that will be there on the day. It is entirely my own choice of songs, of course, but hopefully provides some idea of what is on offer. 
There will almost certainly be additions and updates. I just needed to post something at the point that I had got to. It might just help fend off some of that the Monday feeling too - it is nearly 100 minutes long.
The Spiral Earth Awards 2015 have now been announced and two of the winners, both for albums, are playing BTCF 2015:
Moulettes - best album - Constellations
Larkin Poe - best Americana album - Kin
If that weren't enough another  of the winners -  Blair Dunlop , best solo artist, is playing Marnhull Acoustic sessions this coming Sunday (19 April) and that is not all; Emma Stevens is supporting.

New Music 2015 - Part 28 - Du Blonde - Welcome Back To Milk

This artist has featured in these pages a few times before but not as Du Blonde. The new LP 'Welcome Back To Milk' is released on Mute Records on 18 May 2015 in the UK. It was always extremely unlikely that she, so therefore the album or its artwork, would become bland. Her pop-art illustrations and often black and white photography are quite something. She makes her own stage costumes too.

The music is heavier than heretofore but the artist Beth Jeans Houghton remains unmistakably herself, which is nothing but a good thing.
Here she is with 'The Hooves of Destiny' at End Of The Road 2011. Du Blonde is confirmed for End Of The Road 2015.
The first track released from the new LP is 'Black Flag'. 

Du Blonde - Black Flag (Official Audio) from Mute on Vimeo.

Thursday, April 09, 2015

New Music 2015 - Part 27 - Waxahatchee - Ivy Tripp

This artist, and her new album 'Ivy Tripp', handily combines the themes of artists from across the Atlantic and those that I'm looking forward to seeing live at a festival in 2015.
Waxahatchee is the project of Katie Crutchfield, originally from from Birmingham, AL and this is the latest LP. It is already released in the UK/EU/RoW by Wichita Recordings. In North America it is released by Merge Records. This, taken from it, is 'Under A Rock' and there is a whole lot more than this one song to be gained from this LP. I'm set on the idea that the tracks released as "singles" may not be those which are most important live - that is hardly a revelation but it is an important consideration nevertheless. I'm not even convinced that this is one of my favourites in any case, which is far more a recommendation than at first it might seem.

She plays Green Man Festival 2015 and that is where I intend to see her play live; something that I have not experienced before.
There is a video to this song too, as has now come to my attention.

Wednesday, April 08, 2015

Nothin' But Blood - Scott H Biram

I have been listening to so much music lately and in part connected to the festivals that I am attending this summer. This album however, although in some ways connected to my previous post,  really needs a post of its own.
It also nicely illustrates two points: the first is that I can't possibly keep up with all new music that I might wish to in real time and therefore that once again it is wise to keep note of independent labels that one trusts.

In this case the artist Scott H. Biram is not new and this (2014) is his fifth LP release with Bloodshot Records. It is loud, direct and dirty, often to the point of profanity, heartfelt blues-country-rock. The original songs are are every bit incisive; as much are the wisely interpreted covers including Willie Dixon's 'Back Door Man'. Originally written for Howlin' Wolf (1961) it later appeared on his own LP 'I Am The Blues' (1970). It has needless to say been covered, in whole or in part, many other times in the meanwhile. I'm thinking Frank Marino & Mahogany Rush in particular here, but I have yet to find it in my vinyl collection. It is in there, somewhere.

This is the opening track to the LP and 'Slow and Easy' is a pretty gentle introduction as its title might suggest. I can do no better than this summary:
Rock 'n' Roll ain't pretty and neither is Scott H BiramBelow the link to 'Slow & Easy' is the full track listing.

  • Slow & Easy 
  • Gotta Get to Heaven
  • Alcohol Blues 
  • Never Comin' Home
  • Only 
  • Jack of Diamonds
  • Nam Weed
  • Backdoor Man
  • Church Point Girls 
  • I'm Troubled
  • Around the Bend
This is one album that I just had to have on vinyl. What you might not guess is that he is a one-man-band. In that sense I think that he would be absolutely perfect for the tiny Saloon Stage at Truck Festival 2015! But then, since I'm going to Truck, it is just my selfish streak.

So, my second point about all of this is...
Well... I'll just keep y'all waitin' for that.

Saturday, April 04, 2015

New Music 2015 - Part 26 - back across the ocean

I was always intending the theme of new, or new to me, music from North America to be the theme of a few upcoming posts. I have been listening to plenty of it, across various genres, recently.

It is with much happiness that I heard the condition of Joni Mitchell is improving. It is with sadness that I heard that, on Friday evening, Robert Lewis Jones Sr. and the original drummer with Southern Rock band Lynyrd Skynyrd,was killed in a car accident. He had already left the band before three of its then members were killed in a plane crash in 1977.
I have a 12" single of 'Freebird', it was on the band's 1973 début album, and I'm giving it a spin right now:

If I leave here tomorrow, would you still remember me?
For I must be travelin' on now, for there's too many places left to see.

Southern Rock hasn't been such a big deal, certainly viewed from a UK perspective, in recent times but maybe that isn't the way things will remain. This next band was going to figure here regardless of the foregoing. It is not the same, I don't suppose they ever intended that, but it is worthy of a listen I think.
I guess that, as regards to this band, I'm a bit slow to the nose-bag with this release.

Staying down South, but changing genre, this news is to me as good as it gets.
Amy LaVere and Will Sexton's 'Hallelujah I'm a Dreamer' is released today, 7 April,  in the US as a download by Archer Records. It is said the CD follows on 19 May. As for UK/Europe release I just don't know - yet. I'm on the case not least because it is a live album by one of the artists that I would most like to see live but thus far never have.
This is the track-list:
  • Cricket (At Night I Can Fly)
  • Dreamer
  • Day Like Any
  • Cupid's Arrow
  • It's the Thing to Do
  • Last Rock 'n' Roll Boy to Dance
  • Overcome
  • Red Banks
  • Tonight Will Be Fine
  • Lesson
  • Tennessee Valentine
It would be remiss of me to leave music from Canada out of this post. This looks intriguing too and Annabelle Chovstek is coming to the UK soon and not least to Marnhull Acoustic Sessions on 10 May. She brings a new LP 'Be The Media' into the equation too.

I don't know a whole lot about it yet but it is said to see her largely play electric guitar (of 1957 vintage) and that it includes a cover of fellow Canadian Neil Young's 'Like A Hurricane'. It was notably covered by Jason Isbell and The 400 Unit on the 2013 live LP 'Live From Alabama'. On that subject Jason Isbell has just about finished work on his latest studio LP that is the follow-up to 'Southeastern'.

That said, this is the track-list I believe:

  1. Be The Media
  2. Jerusalem
  3. Black Hole
  4. This Night
  5. Carnal Delights
  6. You Can Come Now
  7. Like A Hurricane
  8. Inside The Scream/Screen
Here is the title track from it:

Friday, April 03, 2015

Live and local - where music meets politics for real

If you have been drowning under the deluge of media concerning the forthcoming elections, both national and (at least here in Frome) very much localthen here is an antidote to the traditional yawn-inducing stuff this coming Tuesday. Bear in mind, however, that music and politics have a long and glorious connection...

Luke Concannon (one half of band Nizlopi) and Al O'Kane play The Grain Bar from 8pm this coming Tuesday, 7 April. £5 on the door or available on line in advance here.

So what is that to do with politics? Quite a bit, actually.
This event is a fund-raiser for Frome and Somerton branch of The Green Party. Al O'Kane is standing as a candidate for Independents for Frome in the forthcoming Frome Town Council elections. What happened the last time there were elections for Frome Town Council, in 2011, has become the stuff of legend. And then, palpably, they delivered. That applies to their plans
 but also and rather importantly it seems, to the wider attention that it has garnered for Frome both nationally and sometimes internationally.
The £½ million spent on bringing the Cheese and Grain venue up to modern standards, in the café-bar of which this concert is being held, is just a small part of that. There may well be more to come. Let's hope so.

What is more it has just been announced that Al O'Kane is one of the six finalists competing next Saturday, 11 April, at Sixty Million Postcards in Bournemouth, for a slot at Larmer Tree Festival 2015 in the final of The Larmer Tree Breakthrough Music Awards 2015. I have to admit that I have never really been to Bournemouth, and certainly not to see music.
It is the deep south. Maybe I should reconsider that.

Tuesday, March 31, 2015

Come and see live music.

Right then. Spring is coming, sooner or later, and it is time to stop making excuses and start making plans for the summer. If you have never really engaged with live music but thought that you might, be it indoors or outside, now is the time to make some decisions. There has arguably never been such a choice as there is just now. I'll say it now, loud and plain, even vinyl isn't a patch on live performance.
The tired old excuses - about the kids, food, camping, toilets, whatever.... well they don't really hold water any longer. You can have anything you want - from a couple of hours at an intimate indoor gig to four days camping in a field - and it is up to you. What is more is that it doesn't need to cost the earth either. The one thing that you will have to find minders for, if it is more than a short escape, is your pets. Your cat may have other ideas of a good weekend whilst you are away but that's not my problem.

Here is a selection, biased to those that are reasonably local to me but not entirely so:

Nine dates in cities across the UK and Marnhull Acoustc Sessions in a hall that seats about a hundred.
For more about the artists see here  ---  Blair Dunlop  ---  Emma Stevens. At the same venue the following Sunday Megan Henwood and on 10 May Canadian artist Annabelle Chvostek (formerly a member of The Wailin' Jennys). She has a brand new LP 'Be The Media' coming out on 1 June.

Then on 13 June comes the second edition of Behind The Castle Festival and, as it says, it is held just behind Sherborne Castle, Dorset in beautiful parkland. Bigger and better than last year, which was great this one-day family-friendly festival now has camping overnight on the Saturday (but you need to book that and soon) and will have enhanced catering and bar facilities as well as more stuff just for kids.
Here is the upper crust of the line-up. The rest won't disappoint.

In the way such things can happen, one of the artists not on the above list has been forced to cancel owing to illness. The replacement, who would otherwise have been on the list above, is to be announced tomorrow. It will be worth watching, trust me.
That is not to say that the others in the running list are any less worthy of your attention or indeed mine. I'm a firm believer in always arriving in time to see all of the support sets at any gig and, in so far as is possible, turning out to see the opening acts on festival stages even at 11am on Sunday morning.
You might just get the live music bug. If you do then the longer festivals beckon.
When summer is fading in to autumn  it will be time for North Dorset Folk Festival. That is a long time off and we must not wish all those months away.

If I were to write such a piece then it would not come out much different to this very recent preview:

Monday, March 30, 2015

New Music 2015 - Part 25 - Hannah Rose Platt - Portraits

Can a reason be divined for the mutual issues of mistrust that exist between enemies to be overcome? Possibly not, but we must hope so. I was listening to the news today and while it is not directly about that it made me wonder...
Cut to a longer standing situation, albeit less threatening by a million miles; that is the relationship between US country music, the UK and the rest of Europe and the omens now look pretty promising.
It occurred to me whilst I was listening to this LP. 
I have decided not to write a post about the album and then another about the ideas that it inspired. It seemed better done as a tract, one non-religious though rather less apolitical.

To an extent I think that that without the former my inspiration for lateral thinking about the other matters might not have happened quite as it did. I shall return to the album at the end, but suffice it to say that I had also been thinking about mathematics and statistics, in a somewhat abstract sense, for a completely different reason in any case.
What then happened is that I started thinking about how all this might apply to the relations between music labels, artists and the consumers over the last twenty-five years or so. I haven't worked this through fully, even in my mind, as yet but I like the idea of doing so. I suspect that this is an interesting case of playing a zero-sum game, initially between the major labels and nowhere more so than in their hegemony of the (and therefore almost entirely US) market for 'country music'. Not only could they control the market they could shape it as they saw fit...  contracts, and failing that sheer dollars, could take care of that. In that model there is an island of stability, within which all participants stand to lose more than they would gain by disrupting the status quo. That is not to say that is a cartel, as such, but it is cozy. This is the zero-sum game by definition and it works until there is enough outside pressure, angst even, for sufficient nascent feelings of power for these people such that they start taking real risks; either by jumping off the gravy-train or simply attacking, guerilla style, from the frustration of not being able to see a way of getting aboard. That includes all people involved in the chain - from artists, engineers, producers and studios to independent labels and distributors and stores.
There becomes a point at which the zero-sum game breaks down. This failure is then liable to destroy the tenets of Nash Equilibrium; this predicts that producers [in the sense of those that bring any product to market and not the more specific 'music producer' sense] will control supply (in whatever way is appropriate to that industry or market) to maximise the profits for all (major) players.  It is a cartel, by any other name, but is not necessarily illegal. The recent collapse in the price of oil is a good example of that unravelling. The various threads of the music industry seem to be making good progress putting that kind of nonsense to bed and it is about time too. 
To get back to where I started...
Portraits is a stunning listen and, whilst it was recorded in Nashville with a phalanx of country music greats in support, Hannah Rose Platt is from Liverpool and now based in London. The album is self-released and all but two songs are her own, the other two are co-writes. The Nashville equilibrium is being well and truly perturbed, from within the US and without, and we will all benefit from that.

Here is a taster of the album.

Saturday, March 28, 2015

2015 Festivals - Cambridge Folk Festival

I probably mentioned that this is my "newbie" for 2015 - it is in fact the 51st year that Cambridge Folk Festival has been held, making it one of the world's longest continuously operating music festivals.  It took a certain recommendation, from one who is a pro, to persuade me to take the plunge however.  For me however it will be all new and I'm very much looking forward to it. I have two 'warm-up' festivals before it - Behind The Castle Festival and Truck Festival so come the weekend that spans the end of July and the start of August I should be well into the festival mentality. Now for some thoughts... one of which is that starting posts is often the hardest part. In a way this reminds me of the thing I most hated in school lessons - how to start a story. Another thing I disliked was revision - re-named research, in this case about the artists already announced for Cambridge Folk Festival, that seems way better.
I always liked making and keeping lists. I still do and so not long ago I was making a list of acts or artists that I would most like to see this summer. Pretty much at the top of it was this artist; about a week ago she was announced for Cambridge 2015.

I have been a big fan of Carolina Chocolate Drops since back when, but have never seen them play live. There will be clashes a-plenty, I can see that already, but she will be on my list of things to see.

Beyond that the question is simply where to start and only then beyond the astonishing trinity of Peggy Seeger, Joan Baez and Joan Armatrading. I have seen none of them live before.

The prolific Bella Hardy, whom I saw live at Frome Festival 2012, releases her latest album 'With The Dawn' this coming Monday and another that I would really like to catch live again. Cambridge Folk Festival is a world away from the Westway Cinema, Frome, although I mean no discredit to either venue.
This LP is almost entirely her own original songs rather than interpretations of traditional material.
If you think that that is an odd shift of emphasis then here is 'The Herring Girl', a Bella hardy original from the 2011 album 'Songs Lost & Stolen'.
Beyond that... well there is just so much I would like to see. I have seen The Unthanks four times before but that is not to say that I wouldn't wish to see them once again, not least because it has been a couple of years now and, never ones to rest on the laurels of past successes, they bring new album 'Mount The Air' into the equation.
To state the obvious that isn't even the half of it. I can see The Willows at Behind The Castle but likely as not I will want to see them again less than two months later. The one certainty is that I won't be able, however determined I might be, to see everything that I want to see. That however is the mark of a really good festival, without the shadow of a doubt.
That decision to keep listening and beat the tiredness any way you can; I have caught forty winks somewhere or other in the arena between bands on many an occasion before. I don't see any reason to stop now.