The rogue's gallery - and thinking about 2018 festivals

I had so much fun putting the first of these together that I was looking for any excuse to do something similar. A cold, wet day spent doing household chores and backing up the computer prompted me to look at more of the pictures of music that I have taken over the last decade or so. In turn this has inclined me to think about some festival plans for 2018.

There is no obvious place to start this but it has reminded me of several artists that I have seen live but not thought about more recently.

Cate Le Bon, Garden stage, End Of The Road 2014.

There is no obvious end to this either. Festivals became something I was curious about.  Therefore I had to go and see why there was so much fuss made about them. That finally happened in July 2007 with a trip to Latitude.
Photography was something that came with that because it seemed a convenient way to remind me what I had seen live. It was thus but it only partly served to overcome my lack of note-taking and the fact that the great majority of acts that I saw were ones that I had never even heard-of, let alone heard live or otherwise at the start of the respective set. Rather importantly I had a great time that weekend despite more than a few misgivings about the venture of solo festival attendance the nearer I got to actually having to deal with it.

In time it, both festivals and photography, turned out to be a greater deal than that. It is certain that the Garden stage at End Of The Road Festival is extremely influential in this.

The same stage three years later...

Julia Jacklin returned. She had played the Tipi stage at End Of The Road 2016. 3 September 2017.

What was this all about?  There's nothing like a band going off on a whim. Particularly if the result is leaving your drummer lost, head-in-hands. It's even better when it unfolds in front of you.

Hinds, Far Out stage, Green Man Festival, 18 August 2017.

Welcome to live music. This is why it is so much fun. Sometimes I scare myself, if only retrospectively. I made a complete dog's breakfast of taking pictures of Holly Macve when she played the Sunday opening slot on The Garden stage at End Of The Road 2016. I got another chance... and possibly I did a little better this time.

Holly Macve - Mountain stage, Green Man Festival, 20 August 2017.

I'm sure that there will be some more trips back down memory lane as I consider festival options for 2018.

End Of The Road 2014 - more highlights

Over the last day or two I have pondered whether to try and theme my further thoughts on End Of The Road 2014 by genre, chronology or stage. In the end I concluded that such divisions were largely immaterial. What really matters is this - more of the acts that I really liked. There are plenty of them and therefore this might cover two posts in time.
To start with is Lau, whose members I have all seen playing live at least once but never together as such. The link above reads like a textbook exercise in hyperbole until, that is, you see it happen live. Here they are, Garden stage, Saturday afternoon.

This is of course one reason that, in the ten years Lau has existed, it has taken away the BBC Radio 2 Folk Award for 'Best Band' four times, most recently in 2013.
Whilst on the subject of quality, another thing to note is that of the printed EOTR festival programme; it is absolutely worth the price (£6) and that is nothing new. The writing, the editorial style and the layout are top notch. The only mistake I noticed was that it said that Cate Le Bon's performance, again on the Garden stage on Saturday, was her EOTR début: it wasn't, she played the same stage in 2010 but no matter.
That was before the release of her first full LP 'Me Oh My' and she was clearly someone to watch. 'Cyrk' was then followed by her latest, 'Mug Museum', and she just gets better and better. More importantly people both here and in the US (she now divides her time between Wales and California) are starting to take notice.

Someone very accustomed to both the Garden and Tipi stages at EOTR is Jocie Adams. That was however with Rhode Island indie stalwarts The Low Anthem. This was her first EOTR outing fronting her own band Arc Iris here as a four-piece and which, as her tradition dictates, played both stages on Friday.

Lunch time, Friday, on a rather breezy Garden stage.

All four in the frame. Tipi stage at the very end of Friday evening.

On the basis of this you might be thinking that I never even visited the Big Top stage. It is true that in comparison with previous years I spent very little time there but one of the few occasions was to catch part of the Pink Mountaintops set.

It is probably true that I spent less time at the Woods stage than in previous years, though I have already mentioned Jenny Lewis playing there. For all my pre-planning I always end up reinventing much of my schedule on-the-hoof and I will continue to do so. This next band was not, pre-festival, particularly on my radar. It just goes to show how very wrong I can be...

Stephen Malkmus & The Jicks, Woods stage, Friday evening.

New Music 2012 - Part 4 - Europe, Cyrk and things

Two more sophopmore albums, as it happens I said it might be like this, both of which are by acts/artists I have also already seen live and this makes me more confident about saying that they are unlikely to disappoint.
   
The first is London-based Allo Darlin', although singer and ukelele player Elizabeth Morris is Australian. Here they are (she has a band too) playing the 'Big Top Tent' at EOTR 2011 and I don't think I've used any pictures from this set before.

At the start of the gig there were a couple of hundred in the audience, by mid-way it was something else and prompted the comment that, "If we look nervous it's because we are. We've never played to an audience this size." It didn't show but before the end and the result of a much-passed bit of paper she read out a request from Joe to his girlfriend, both somewhere mid-way back in the crowd as it now was, and she said "yes".
The new album, 'Europe' will be out soon, released by Slumberland Recordings and distributed by FORTUNA pop in, erm, Europe.  You could call the music twee-core, but only at your peril. Who cares what it is "labelled" anyway?
  
In some ways you could say much the same sorts of things about this artist too. One who as it happens performed on the Garden Stage at EOTR 2010 in support of her début album 'Me Oh My', so here she is doing exactly that.

The new album, released on January 17 in the US by The Control Group, is Cyrk.
  

Note added January 10, 2012:

If you want to hear the above-mentioned 'Cyrk' on free, legal stream try this:

http://www.pastemagazine.com/blogs/av/2012/01/video-premiere-cate-le-bon---fold-the-cloth-2.html

Why music really matters (Part 3) - just because it does.

I've seen and heard a great deal of new music in 2010 and for that I am extremely thankful.  When it comes to taking stock, for the season of those end-of-year lists is fast approaching, it makes life challenging but also great fun.
What I find hardest to understand let alone to explain to others is why I like the music I do (and not that I don't) and why it changes.  On a day-by-day-basis I'm fine with it - just fits the mood or some other largely random trigger, such as hearing something played on the radio that brings back a particular time or memory.
It is the longer term trends, particularly the way I feel about music and the associated changes that I'm less certain about.  That is a shame because, in a deeper sense, I think this is the more fascinating aspect for it also begs the implicit question: "What is it about music, taken in all its forms, that makes it have such universal importance to human-kind?"  If it were simply an ephemeral pleasure I doubt it could invoke such passion and sometimes vehement disagreement.
The earlier posts are here:
Why Music Really Matters (Part 2)
Why Music Really Matters


I seem to have gone all philosophical on you, dear readers, but I am not going to apologise.  It also shows just how little, even now, we understand the detailed processes of the human brain that underlie culture in the broadest sense.
If this just sends you running for a copy of 'Steps - Gold' then it only serves to my illustrate my point but, equally, I must never judge you on your choices...


To lighten proceedings I'll add a few more pictures and thoughts from the last couple of years.  They will, of couse, be subject to my own bias in such matters...


This first artist, who I saw at EOTR 2010 (by the way the remainder of the tickets for EOTR 2011 are now on sale) has already been mentioned here.

Just testing: Jessica Lea Mayfield had to put her guitar back in tune and, as she was playing solo, bantered with the audience to fill the void in the performance.
I have found myself listening to the album 'With Blasphemy So Heartfelt' more and more in the last couple of months.  Her second album, slated for release in spring 2011, will be interesting indeed and she played a couple of tracks from it in this set.


One of the first artists I saw at Latitude 2007, on the Lake Stage on the Friday, was Cate Le Bon (no relation to Duran Duran's Simon, by the way).  It was her first festival performance and, to all intents and purposes, my first as a member of the crowd.  I have pictures that I took then and the crowd was numbered in dozens.  We crossed paths again at EOTR 2010 and it made me realise that I should have included (the much delayed) album 'Me Oh My' in my 2009 ' best-of' list.

Cate Le Bon played the (main) Garden Stage at EOTR 2010 on Friday afternoon.
Her first attempt at an album, 'Pet Deaths' was abandoned. In the meantime she released a 7" single, 'Can't Drag Me Down' and Welsh language 10" EP ' Edrych Yn Llygaid Ceffyl Benthyg'.

No complaints from the crowd of, I estimate, well the right side of a thousand.

If we can't work out the science it does not detract from the experience. Music matters because it does and why should we feel the need to justify that?

Me Oh My (and the matter of Pet Deaths).

I'll steer away from reminiscences of EOTR 2009 for a moment, in favour of those started at Latitude 2007 and here is why...
One of the artists I saw then was Cate Le Bon and I mentioned that her début album 'Pet Deaths' would soon be out. That was now more than two years ago and it still isn't (although the 10" EP Edrych Yn Llygaid Ceffyl Benthyg appeared in 2008). That album has, for various reasons, gone the same way as the pets...

It has however been replaced by this one, Me Oh My, which is out soon on Irony Bored Records and if you want a bonus DVD to come along with it then Rough Trade in London is the place to look:
http://www.roughtrade.com/site/shop_detail.lasso?search_type=sku&sku=317252

Things That Happen When You Write Them Down

It's been a while, as someone said to me last week, so here is some new music from Wales that most will probably be unfamiliar with and the 5-track EP is available only on vinyl 7":

This is, as far as I know, the first full release of a solo recording by south Wales artist Laura Bryon amongst whose other projects is the band King Alexander, which has been mentioned here before, but while 'Despot Chic' was shouty punk this is an acoustic affair. The second track, 'The Trees They Do Grow High' is traditional while the others are self-penned and so was, I very much suspect, the artwork too. Released on Bird Records (07EGGS) this is an EP for lovers of the current nu/anti-folk resurgence. To buy it try Spillers Records in Cardiff or, to save a journey, click here instead. As the short review on their site says this is recommended to those who like the music of Cate Le Bon, and that is very true, but taking away the Welsh aspect (and none of this EP is sung in Welsh), another current point of reference would be Blue Roses.

Good Fortune Sounds - bad luck mouse.

Look Into The Eyes Of A Borrowed Horse...

It is not the best time of year to seek new releases but it is a good time to look back on those that you wished you had paid more attention to in the last twelve months, and for my part I can suddenly think of plenty, or try to find those that, despite whatever effort made, slipped under the net. Now might be a good time to find them at bargain prices.
Several people have recently asked me about the 10" vinyl-only EP, Edrych Yn Llygaid Ceffyl Benthyg, by Cate Le Bon that I mentioned as being one of my two favourite EPs of 2008 not so long ago.

The good news is that, at least as of today, it is still available from Spillers Records in Cardiff and is £5.99 + P&P. I just hope her début album finally sees the light of day soon for having heard some live tracks, and apparently destined for release almost eighteen months ago, it is a bit tantalising.

What will 2009 bring? Who knows, but if I were to add a third EP to my list for 2008 it would have to be Taxi - Nicole Fermie.

EPs of 2008...

I find categories with many competing possibilities particularly difficult by dint of the selection criteria: on one hand I don't want to appear biased but, on the other hand, that is exactly why I'm writing it!

This is the easiest category to deal with as there are relatively few contenders. Last year the selection process was pretty easy and this year it has not been too difficult either but there still are important differences: last year both artists/acts came from the UK and sung in English but this year that is not true!
The problem with doing this is that, having listened to the contenders for the category, what to listen to while writing that is not apt to influence the decision and is yet complementary? My answer, available on CD and well worth a listen, is Kiln House - Fleetwood Mac (1970, 12" vinyl, RSLP9004).

In 2008 one of the two doesn't come from the UK and one doesn't sing in English (on the EP)! At least you can't say that I've not chosen two that are in a similar genre, though that was not true last year either. Here they are, in no order:

• Sun Giant - Fleet Foxes
  

Released in the US in late 2007 and, following their signing to Bella Union, in the UK in early 2008, is this EP by Seattle all-male five-piece 'Fleet Foxes'. They made tight vocal harmonies cool again - even before the release of their eponymous début album later in 2008 - and they sing in English.

• Edrych Yn Llygaid Ceffyl Benthyg - Cate Le Bon

The long promised album, apparently to be entitled Pet Deaths, has still not appeared but in early summer 2008 this 5-track EP, released only on 10" vinyl and sung entirely in Welsh, more than made up for that! Some of the tracks are far more complex than those she has show-cased before.
I can't yet quite explain why I think this but the final track, O Bont i Bont, sounds like one of the very best modern French pop songs that has never actually been written!

Two incomparable but equally innovative and worthwhile EPs; demonstrating beyond doubt that the genre is still well and truly alive.

Asleep Again? What happened to Jem...

Finally Woken (ATO Records LLC/Sony BMG)

and 2004 seems so long ago.

I'm still not convinced that I'm sure what is going on here, as some major label murkiness seems to be involved, but the second album - title unknown to me - was originally due to be released in early 2007 but now "sometime in 2008" is the best I can find... If it ever appears then it is said that Lester Mendez (Shakira et al) is involved which is a good sign and I haven't found anything that indicates she has been dropped by her label.

I still stick by my guns and that is to say that I think Finally Woken sounds as good now as I thought it did then. I would, in fact, hazard a guess owing to its style and sound that was it released new in 2008 it would actually have fared even better than it did in 2004 as it combines cross-genre fascination with organic performance; both of which are fuelling the ascent of live music at the moment.
Her siblings, Georgia and Justin, are one third of indie-punk-hiphop/rap band Weapons and they released their eponymous debut album in September 2006 on their own label, Wicked Old Lady Records, and Jem joins them on track seven, The Thieves, but sadly I have yet to track a copy down.

That said, while looking into all this, I have discovered something else. While the album Pet Deaths seems to be a long time coming in the meantime another South Wales singer-songwriter, Cate Le Bon, is to release an EP on Cardiff label Peski Records on 21st April and only on 10" vinyl:

Edrych yn Llygaid Ceffyl Benthyg.
Sebon.co.uk - Peski009

More from Wales...

No One Can Drag Me Down/Disappear is the début single from Cate Le Bon and it was available as a free download in the spring of this year. It was more importantly limited to just 500 physical copies and it is still available on 7" vinyl as of today. It is GBP 5.00 (about €7,50 US$ 10) and these prices are exclusive of delivery. The delivery charges are both reasonable and plainly stated on the website.
If you want to buy it then try Spillers Records in Cardiff, which is also the oldest surviving record shop in the world as it was founded in 1894, and enter Cate Le Bon in the Artist section of the Music Search box. They delivered my copy in three days.
This release is label-less as it is self-released and also all copies of it are numbered by hand so, having already had the good fortune to hear her play live (as pictured below), I decided that this 7" was well worth the risking of a fiver!

The album, which is to be entitled Pet Deaths, should follow soon but as yet I can find no date or other information about this release.
One thing I can say is that she will be appearing live in Cardiff as part of the new Sŵn Festival, which will take place in venues across the city over the weekend of 9th - 11th November 2007.

Wales, Welsh artists, and the Welsh language...

Just about thirty miles from here as the crow flies lies a country that has produced at least its fair share of well known popular artists of many genres. Here are a few that come to mind, in no particular order: Shirley Bassey, Aled Jones, The Automatic, Lostprophets, Super Furry Animals, Charlotte Church, Catatonia, The Stereophonics, Tom Jones, Goldie Lookin' Chain, The Manic Street Preachers... and so the list goes on.
They all of course hail from Wales but what few of them do is sing in Welsh. [Just in case anyone here is confusing Welsh accents or dialect (of English) I'm referring to the Welsh language here - that which sounds, and if seen written, seems about as familiar as would Finnish for example.] I'm already on record as saying that I have no problem with foreign language music and I've mentioned one Welsh language artist already...

Well, if you are curious to hear what modern Welsh language music sounds like I have two more you might care to listen to!

Cerys Matthews, formerly the lead singer with Catatonia in the late 1990s has released two solo albums - Cock A Hoop (2003) and Never Said Goodbye (2006), on which only the occasional track is sung in Welsh - but she is however well known as a collector of traditional Welsh language songs. I have just learned today of her forthcoming EP, entirely sung in Welsh. I haven't heard it as yet, but I'm working on getting a copy. It is entitled Awyren (Aeroplane) and is due to be released on 15th October 2007 on Cardiff-based label 'Kung Fu Records'.

Then there is Cate Le Bon, who is yet another artist I saw live at Latitude 2007. Like Gwenno Saunders and Cerys Matthews she is a native of South Wales and is bilingual. She is also fine writer of what some reviewers have labelled nu-folk - a term I don't actually particularly like and indie-alt-folk is probably far better if rather clumsy. What sets her apart from most is that she writes and sings pretty much equally in Welsh and English. She was the second act on the 'Lake Stage', promoted by BBC Radio 1, on Sunday with a set consisting of four tracks sung in English followed by another four sung in Welsh and, if truth be told, they were all very good. The relatively small crowd was probably a result of the collective hangover that can come from two full days spent at a festival... I've since read more glowing reports and she's definitely one to watch in 2007/8.

Apart from singing she mostly plays guitar, but sometimes keyboards and it is rumoured, but I never saw it myself, drums. Her début album, Pet Deaths, is due out before too long. Rumour has it that this may actually be preceded by a Welsh-language EP.

She seems to have the support of young fans too...

These three girls spent the whole set utterly absorbed in the music, probably planning their future careers, and as I left for the Obelisk Stage in order to catch The Hoosiers they were busy "interviewing" the camera operator for good measure!