New Music 2016 - Part 7 - Aurora - All My Demons Greeting Me As A Friend

Well, now that I'm thinking about festivals in 2016, this memory from Green Man 2015 is worth all the rain and more.
I wandered away from the Mountain stage during a lull in proceedings and took this image of folk making the best of a soggy day whilst on my way...

When you see something live, that you are previously at best only slightly aware of, and it wildly exceeds all expectations you don't need to do anything except be there; you can't do anything about it because it just happens. This was one such occasion for me.

Aurora, Walled Garden stage, Green Man Festival, 23 August 2015.

Running With The Wolves EP started the ball rolling and the title track is on the forthcoming LP. Aurora Aksnes is quite something to behold live.

All My Demons Greeting Me As A Friend (Decca-UMO, 11 March 2016).

She is also good for a cover song from time to time, and I'm not talking Oasis and the John Lewis Christmas 2015 one here, although that certainly garnered much publicity and attention for her. This, although she could not have known it at the time of performance in June 2015, is now far more topical. It is not much short of acapella.

Is There Life on Mars?

New Music 2015 - Part 46 - Kacey Musgraves - Pageant Material

'Pageant Material', which is Kacey Musgraves' second studio album, is to be released on 22 June in the UK by Decca. I read the article about it in the Sunday Times today.

If the falseness of the album artwork annoys you - it is just a cliché - then please read on...

Factually, the article was fine in as far as it went (not very far) but that isn't the problem I have with it. The issue is that the author wasn't even willing to applaud the bravery that major label Mercury, and therefore not something that I might naturally feel inclined to defend, had in releasing 'Same Trailer Different Park' in 2013.
The article acknowledged that it tackled issues that would bother the moral majority: It did that and then some. 'Pageant Material' is no less incendiary in that respect but neither was Loretta Lynn when tackling issues of domestic abuse some decades ago. 

'Biscuits' is the first track released from it.

The other thing that struck me is that the impression given in the article is that Kacey Musgraves is alone in this mission. It is a fact that she isn't. Here are just two others to consider that I was well aware of in 2014:

• Razor Wire - Hannah Aldridge (2014)
• American Middle Class - Angaleena Presley (2014)

Whilst not actually courting such controversy with her début solo LP 'Like A Rose', Ashley Monroe was not afraid to tackle a taboo subject on the track 'Two Weeks Late' or a rather different one on 'Weed Instead Of Roses'. Her second LP should be revealed within a few months.
There are plenty of others too. Not least the ones that I am currently unaware of.

Why do major labels vacillate?

If you think that a curious title for a post then I shall expound.
It is no secret that The Shires' début album 'Brave', dropping soon, has no known album artwork as of today. Or at least that is the catch-all position that amazon,com and amazon.co.uk is currently displaying. I have to say that, at this stage in the game, that is rather disappointing. The duo is signed to Decca in the UK and Universal Music Group Nashville in all other markets (the first ever UK act to be so). Be that as it may the labels still can't sort the album artwork such that amazon.co.uk or amazon.com can display it. This, in marketing terms alone, is really rather pathetic. No wonder that the independent labels, that can react fast, are running rings.
Be that as it may...

It is still likely an LP that will have an impact. It won't be the only one.

On the other hand apparently small and insignificant labels can insinuate themselves, and thus also their artists, into the consciousness of music fans seemingly without any fanfare at all. Sometimes emerging under the radar, and then staying there for a while, has advantages all of its own.

Particularly when pop - slightly old-style West-coast pop - is concerned.
Any influence and none, its just your ears that decide that in the end.

This evening... vinyl only.

Once upon a time radio stations relied on pre-release vinyl. This is one such 7", from 1973, that presaged the release of the album 'Vagabond Of The Western World' (SKL 5170) that was not, as it turned out, destined to rock the world.

Given a couple more years things were to change dramatically in terms of the band; both its core dynamic and the public's appetite for such music. 
The two tracks on the other face of this are 'Gonna Creep Up On You' and 'Little Girl In Bloom'.
As things are going tonight is not going to get beyond 7" singles that I know/or had forgotten that I have. This is a song that, in all probability, you haven't heard for some time...
  

The original release of it  - VER 1 (1981) - sounds so very dated now, I think.

When genres melded...

At some point rock, hard rock indeed, developed a sensibility that included aspects of both UK folk and Americana; perhaps not both at the same time and almost certainly not in the same place.
That would probably be in the early 1970s and this is one of the albums that, I believe, was a trail-blazer although the band in question were actually heading in the direction of harder rock at that time.

This is Decca SKL 5170 (1973) and hard rock it is not!  It is still very good though...

Eric Bell was a victim of the changes but perhaps its time has come around again.  A bonus is that SKL 5170 came with an illustrated lyric sheet.
Even in later Thin Lizzy albums this traît was evident - Jailbreak (1976) is a very good example.  It was, on the face of it, a 'full-on' hard rock album but the subject matter was actually rather traditional...  It was also the album that finally saw them see some success in the US.

New Music 2010 - Part 14 - Albums for Autumn

I thought that I would take a break from my musings on Latitude 2010, of which more soon, to mention forthcoming albums by two acts that have already featured here before and both of which I have heard live.

The first comes from duo 'Smoke Fairies' whose stock has been much in the ascendant in 2010, following high-profile support slots and a trip to the US.  After an impressive run of singles and EPs, many of them on vinyl, their début album Through Low Light and Trees is to be released by V2 Coop on September 10 in the UK on 12" vinyl, CD and download. Those of us lucky enough to be going to End Of The Road Festival 2010 that weekend will also have the pleasure of seeing and hearing them perform live on September 12.

This is the album artwork and here is the track listing and also a legal freebie:

Through Low Light And Trees - Smoke Fairies

1. Summer Fades

2. Devil In My Mind
3. Hotel Room
4. Dragon
5. Erie Lackawanna
6. Strange Moon Rising
7. Morning Blues
8. Storm Song
9. Blue Skies Fall
10. Feeling Is Turning Blue
11. After The Rain

"New Album Track 'Strange Moon Rising' now on myspace and also available as a free download from the website www.SmokeFairies.com by signing up to the mailing list. If you're already on it, don't worry we'll be sending you a mail shot with a link very soon!"

For my comment on Smoke Fairies live, at End Of The Road 2010, see here:
http://rpgreenhalgh.blogspot.com/2010/09/smoke-fairies-eotr-2010-part-3.html

The next item to catch my attention is the second album release by Imelda May. The excellent 2008 début Love Tattoo will be followed (on October 4 in the UK) by Mayhem, which is released by Decca (yes, really).

I am currently unable to say whether this will be available on 12" vinyl but the lead single Psycho, released on June 28, most certainly is available on 7" vinyl.  I posted my thoughts on Imelda May live in Frome last year.

Both of these are well and truly on my list of forthcoming albums and I'm very much looking forward to hearing both.  They are not the only ones by any means...

The Penny Has Dropped --- Old imprint, new brand.

Until very recently there was the 'Universal Classics and Jazz' imprint with a name that quite accurately had all the impression of one that, while representing a very broad approach to the palette implied (also true), was chosen as the result of a lack of a better idea.
Well, its changed... not to some clever digital-age acronym but instead to that of an old friend from the strictly analogue age!
"The penny has dropped" is an appropriately old-fashioned analogy and one of certain relevance.

It is I think part of a policy that is actually more widespread in the world of major labels; witness the current major promotion of the 50th anniversary of Island Records, now another Universal imprint. The rôle of the major label as behemoth isn't the panacea the industry once believed it would be and it certainly isn't cool anymore, if it ever was, with a public that more than ever need tempting with incentives to buy music on whatever format rather than just download it illegally.