Folk Weekend Oxford 2013 - The Pub Sessions

I caught part of several of these and they provided some of the highlights of my weekend. The first was that in James Street Tavern on Friday evening and, before I go further, this is exactly the kind of pub that we must all treasure and support: see here. I had never been there before - and first impressions count more than most - so I shall start somewhat after midnight or, in other words, very early Saturday morning...

A little time and some more ale later but still going strong.

This next is from the session in the café-bar in the Old Fire Station on Saturday afternoon, which was a monster in terms of both duration and participation.  This is just a snapshot of the centre of the musical melée at this time.

I did some counting ... this included nine fiddles, four melodions, three flutes, two clarinets (and a fair few other instruments too) all playing together. It worked beautifully.  The next picture is another view of the same, focussing on reed instruments including two piano accordions, and taken just seconds later.

Next to mention is the 'Scandinavian Sessions' in the 'Far From The Madding Crowd' pub on Saturday. It was fascinating not just for the music played but also for the instruments used to play it. Here are two of them...

In the foreground is a fiddle with nine strings, only four of which you can bow while the remaining five are sympathetic. The other even more complicated instrument, which is being played, is a nyckelharpa and it has sixteen strings, of which twelve are sympathetic, and both instruments are now largely confined to Scandinavian music - the nyckelharpa to Sweden in particular. The long, dark, winter nights must make the development of such complicated creations appealing but, I have to say, the effort was well worth it; they both sound absolutely wonderful.

Kathryn Tickell - NXNE versus SXSW!

SXSW is the largest "altenative-indie" showcase in the world and it takes place in venues across Austin, TX each March. Although called a festival it is much more an industry convention but strange in that sense. In an industry that is in many sectors on the verge of desperation, it also has the ability to bring UK artists to popular attention here as well, if not more so, than in North American markets. It has probably also done much to increase the profile of US-based folk/roots/country inspired music in the UK, something that has been a very apparent, and in my view welcome, trend in the last three years or so.

What they are wont to forget is that we also have a huge traditional canon of our own, played in a bewildering range of styles and on a vast range of instruments, that cover almost every topic from the positively ancient to the most modern in almost every way imaginable. What is not so easy to do, quite so simply, is to scan a 12" album cover as it is too large.

Ranting Lads - High Level Ranters

I mentioned this 1976 album [on the phone, in a private conversation, yesterday] and not even a half-decent image can seemingly be found on the internet. That is not a problem - or at least not round here - for this a photo of the original 12" album (TOPIC - 12TS297) taken about an hour ago. In keeping with the album there were no clever digital tricks involved, except to employ a lack of them; no flash, no tripod, and a 1/16 second exposure on my F20 using only the diffuse background lighting in my sitting room. It was originally 2048 pixels each way but, to make it more suitable for posting, I have reduced it to a more manageable 800 x 800 pixels but it seems to have lost little, if anything, in the transformation. Using flash for this kind of thing always results in undesirable brightness and burnt-out reflections. Using a tripod is fine but I decided to try without --- it is easier to centre the image this way. The challenge is to stay sill enough for 1/16 second - and this was the best of three.
I can't wait until Saturday when I'm going to see the Kathryn Tickell Band. It's been a long, long time since I have heard Northumbrian pipes (and Hardanger-tuned fiddles) played live and The Cheese & Grain has much to recommend it as a venue for such music.

Kathryn Tickell - live in 2004

The slightly rustic surroundings do nothing to spoil the atmosphere but nevertheless it also has surprisingly good acoustics for such a venue, a bar serving real ale from Frome's own 'Milk Street Brewery', and it is less than a twenty-minute unhurried walk from home.