North Dorset Folk Festival 2017 - a preview

So you thought that the 2017 festival season is over now? Well for the most part it is...
You might still be able to snag a ticket for this, the 6th edition of North Dorset Folk Festival and probably Britain's smallest festival - less than 100 tickets were available at the start of sales - if you get on it quick. The food is to die for too.

TICKETS: here (£29 + £2.61 booking fee)
This is the poster:

I shall be adding details of the artists during this evening and tomorrow. I hope to see you at Marnhull Village Hall in less than three weeks time. I'm super excited for this because, although I am one of perhaps a dozen people other the organisers and crew that have been to all five previous editions of The North Dorset Folk Festival, five of the seven acts are ones that I have never seen live here or anywhere else. In that sense it beats any of the previous five!
The two artists that I have seen playing full sets live before actually have what I think are the two most challenging slots here: Tom Clements opening and Megan Henwood as first support.

Headline artist Lisbee Stainton released her fifth album in the spring of this year so rest assured that she has no shortage of quality material from which to choose for her set. 

Lisbee Stainton - Then Up (Active Distribution, 21 April 2017).

Megan Henwood is not likely to have that problem either and she is a veteran of NDFF. Her third album is due for general release on Friday 27 October. No promises, but it's just possible that you might be able to purchase it person-to-person a few days early. Signed. If you don't ask you don't get.

Megan Henwood - River (27 October 2017).

From Somerset, Kitty Macfarlane and an artist that inexplicably I have managed to avoid seeing live for no obvious reason at all. That is despite the fact that her EP Tide & Time is well known to me and I wrote about it last year!

My Music in 2015 - EPs and mini-albums - Part 2

I mentioned yesterday that I would conclude my lists of 2015 shortly. I am to do that now. While I was writing yesterday it occurred to me that perhaps there are good reasons to move such activities to the very end of the calendar year as I intended or even, as it has turned out, the very start of the new one. The rules here are exactly the same as with 'Part 1':

• Aimée - Write This Down
• The Great Western Tears - Great Western Tears
• Jimmy LaFave - The Night Tribe
• Old Hannah - Iron and Wood
• Rebecca Clements - Pure Wasted
• Wildwood Kin - Salt Of The Earth

Wildwood Kin, Frome Cheese & Grain - 24 October 2014.

Aimée - North Dorset Folk Festival - 24 October 2015.

New Music 2015 - Part 67 - Phillip Henry and Hannah Martin - Watershed

Nothing gives me more pleasure than writing about this. It is a couple of years since I was introduced to this duo by Ian Lyster via North Dorset Folk Festival and Marnhull Acoustic Sessions. I have seen the duo live at least five times now and it can never be once too many.

It is not really so long since Mynd was released (2013).  This is about the new studio album but in the meantime they have released the CD Live At Calstock (2014).

Watershed is released on 25 September by Dragonfly Roots.

Less concerned with historical themes than their earlier work it is indeed a watershed. To assert otherwise would be wrong I think; the track titles alone give lie to that:

• Watershed
• Stones
• Tonight
• Yarrow Mill
• Conkers
• December
• January
• Letter (Unsent)
• Foundling
• Lament
• London
• Taxis

More immediate and intimate it is certainly is, but no less stunning. This is just a sample of it and, amazingly, adding video from FB wasn't quite the total pain that I thought it would be.
Should you want it ASAP then Proper Music have it on a limited pre-order deal for £10.99 and that includes UK delivery and the CD is signed!

Old Music. New Music. - Photos. Fires. Fables.

I know that, as Emily Barker and The Red Clay Halo embark on their tour and it is likely to be the last for a little while as the various members pursue their many other projects, Photos. Fires. Fables (2005) is soon to be re-released on CD and this news will please many people. It is in no way a curiosity simply because it was her first release as a solo artist. It still stands as an incredible record.
I am one of the lucky ones: I snapped up the very last copy at the Rough Trade pop-up shop at End Of The Road Festival back in 2009 - and I knew absolutely nothing at all about the artist until this point - about ten minutes after I heard her play live. When music does that to me then it really matters; it is history in the making.

Emily Barker and The Red Clay Halo headlined North Dorset Folk Festival in 2013.

North Dorset Folk Festival 2014

I'm back home from the above mentioned. Was it good? Don't even get me started!

This was the third edition and the second at its current venue of Marnhull Village Hall. I think I have said each time that the latest will be hard to better. Take it as read that it applies here too.
The word bijou applies to this festival more than any other that I can think of. A jewel is usually very small but perfect and, for some reason, in English we borrowed the French word when used as an adjective. As a demonstration of the intimacy of the setting I took this picture from the back row of the seating and without zoom of any kind. The sound desk was perhaps 2 metres behind me and the back wall of the hall immediately behind that.

This is headline artists Phillip Henry and Hannah Martin and I shall return to them.

I'm a big fan of seeing opening acts and as it happens in this case he was the only one on the bill that I had never seen live before. This just shows the strength-in-depth on offer here. 

It was Gavin Davenport and he is hardly unknown, as the link will attest. He played a variety of instruments of which the concertina is a favourite of mine.

The next artist to play may not be known to you unless you were at Behind The Castle Festival in 2014, which is where I first saw her live. That should change very soon and I'm interested to hear how she sounds with backing musicians. Why so? See here.

Lizzyspit releases her first full length recording 'Villains' in January 2015.

I remember the next act, Tinderbox, from my visit to the first North Dorset Folk Festival (NDFF) in 2012. Totally new to me then, seeing them play again yesterday was quite the nostalgia thing.

They were, as in 2012, joined by Bob Burke (right) and he is now the only artist to have played all three editions of NDFF, where he played solo in 2013. Tinderbox release a live album 'Live! At The Cottage' shortly. Indeed, and thanks for the link information, you can now pre-order it here.  I have to say that, while you can take Monique Houraghan out of Dublin you can't take Dublin out of her. Later we were treated, by Hannah Martin, to an apposite Oscar Wilde quote! And that is not to mention the fact that Tinderbox challenged Ninebarrow (see below) to a cover 'duel' - and it seems that both parties freely accepted.

Next was the UK based but bluegrass-influenced and all-round inventiveness of three-piece Jaywalkers - from left to right: Mike, Lucy and Jay. They are working on their third LP.

The old-time Appalachian style, whether the tracks are new or traditional, was just the ticket at this point in the day.

After these four acts there was a longer interval before the next three sets. This was to allow for food, drink and also reconfiguring the stage set-up for what was to come. On the subject of food I'll say only this: Cake was clearly pretty much the only food that the artists coveted.

The music resumed with Dorset duo Ninebarrow that also play a mixture of traditional and new compositions, the latter mostly inspired by history and landscape.

I think that perhaps the most incisive comment in the link above is provided by the duo that were headlining. There is something about their take on music that really matters. They played some new songs and that really mattered too. This was taken during one of those new songs. It is astonishing to remember that their first released recording, 'Kingdom EP', was released in 2013 and début LP 'While The Blackthorn Burns' as recently as April 2014.

First support was an artist who played at the first NDFF in 2012 and that was also the first time I saw Megan Henwood play live although I was well aware of the 2011 album 'Making Waves' before that. I have seen her play solo, as a four-piece and, as here, a three-piece.

Any which way it is an experience.

The vicissitudes on the path of a musician are many and as such have delayed the release of her second LP 'Head Heart Hand'. It is now happening in March 2015 and all the omens are good.

That only leaves me to mention the headline artists - Phillip Henry and Hannah Martin. To be honest they did exactly that which I have come to expect.
They came, they played, they conquered but they are no conquistadors for they do it with guileless style rather than with fire and sword. If there were any present that hadn't seen this live and remain unconverted then I have to say its a bit like cooking mussels - if they haven't opened up after a few minutes then they were probably already dead.

Their latest studio LP 'Mynd' (2013) is excellent but, and it is relevant here, equally so is their 2014 release 'Live In Calstock' and it was recorded at another venue about as small as this. One of the best live acts in the UK today; it is as simple as that.

One more thing is that you can see another of the very best at the same venue on 9 November! Marnhull Acoustic Sessions presents The Moulettes. All six of them accompanied by even more instruments, often large ones, on that same small stage. You can see them supporting Bellowhead too, and you should do that, but I guarantee that it won't be an atmosphere quite like this and you may never be able to see them in a venue as small as this again. Tickets are £11 (including £1 booking fee).

Marnhull Acoustic Session - Jinder & Pete Millson

After missing Marnhull Acoustic Sessions on its 31 August return, because I was a End of The Road Festival, I reacquainted myself with it this evening. I have just returned from what proved to be a very worthwhile and enjoyable performance from two acoustic guitarists and songwriters neither of which I was very well aware of before. Both hail from Bridport, which is clearly a veritable treasure trove of musical talent.

It was interesting to contrast their respective approaches to song writing and playing. First to play was Peter Millson with a set that included a number of songs taken from his latest LP 'The Love That Meets Return' (2014).

Indeed here he is playing the title track of that very album.

Following the short break was Jinder who presented songs from his most recent album 'Crumbs of Comfort' (2012) along with some earlier material, relevant cover versions and some choice anecdotes that threw interesting light on the songs themselves and the twists and turns of fâte that connected them. He also played a couple of songs that are to appear on his forthcoming LP that will be released early in 2015. I am sure that he mentioned the title but I didn't take notes and have now forgotten.

I'm not going to write more in detail about the music of either at this juncture. It is getting late and in any case I did something that I very rarely do at such events; I bought both the aforementioned albums on CD and quite likely I will return in due course to reviewing them in more detail.
There is no Marnhull Acoustic Session in October: It is better than that for its place is taken by the 3rd North Dorset Folk Festival on 25 October and that will take place at the same intimate venue (and may possibly be the smallest festival in England). I'm going to write a preview of that very soon but suffice to say it will be a treat and it is only £25 (+booking fee). There are not many tickets to start with and very few remain.

Marnhull Acoustic Session - Tom James & Pip Mountjoy

The new season of Marnhull Acoustic Sessions kicked of this evening in fine style with a double headline bill of Pip Mountjoy and Tom James. I have quite literally just returned home and downloaded my pictures and there seemed no reason not to write while it is still fresh on my mind.
Both artists indicated that new releases are in the pipeline - a third EP from Pip and Tom's first album and the follow up to his Green + White EP (2011).
Both artists played solo sets and then collaborated busking-style for a few tracks to finish off the evening in an interesting and very successful fashion so I shall start with that.

Oh Carolina.

The contrast in their respective song writing and acoustic styles was fascinating and just the kind of thing that an intimate gig  such as this shows to best effect.
   

    

Whilst Tom laid aside his acoustic for electric guitar on a number of songs Pip down-sized to ukelele, something that I do not recall from the time that I saw her at Deer Shed Festival 2012.

    

Marnhull Acoustic Sessions returns on 23 February with a celebration of its first anniversary. Phillip Henry and Hannah Martin will be headlining with Dorset-based Ninebarrow as support. The former are nominated for 'best duo' at the BBC Radio 2 Folk Awards 2014, that take place earlier the same week and so a double celebration is to be hoped for.

Marnhull Acoustic Sessions 2014

Parts of Somerset and Dorset are indeed flooded, with no end to the deluge in sight, but please don't think that the rich musical life of both counties has suddenly vanished. Far from it indeed and the new year of Marnhull Acoustic Sessions starts this coming Sunday with two fine singer-songwriters as a double-headline show and I have seen both live just once before.
Tom James is from Falmouth, Cornwall and played at North Dorset Folk Festival 2012. To choose a cover here, rather than one of his own songs, might seem a strange choice. To cover Bonnie Raitt is a mark of bravery...

Can't Make You Love Me.

      
Pip Mountjoy is from Richmond, North Yorkshire and I first saw her live at Deershed Festival, near Thirsk and also in North Yorkshire, in 2012. She was "down south" last June, performing on the BBC Introducing Stage at Glastonbury Festival.

The Killing Kind.

She has released two EPs, 'Louisiana' and 'My Skeleton' and this track is not on either of them. This Sunday should be very special.

Tickets are £6 + £0.60 fee booked here with instant e-delivery (no need to worry about the post) and £7 on the door at Marnhull Village Hall, if any are still available at this most intimate of venues.
On Saturday 25 October 2014 it will also be the home of the third North Dorset Folk Festival and you wouldn't want to miss that...
There are only a couple of festivals for which I will book a ticket on trust, with no prior knowledge of the line up: End Of The Road Festival is one and this another.

North Dorset Folk Festival 2013 - Part 3

I was sold on North Dorset Folk Festival 2012 pretty much from the get-go and was quite happy to buy a ticket for 2013 without knowing any artists - just as I do for End of The Road Festival (EOTR) - I simply trust that it will be excellent and I have never been let down yet. On the other hand, when I discovered that Emily Barker and The Red Clay Halo was to headline NDFF 2013 I could hardly believe what I was reading - and I checked that it wasn't 1 April. It certainly wasn't, and I wasn't dreaming about it either. I first saw them, previously quite unknown to me at EOTR 2009 and was totally taken. Here is that occasion:

No drummer back then. The kit was there for other bands on the stage to use as required.

Other than that the line up remains the same. Here is how it turned out at Marnhull Village Hall on 26 October.

L - R (in both pictures): Anna Jenkins, Jo Silverston, Emily Barker and Gill Sandell.
  

Emily Barker and Gill Sandell in an acoustic guitar and piano accordion duel.
It is easy to forget in the seamless sound the individual contributions of each member.

Anna Jenkins on fiddle.
  

Nostalgia really doesn't get much better than this.
  

If percussionist Nat Butler thought that he was not going to be mentioned on account of his very recent inclusion in the Red Clay Halo then that is not so.

Percussion and bass underpin much of Dear River. Jo Silverston on electric bass.

That two of the artists have also recently released music as side-projects is very worthy of note. Gill Sandell's second solo album, Light The Boats, in September 2013 and the second after Tarry Awhile (2010 and which is also excellent). Emily Barker also participates in London-based collective Arctic Circle that released its first five-track EP 'Lantern Waste' today. Here, taken from it, is 'Hushabye Mountain' to stream and the EP to buy. I have to say that I have a particular fondness for track 4 ' Unreasonable Dreams'.

North Dorset Folk Festival 2013 - Part 2

So there. That (as in Part 1) was the lower half of the running order and how good was that, I thought to myself a week ago yesterday, sometime mid-afternoon. My only concern, though I dismissed it, was whether it was possible to maintain this momentum.
The next to play was again a duo - Jack McNeill and Charlie Heys. This is the point at which folk, or folk inspired music, actually becomes quite challenging both in subject and treatment. They played a number of new tracks from their forthcoming LP (due early 2014) too.

One to watch, for sure, and so NDFF 2013 powered forward with Boat To Row as the next act to take to the somewhat small stage. I had heard a short section of a Boat To Row set at an outdoor festival earlier this year and I wanted more. This was my chance to put it right.

All five of Midlands-based Boat To Row. North Dorset Folk Festival 2013.

Deriving from a university solo project this has developed quite some momentum.  Hannah (far left above) is the latest addition and, just a few weeks in, she is a fully integrated band member - which is as well as they have a distinct tendency to swap instruments, some of them rather unusual.

Faye Haddon on table-harmonium.

The first support needed no introduction in so far as I was concerned. Emily Baker is the the only artist to play both editions of North Dorset Folk Festival as a named artist and this was also the fifth time that I have seen her play live.
This time she did so live and unplugged - never fear - you could hear it all perfectly from the back of the hall. The highlights, some of which she previewed at NDFF last year, are songs from her 2013 album All At Sea.

Emily Baker, playing as first support, at North Dorset Folk Festival 2013.

Headlining was Emily Barker and The Red Clay Halo and this was the first time that I had seen them live since End Of The Road Festival 2009. They amazed me then and proved more than equal to the task of doing so again last Saturday night. The same four as back then but recently with Matt on drums too. The 2013 album Dear River was just a part of this.

'Nostalgia' live. This set actually deserves a post all its own. It will happen sooner than later.

North Dorset Folk Festival 2013 - Part 1

Let me make this clear right from the start. While last year's inaugural NDFF was excellent (see here) this was better on any and all objective measures that I can think of. It was indeed only matched by one or two other days in music that I have experienced in the preceding year. Now I need to try and explain why. It is likely to involve more than one post.
This year, at Marnhull Village Hall, North Dorset Folk Festival commenced with Bob Burke. He was to be seen at North Dorset Folk Festival last year too, if you remember, appearing with Tinderbox. This time he was solo and while his blend of acoustic singer-song writing is ample, it is better show-cased live by his in inter-song banter about the road-trips shared with his teenage son and suchlike. It seemed infectious too, and that it is a very important aspect of folk music of all kinds.
He did, however, suffer from a perennial problem of mine - that being that right at the start of any event I have an inability to take worthwhile photographs. I don't know why this is so, but it is true. I've tried several suggested remedies but none has proven to be in any sense reliable. It is not unfamiliarity with the venue, because it happens at ones I know very well, and at least as it seems to me not nervousness as it doesn't feel that way to me at the time. 

Bob Burke - North Dorset Folk Festival 2013.

The next on stage was James Findlay - winner of the 2010 BBC Radio 2 Young Folk Award. This set was for the most part composed of traditional material and always performed to the highest calibre. Sometimes he accompanied himself on any one of a variety of instruments, other songs he sung unaccompanied.

The next to play was duo Ninebarrow, who are local and hail from Swanage, Dorset. Ninebarrow is a hill topped with ancient burial barrows in that locality and to which many legends and superstitions are attached. Their song writing is mostly about places and times but that which sets them apart is their vocal harmonies. 

I had never seen or heard Ninebarrow live before and it was a pleasure to do so. You can stream some of their songs here - but I wholeheartedly recommend seeing them live. They are currently recording a new album too.
As regards the next act I have an admission to make - I had never even heard of it before it was announced to be playing. ODi is another duo - who both sing and play stringed instruments and sometimes a small piano accordion. This is ODi live last Saturday afternoon.

They were mighty impressive, and Dave Readfearn's contribution is absolutely vital, but the secret weapon is Claire Odlum's song writing and astonishing voice. A native of Co. Wexford, where not much of interest happens apparently, she has certainly made good use of her time there. ODi may yet not be that widely known but I suggest that this is just a matter of time. Listen to some songs here. The craic, and the all-round stage presence, is already there too.

Live and local - just part of one weekend in October.

The title says it all. This weekend just gone was a blast - right up there with anything else in my 2013 in music. It is true that on Saturday I ventured a full twenty miles away from my home town of Frome to a tiny hall in a village that, I guarantee, most people even round here are quite unaware of. Why would I do that?
We won't start there. On Friday evening I was less than a mile from home - Acoustic+, Cheese and Grain, Frome. Usual format: four bands, roughly half-hour set from each, all for a fiver. To be honest, can you go wrong with that? The answer is no. In this case it was more a matter of pinching oneself in order to check that this was indeed for real. That is not a trivial thing to say, but that I still feel the same in the light of that which I saw on Saturday says a very great deal.
Of the three acts that I had never seen live before I can't speak more highly. Blue Midnight is the exception, I have seen them live several times and so I hope that their omission from this post is excusable. This is Salisbury-based Arch Garrison, with acoustic tales of landscapes and the thoughts that they evoke. He was prescient: this would prove to be something of a theme throughout the weekend.

That the next chance to catch him live is at Union Chapel, Islington says a great deal about the artist and also the standard that Acoustic+ sets for itself.

  

The opening act was another that I had not seen live before - Kelly and Alana, so here they are.

First support was South Divide. I'd say that this was my highlight of a very good evening. It is not just about the music for all of that was excellent, nor raw ambition either, it is about the presentation of it as a coherent whole. On that basis this is why I think it the most impressive of the four acts that evening. Here are a couple of photos from the set.

Full band, in the usual Acoustc+ setting.

On lead vocals and keyboards - Chloë Warren.

As I have recently been commenting on the remarkable resurgence of the EP, both physical and digital, you will find it continues with this one.

If you missed the forgoing then all is not lost. On Saturday, November 9, South Divide is playing The Griffin, Frome.

Just a thought... North Dorset Folk Festival

This is what you are missing as I write and, indeed, so am I.

O2 Shepherd's Bush Empire is an all-seated venue of approximately 2000 capacity.  It is now too late to go to this concert anyway. On the other hand the very same are headlining North Dorset Folk Festival on 26 October. The venue, Marnhull Village Hall, is much more intimate and as of an hour ago there were about twenty tickets still available. See you there? 

Summer madness - and why it makes sense.

So I haven't written much these last couple of months. That is true. What is certainly not true is that I haven't been both listening to and reading about music! Indeed the fact that I have been doing so is in part the reason for the lack of writing. That is likely to remain the case until early September but for a variety of reasons.
It is less than a fortnight until my last outdoor festival of this summer. It is going to take some planning to maximize those acts that I wish to see and hear. I wouldn't want it to be any other way...

  

I haven't really thought about the detail and, more than likely I will not do so until I am there on the Thursday afternoon: there is a distinct boundary between general preparation and detailed battle-planning.
Here, as a slant on my current thinking, is an (alphabetical) list of just five of the acts that I have never before seen live but really want to:

• Daughter
• Deptford Goth
• Golden Fable
• Warpaint
• Widowspeak

The other thing about this time of year is that I become focussed on the music, live and recorded, that I have already heard and that which I anticipate to do so during the next four months. More about that soon. I am also thinking about the many festivals that might warrant my attention in 2014...

EOTR (almost certainly), No Dirction Home (if it happens), Maverick, Wilderness, Truck... who knows?
I have a far better knowledge base on which to draw than I did when I first embarked on this in the early summer of 2007. This, most importantly, is not only based on the festivals that I have attended in the last six years but also those that I have been given first hand reviews of from others in the festival community which, although it sounds like some hippy cliché, is on occasion as blunt an object as it needs to be.

So eight months without live music, then?
Not likely! Here is an example...

• 25 September  ---  Acoustic+  (Cheese & Grain, Frome)
• 26 September  ---  North Dorset Folk Festival  (Marnhull Village Hall)
• 27 September  ---  Frome Blues Festival (Cheese & Grain, Frome)

The events at the Cheese & Grain, and many more too, are taking place while the venue is early in the throes of a £500k overhaul to make it not only more fit-for-current-purpose, with better public facilities - toilets, café, and box-office all included - but also the artist-facing facilities that are sorely needed in order to propel it to the status of a major player in the league of regional arts and community venues.

These are exciting times indeed.

Casual Conversations With A Woodpigeon

It is about to appear, I have mentioned this artist and band before, and yet this début EP also remains unknown to most.
Here it is... 'Casual Conversations With A Woodpigeon'.

As album titles go it is, I think, on a par with 'Yours Truly, Cellophane Nose'. It's not a short name, but an unforgettable one, and that matters. It is also a self-released EP, funded using Kickstarter. It is officially launched on March 26...

I'd heard bits and pieces before this point but then saw Cloudi and her band live at the first North Dorset Folk Festival last autumn and was very impressed. Still wondering? Well here they are live at Urban Outfitters, in Southampton, this very afternoon.
  

The second edition of North Dorset Folk Festival has a new venue, Marnhull Village Hall, and will take place on Saturday October 26, 2013.
Tickets go on sale soon. See you there.

New Music 2013 - Part 4 - Funding For Something to Happen

We all know it. Music costs - illegal music costs us all more - but that aside making it is far more expensive than buying legal recorded music. There are various options, rarely ever open to new and aspiring artists until recently, to harness the enthusiasm of music fans to directly fund a project they want to reach realization. One such, that has recently rolled-out in the UK, is Kickstarter. I have previous experience with it in its US version and that was without issue (a US based project that was very successful).
As is all such speculative investment it is not without risk but there are upsides - the investment can be small (from £5 typically, but that may be proportional to the sum required for the project), a definitive end date for the appeal for funding and no penalty if the desired target is not reached. Funds are only taken and then released to the appellant upon successful attainment of the target - if it isn't reached you lose nothing.
OK I thought, when I heard Kickstarter was coming to the UK; I won't go looking. I'll wait and see what comes along and grabs my attention although it was never likely to be anything other than music...
This, though I didn't know it at the time, proved to be that appeal. About five weeks ago I attended the first North Dorset Folk Festival. It was a great day and one of many acts was Cloudi Lewis.

I have reviewed it briefly.
So why did I choose to support this? Well, quite simply that performance was wonderful. A band doing what they want to do and if that is the current vogue then that's all to the good. If it wasn't then, hell, they'd probably do it anyway. That, to be honest, is the attitude that the music industry needs even more of right now. I'm prepared to put a small sum of money behind that dream...

There are green shoots, as the old saying goes, but they still need feeding and encouragement to survive.

Live Music 2012 - North Dorset Folk Festival (Part 2)

I told you that I wasn't finished with this, for there was too much goodness for one post. 
Here is the first glimpse into the rest of the acts that I had the good fortune to see last Saturday.

The Moulettes

I saw the last two songs of their set at End of The Road Festival, on the TiPi stage, after I had decamped from watching another on the Garden Stage. They were both remarkable acts - so I deemed it necessary to seek out The Moulettes sooner rather than later.  The 2012 album 'The Bear's Revenge' is excellent, but live they are quite something else.
Bassoon is not an instrument that is used throughout a set or always even just a song. It was, from time to time, supplanted by autoharp.

Why hug it, when not playing it, you might ask.

  

Now, returning to the Studio Stage, here is an artist that I have had the good fortune to witness live several times before and, whilst originally from North Dorset, is now resident further east on the south coast of England.

Emily Baker: singing and playing with vocals unamplified. This new song is 'Tennessee'.
Her second full-length album, All At Sea, is due for release early in 2013.
  

Owing to issues, mainly to do with half-term traffic, Tom James from Falmouth, Cornwall, became the first solo artist and only the second act to perform at NDFF when switching sets with Flatland Wolf.