Lyrics again - Wine and Roses

It is ages since I have done any lyrics, which once was a regular event. Thank-you to whoever has just asked me for those for 'Wine and Roses', a song from Heidi Talbot's latest album 'Angels Without Wings' (2013), released by Navigator Records. They will be posted here tomorrow, once I have checked them against the aforementioned original recording.
Indeed this is likely to become a post featuring at least one other artist to release on this label in 2013.

Wine and Roses

I see the young ones slowly strolling
On the Friday Promenade.
The sun is low, their faces glowing
Hopeful hearts out on display.

In their dreams are wine and roses
Quiet picnics in the park.
Holding hands and rubbing noses
Softly kissing in the dark.

I was much the same in my day
All impatient and unsure.
But alone I soon surrendered
Pledged my soul, so young and pure.

For he gave me wine and roses
Quiet picnics in the park.
Held my hand and we rubbed noses
Softly kissing in the dark.

I see the young ones slowly strolling
On the Friday Promenade.
The sun is low, their faces glowing
Hopeful hearts out on display.

I'd never trade our life together
Though we had our rocky times.
My heart it rose and fell so often
Like the constant shifting tides.

It wasn't all just wine and roses
Quiet picnics in the park.
Holding hands and rubbing noses
Softly kissing in the dark.

I am old and all alone now
My children gone and far away.
They used to ask what lovers are
I never knew just how to say.

But love is more than wine and roses
Quiet picnics in the park
Holding hands and rubbing noses
Softly kissing in the dark.

If you have never seen Heidi Talbot live then really you owe it to yourself to do so. I had the wonderful fortune, at Truck Festival 2011, to do exactly that. It was a tiny stage and she was part of a trio with John McCusker and Kris Drever. To be quite honest, in the UK folk world at least, things don't come much better than that.  This fuzzy photograph is the best that I could muster in the circumstances...

Even a folk trio should not have four members! Roddy Woomble was a surprise guest here.

New Music 2013 - Part 9 - Rhosyn - Elbow of Capture

Rhosyn, the stage name taken by Rose Dagul, was one of several acts from around the Oxford area to which I was introduced by the organisers of Truck Festival 2011 and Oxford-based collective Blessing Force. Since then I have been keeping my ears open for more. Here, I'm delighted to say is the first Rhosyn EP 'Elbow of Capture' inspired by writing and recording sessions that took place in a remote cottage at Rhoscolyn on the coast of Anglesey last year.
In its string arrangements you can almost detect the winds and the waves in a landscape where things change only through the forces of nature. It is music for moments of reflection.  It is released on the usual formats. It is also available, to the extent of 250 numbered copies, on translucent 12" 33 rpm vinyl.

The 5-track vinyl EP also comes with a code for a free download.
  

Elbow of Capture - Rhosyn

• A1 - Glass
• A2 - Birds
• A3 - Volcano
• B1 - Euridyce
• B2 - Since The Air Became Frantic

You can listen to the track 'Glass' here:

What the Truck? In search of music as fun...

Never before have I attempted two 3-day festivals on successive weekends: Latitude followed by Truck Festival this weekend just gone.  When I added the latter in April it was because it just seemed an interesting thing to do and a way of seeing a wider range of live music. It did occur to me that, whilst almost certainly interesting, that might not be wholly in a positive way.
After two wet days at Latitude I was still wondering about the wisdom of it all. The contrast, not just in the weather, was such that once I had arrived on site in Oxfordshire I forgot clean about it because they were so different and that is the starting point here.
The following comments are not intended as a criticism of either event: Gone was the throng and corporate sponsorship gloss of Latitude and in came the homespun, almost folksy, intimacy of Truck Festival. It was very much a place to go to see and listen to music rather than a place to go to be seen to be listening to music.  It was certainly a whole lot of fun and one very much got the impression that the artists were enjoying themselves too. All kinds of music were on offer, from acoustic folk on the Wood Stage (and elsewhere) to technicolour noiseniks on the Last FM Stage and most things in between including more than a few lesser-known acts from middle England. As usual the problem is where to start.

Let's start with two bands that admitted that they had been burning the candle at both ends before appearing!

London based Tribes on the Last FM Stage on Sunday afternoon. They had been performing, and partying, at 'Secret Garden Party' the night before and apologized for being jaded. If this is what they can do in that state then the mind boggles. Despite the guitars and drums set-up and the powerful sound their songs are hook-laden.  Should you want to know how I think guitar-led pop should sound then it is pretty much like this.

Cashier No. 9 hails from Belfast. Here it is on the Clash Stage on Sunday lunch time.

Another good effort because this set was faultless despite the fact that they came on stage just twelve hours after they had come off the one at their previous gig in Londonderry.  It was summer music played out live on a perfect summer's day and the band has recently released its first album, the aptly titled 'To The Death Of Fun', on Bella Union Recordings.
  

This last comment leads me to another thought from the weekend - the resurgence of the record releasing 'label' as a guide to style and content. It was also a weekend that involved much discussing music and, in that sense, was much more reminiscent of End Of The Road than of Latitude.

Latitude 2011 - my first thoughts...

First to mention is that the weather wasn't all that could have been hoped for. In a strange way I'm glad that I have now experienced and survived an often rather soggy festival.  I have in truth been very lucky thus far.  On the other hand I hope that the experience did not discourage those first time festival-goers from repeating the experience. Yes there was some mud, unlike in previous years, but nothing like that to be found at the likes of Glastonbury. I took no pictures of that for it was unremarkable and merely a slight annoyance at worst.

Of course good weather is better for all outdoor activities but, judging from most of the arguments that I overheard, often from within my tiny but dependable tent, it was camping in the wet that led to most of the problems and attendant arguments; it seems to lead to frayed nerves and fractiousness that results in an irrational blame culture.

I didn't take any mud pictures and few that even made the rain seem apparent simply because that is not in the spirit of the whole affair and, in any case, Friday was a glorious English summer's day!

Just how a festival should be - chilling in front of the main stage on Friday lunchtime.

  

This next one does however capture the wetness of Saturday and, because essentially solo acts on a big stage in daylight always lack visual punch, it looks bleaker than it really was.

Suffolk lad and 2011 success story Ed Sheeran performing 'The A Team' on the Obelisk Stage.  It was a very good set indeed and there was no shortage of excellent music from my perspective across all three days.

The first act I saw, on the Sunset Stage on Friday, was Montreal's BRAIDS. 

They had been on my want-to-see list for sometime but until the Thursday I had somehow neglected to notice that they were actually performing.

I have loads more to add and I haven't even looked at 75% of the pictures I took yet!
There might be a slight delay as on Friday I'm off to Truck Festival in Oxfordshire for the first time and so once I return on Monday I should have more than enough to write about for the whole of the rest of the summer, or at least until EOTR 2011 over the first week in September by which time the first Acoustic Moon will also have taken place.

Festivals and stuff - Part 2

How good it would be if the weekends of Latitude and Truck Festival were as perfect as the one that we have just experienced here in sunny Somerset. When it comes to festival weather then the best one can really hope for is good planning (by all concerned) in advance and palliative measures once the show has started.
  
In my last post I mentioned that I had come across a clash-planner for Truck Festival 2011 (and also some others).  Bear in mind that it can only be as accurate as the data to which its maker has access, and you therefore keep checking back as the date nears, but as planning goes it is certainly a good place to start. It has also served to remind me of some of the acts that appearing and which made my decide to make Truck 2011 my third festival of the summer and my first time at this particular event, now in its 14th year.  I had initially considered Deer Shed 2011, a newcomer on just its second edition, but the travel issues - as it is in North Yorkshire and like Truck it is the weekend immediately after Latitude - won the day for me as much as the then published list of performers.
Looking at the Line-Up listing on the same site makes me think that this is going to be a bumper event when it comes to seeing artists that I have never really heard of before, as well as those that I have. Some on-line research will have to precede much of the more detailed planning.
In a similar vein to my post about Latitude 2011 and likewise in alphabetical order, these are some that I am aware of but have, so far, never seen live. This list is done without any reference to the clash-list: what I want to do becomes before that which is actually possible.

• Alessi's Ark
• Gunning For Tamar
• Islet
• Johnny Flynn
• Jonquil
• Justin Townes Earle
• Peggy Sue
• Pete Molinari
• Rhosyn
• Roddy Woomble
• Sea Of Bees
• Tunng

Much more to come, including more thoughts and links, very soon. Going to a festival is always exciting even when it is a familiar one. That Truck is new to me adds that extra frisson.  I was half convinced as I drove to Latitude, for the first time in 2007, that I'd just freak out and come straight back home!
  
It might be worthwhile mentioning that (as of this evening, July 3) the last Latitude 2011 Weekend Tickets are going fast and when they are gone they are gone...
As of this evening (July 5) tickets for Truck Festival 2011 are still available. See you there?

2011 Festivals and stuff - Part 1

Important, but rather dull, things first:  I've just collected the most vital things together and checked that all parts are present and correct and thus I am reminded so much of my days supervising Duke of Edinburgh Award Expeditions - there is no better way to look a fool than to forget, or lose, those things about which you have lectured everyone else.
Tent, sleeping-bag, sleeping-mat and (the thing that I forget more often than anything else when camping) a pillow. The last item might seem relatively unimportant, because a pile of clothes can take its place; well yes it can, but a cheap synthetic pillow that doesn't get damp is much better and when shut-eye is at a premium this matters. I know because I forgot mine in 2007. It is indeed a somewhat mundane task but the anticipation it engenders makes it all worthwhile!
  
Yesterday someone asked if I have a list of timings for music artists at Latitude 2011.  I'm afraid that I do not, at least currently, have such information because I'd like it too, so that I could plan my days but such is life. [If you do have some idea, even if it is only fragmentary, then please add a comment.]
On the other hand that is something to do on Thursday afternoon, official festival programme in hand, once the tent is pitched and life in the orthogonal dimension has begun!
That has just made me remember other things to take - a pencil and paper (soft pencils still work on damp paper) to make notes, either about the timings or on the acts that one sees. Add to that insect repellent - I have run out so now added to shopping list - and to check the basic first aid kit.
Planning is good but inflexibility stifles discovery. Having a preconceived plan, some structure at least, is very worthwhile even if exigencies, either personal preference or unavoidable such as changes of artist or performance times, result in last minute changes. I have never actually done exactly what I planned to do and I've never really regretted it either.  In a strange way the regrets of what I might have seen or done but, for whatever reason, couldn't just make me want to go to another festival.


Here is an artist that was certainly not on my 'to-see' list at Latitude 2010 because I hadn't even heard of her a year ago.  Impressive on the Lake Stage, although I only caught some of her set, was Alice Gold. She was due to play EOTR 2010 some weeks later, and was therefore on my want-to-hear list, but had to cancel at shortly before the event and this is yet another reason for changes of plan. The timing is now however good - her début album Seven Rainbows is released in the UK on Monday, 4 July and it is on my list of New Music 2011 that I want.

As far as I know she is not appearing at any of the festivals to which I am going this summer. The counterpoise is that there are artists, about whom I currently know nothing at all, that are. That actually matters more.

If you are going to Truck Festival 2011 then there is a very useful site, that acts as planner and clash-alert, that I found on Wednesday. More on that, and some first thoughts on the artists that I particularly wish to see there, very soon.