2008 matters because... Part 1

I've not posted much recently but that is not because music has been far from my mind. Rather the opposite in fact; it is just that I have been listening to it and thinking about it rather than writing about it. Several people have asked about lyrics to some albums I have mentioned recently, particularly 'Jill Jackson' - Jill Jackson and 'Love Tattoo' - Imelda May and I hope to have these on-line this coming weekend at the latest.

Some say, and it has been the case for decades, that the latest year is just more proof of the end of the world as we know it. I am quite willing to believe that the global economy in 2008 has suffered vicissitudes unknown in the lifetimes of most of us but does that therefore mean the end of music as we know it? I'd wager that the answer is no for that never really happens, new layers are simply added and, while some genres fade in popularity and prominence (not always the same thing) they rarely disappear completely and have a tendency to return, revisited and reinvented, when least suspected. I have only one reservation and that is: Do you get the feeling that things are undergoing a subtle, but perhaps profound, change?

Think back over the last year and there are some surprises, the most surprising often not being the most immediately obvious. A good and fairly easy place to start is the continuing ascent of apparently unlikely, but often very successful, cover versions.

Who, say three years ago, would have predicted the likes of Adele covering Bob Dylan's Make You Feel My Love?
It's the only cover on her 2008 début album '19' but what a dangerous choice - he has rarely played it live, hinting that it it is too difficult to perform under pressure - but when she performed it live on 'Later... with Jules Holland' as a piano ballad it went stellar and is now to be a single.
Leona Lewis has just released an updated version of her #1 2007 album 'Spirit', which went straight to the top spot again this week; of the two new tracks on it one is actually a cover version of Run from the 2003 Snow Patrol album 'Final Straw' which she first revealed, by performing it live, on BBC Radio 1's 'Live Lounge' in 2007 and again on X-Factor a couple of weeks ago.

I've heard this cover of Willie Nelson's Angel Too Close To The Ground (from the soundtrack to the 1980 drama Honeysuckle Rose), performed live by Beth Rowley twice now and it is amazing:

If you had not have fallen then I would not have found you
Angel flying too close to the ground.

I patched up your broken wings and hung around a while
Kept your spirits up and your fever down.
I knew some day that you would fly away
For love's the greatest healer to be found

So leave me, if you need to, but I will still remember
Angel flying too close to the ground.

It is included, as a duet, on her 2008 début album 'Little Dreamer', which also includes a fine cover of Bob Dylan's I Shall Be Released and also some very good new songs. In my opinion So Sublime is the best of them, and amongst the best on the album, but it is all a close call.

I'll expand on what I mean by this generalisation in the coming weeks, but this is my premise:
Could the diversity that we have seen this year be the start of a new era of popular music we can hardly yet even imagine?

Thank God for 'Take That'...

No joking, damage limitation is the best we can hope for in the run up to Christmas and so this was never going to be the greatest week for UK music. Few would have expected otherwise but when the chips were well and truly down today only the reformed Take That, the butt of so many boy-band jokes more than a decade ago, came like King Arthur and his Knights to the rescue of the UK Singles Chart in its time of greatest need!

With all other heavyweights opting out of releasing singles in the UK during the Christmas madness only they were likely to be able to stand between Sir Cliff Richard and the #1 spot (it would have caused him to have a UK #1 in six successive decades and thus be in the record books for at least a billion years) but they proved well able to hold the line, keeping their 9th UK #1 on top for a fourth week. The release on Wednesday of the single by 'X-Factor' winner Leona Lewis should ensure the threat of a back-lash is minimal.

X-Factor - the world waits and wonders... but does anyone really care?

To be quite honest I couldn't care less who wins 'X-Factor', or any other reality pop-production for that matter. They haven't had a good record when it comes to enduring winners - in fact often the second best have done far better in the longer term. Two exceptions come to mind - Will Young (the first 'Pop Idol') and Kelly Clarkson (the first 'American Idol') - and they both continue to have success on either side of the Atlantic and elsewhere. The 'Idol' and 'X-Factor' formats are however examples of UK TV ideas that have been exported to the US with massive success.
The winner of 2006 X-Factor is almost certainly going to be Leona Lewis - the chosen song is one of Kelly Clarkson's earlier efforts and it certainly won't suit the male vocalist that is her only rival. The big issue is that it doesn't really suit either of them, and was also one of Clarkson's least impressive songs. This despite the fact that she was one genuine find; she has a powerful voice and an impressive range as she finally showed on her multi-million selling second album "Breakaway".

For now at least it seems that real stars are going to have to make it to the top the hard way, as they have almost always had to do. Which brings me to thoughts of memorable albums of 2006, and also what made a lasting impression - the albums of 2005 that I still often listen to, for example.