Showing posts with label post punk. Show all posts
Showing posts with label post punk. Show all posts

Wednesday, March 11, 2015

New Music 2015 - Part 19 - Girlpool - Before The World Was Big

Just when you thought all-female garage rock couldn't get any better and with Girlpool confirmed as booked for End Of The Road Festival 2015 it is now a real challenge; can Cleo Tucker (guitar and vocals) and Harmony Tividad (bass and vocals) better the set that Deap Vally produced on the Thursday evening in 2013 at EOTR, only to then better it themselves with an astonishing one at Truck Festival 2014 when playing on the main stage?
Here is the reason that I mention this. The stakes are suddenly raised for the début Girlpool LP has come to be known...

Girlpool - 'before the world was big' (Wichita Recordings) 1 June 2015 in the UK. (2 June in USA & Canada.)


Maybe I should have shared this, the first single lifted from the LP, yesterday.

Tuesday, December 30, 2014

New Music 2014 - Part 43 - Trash Kit - Confidence

When I wrote this post, about their self-titled début album back in 2010, I didn't really anticipate reviewing its sequel. Although I had liked it, as the years passed I thought nothing more of it. It seemed just to be a case of the three artists doing exactly what they felt like doing on the spur of the moment with little thought to convention, let alone thoughts of the future, as it blasted through seventeen tracks in twenty-seven minutes. I am glad to say that once again I was wrong!
The core trio of Rachel Aggs, Rachel Horwood and Ros Murray remains, as does the contribution (brass in this case) of Verity Sussman, on recent release 'Confidence'.

In this the eleven tracks make up a play-length of just over 29 minutes. The second one 'Medicine' nears the four-minute mark!
Fear not - the self-imposed restrictions on song structure, particularly the lack of chorus, and the ways and means to avoid problems with that are reason enough to persevere. So too the often almost impenetrable vocals, that are usually low in the mix. This tendency is brought over from Murray and Sussman's previous life in Electrelane - I'm really thinking 'No Shouts, No Calls' (2007) in particular, though the prog tendencies are much less pronounced here.