A live recording to assuage the January blues.

It is not the best time of year for new music, or indeed much else to be quite honest. Here is a live recording by a band that has exercised my mind much over the last five years or so but has recently declared hiatus.
Emily Barker and The Red Clay Halo 'Live at Swindon Arts Centre' in 2011 and recorded during the tour that followed the release of the LP Almanac is now available to download. I certainly love live music and thus also have a soft spot for live recordings convincingly done. This newly affordable recording possibility is one of the virtues of the digital world.

That is not to say that 2015 will be without interest: all four members are still very active in music. Emily Barker is playing Behind The Castle Festival 2015. There is however a great deal more than that to come.

End of the Road Festival 2012

Before I comment further on my trip to North Yorkshire for Deer Shed Festival 3 last weekend here is a little shout-out for the next festival that I shall be attending (unless that is I add another in the intervening five weeks). I mention it because tickets are fast running out, indeed those in some categories already have done so.

I'll comment on my desires, and the possible conflicts between them, soon.

  

This does not even mention the unmentionable - the secret performances for which EOTR is rightly famous and those of you who were at NDH 2012 might also have discovered.

Latitude Festival 2012

I have been to five Latitude Festivals, 2007 - 2011, and loved them all in various ways.

This time you really need to persuade me that I should do so again in 2012.  I feel a change is as good as a rest and, to this effect, I have several alternatives in mind.  I could still be persuaded but I'm certainly not buying a pre-sale ticket this year.

2011 in Music - Albums - Part 2

I was planning to do the '2011 in EPs and mini-albums' section before this but that has (once again) proved more complicated.  This, which is not a second-string selection of albums, hasn't been much better and actually more difficult that the first because I have, in order to limit to a dozen, been forced to be even more ruthless.
Here it is, again in alphabetical order by act/artist and (for now) without further comment:

• Alessi's Ark - Time Travel
• Black Keys - El Camino
• Demdike Stare - Tryptych
• Eilen Jewell - Queen of the Minor Key
• Gill Sandell - Tarry Awhile
• Jackie Oates - Saturnine
• Joy Formidable - The Big Roar
• Kitty, Daisy and Lewis - Smoking In Heaven
• Laura Marling - A Creature I Don't Know
• Low Anthem - Smart Flesh
• Naked and Famous - Passive Me, Aggressive You
• Veronica Falls - Veronica Falls

I might attempt the aforementioned '2011 in EPs and mini-albums' this evening. I have also introduced a new rule for these lists - although I don't think that even retrospectively I have actually violated it - and that is the the same act/artist combination cannot appear in more than one list in a given year with the exception being the 'Live List', if I ever get around to posting one.

2011 in Music - Albums - Part 1

No real change in presentation here from last year; two lists of albums strictly in order alphabetical by artist. The difference is that this year I'm going to publish the lists first and, only when you have had a week to consider (and comment - see below), shall I add the links and my thoughts on why they are included and, perhaps, others are not.
In no way is this intended to be a balanced list, far from it in fact: It is quite utterly biased to what has caught my attention in a lasting way in 2011.

• Adele - 21
• Amy LaVere - Stranger Me
• Austra - Feel It Break
• Bella Hardy - Songs Lost and Stolen
• Emily Barker - Almanac
• Esben and The Witch - Violet Cries
• Jessica Lea Mayfield - Tell Me
• Lanterns On The Lake - Gracious Tide, Take Me Home
• Seapony - Go With Me
• Thea Gilmore - John Wesley Harding
• Widowspeak - Widowspeak
• Yuck - Yuck

Please feel free to add comments, queries, suggestions or questions. It is what this is all about, whether negative, positive or simply mystified!  All comments are moderated (by me alone, so you know that I read them) and while I prefer it that you can put your real identity to your piece, because you should believe in what you are saying and be prepared to stand up and be counted, I will sometimes sanction the publishing of "anonymous" comments. Comments that are defamatory, offensive or simply irrelevant in content or context will not be published regardless of source.
I'll attempt to answer valid questions and comments either in comments of my own in reply or in a more general 'round-up' post.

Cover Versions 2011 - Thea Gilmore - John Wesley Harding

Song lyrics and cover versions put a great deal of traffic here and I have intended to address more of both for a while now. I'm going to start with the latter as it happens and this is released in the UK today.
It is a dangerous thing indeed - not an album of covers but the cover of an entire album - and is a tribute to one of the most inspiring and widely covered artists in honour of his seventieth birthday, on May 24, by one of the most prolific singer-songwriters that the UK has and, very importantly, one to whom sticking with traditional music industry conventions is quite alien.

Including 'Loft Music' (2004), which was an album of covers, this is only her second venture into such territory but between 1998 and 2010 she has also released nine studio albums, a live album and several (often limited edition) EPs.

2011 - The return of the guitar band?

The fabled return of the guitar band...  it is something that has been trailed by many in the last year or so, and the lack of which was oft-bemoaned before that. Is 2011 the year in which it will happen?
Maybe is not an answer to a polar question, so I'm not going to use it. Some languages, English is not usually one of them (but Welsh usually is), have other ways of answering such questions...

Well there are plenty of guitar bands/artists vying for our ear-space in 2011 but wasn't that the case in 2010? Some of them have history, even true pedigree...
Beady Eye, Elbow, Miles Kane, The Strokes to name but a few... (and The View will try again too). Some of them will succeed, some will not, but that is nothing to mark 2011 as remarkable.  Some of the most notable guitar-led bands will be those that are either currently almost unknown or, at best in the wider scene, little known. That is more important.
I think it unlikely that there will be a sudden revolution in 2011. It will, however be an exciting year, again focussing on live music, and in that quiet but subversive way the revolution will continue. I admit it unlikely that 2012 will feature such scintillating tour dates as Coldplay in Havana or Cheryl Cole live in Pyongyang.
On the other hand, had you asked me in 1983 if I believed that my parents would ever go to Romania then my response would have been "only as the result of some catastrophic invasion".

There are signs that lead me to believe that, however good guitar bands may be, they are going to face a struggle in a world now complicated by cross-genre considerations.  Many of the best acts/artists of 2010 played/featured guitars but were not 'guitar bands' in the typical - I hate to say it - male-orientated tradition.
Warpaint, to mention just one such act, play guitars - a lot - but apparently that's different.

It isn't.