Showing posts with label Demdike Stare. Show all posts
Showing posts with label Demdike Stare. Show all posts

Tuesday, December 06, 2011

2011 in Music - Albums - Part 2

I was planning to do the '2011 in EPs and mini-albums' section before this but that has (once again) proved more complicated.  This, which is not a second-string selection of albums, hasn't been much better and actually more difficult that the first because I have, in order to limit to a dozen, been forced to be even more ruthless.
Here it is, again in alphabetical order by act/artist and (for now) without further comment:

  • Alessi's Ark - Time Travel
  • Black Keys - El Camino
  • Demdike Stare - Tryptych
  • Eilen Jewell - Queen of the Minor Key
  • Gill Sandell - Tarry Awhile
  • Jackie Oates - Saturnine
  • Joy Formidable - The Big Roar
  • Kitty, Daisy and Lewis - Smoking In Heaven
  • Laura Marling - A Creature I Don't Know
  • Low Anthem - Smart Flesh
  • Naked and Famous - Passive Me, Aggressive You
  • Veronica Falls - Veronica Falls
I might attempt the aforementioned '2011 in EPs and mini-albums' this evening. I have also introduced a new rule for these lists - although I don't think that even retrospectively I have actually violated it - and that is the the same act/artist combination cannot appear in more than one list in a given year with the exception being the 'Live List', if I ever get around to posting one.

Sunday, October 30, 2011

Halloween - Without Sinking

It is not that I had forgotten about the night when music is more eclectic than on most others. I just needed to find something to suit and so from Iceland, as it is darker and more inexplicably musical than anywhere else I can think of, comes this...

Difficult, unapproachable, scary even... Isn't that what Halloween is about?
This is 'cello-based music intent on challenging even the warmest heart. Survive this without shivering and you are all set for whatever, indeed the worst, that the forthcoming winter might throw at us.
If you are still up for more then anything by Demdike Stare would be good - particularly 'Tryptych' and if you still can't face being the wrong side of dead (or bed) and trying to sleep here is a suggestion: 'Sadly The Future Is No Longer What It Was' and that is itself only one third of a trilogy...
After that you probably will believe absolutely anything. Real spooks love vinyl.


This spook forgot to mention that Leyland Kirby's 'Intrigue and Stuff - Vol 3 (of 4) is released on November 7. 

Tuesday, September 01, 2009

An oasis does not a desert define.

It is, I suppose, the music headline of the summer festival season - Noel walks out on Liam and the rest of the band mid-tour, saying that it is all over for Oasis forever. How very rock-n-roll it all is, just like it was in the 1970s and 1980s. If there is one thing that surprises me it is that it hadn't happened once or twice already, another is that it might actually be good news.
The fact is that, while it is obvious that both parties are not going to live on a poverty-fuelled diet of baked beans and chips from here on (unless out of choice), both could be successful, particularly without the weight that they seem to bring to bear on each other, and musical variety could well be the winner for the listener.
The cynics, myself included, have considered the thought that it is merely à propos a future reconciliation - and the cash-machine that might go with it - but only time will tell. I admit I'm not a huge Oasis fan, though also not a hater. The possibility of collaborations is of more immediate interest to me. As Jack White, Damon Albarn and many others have done, once away from their alma mater, the brothers Gallagher could both cut it and that might result in something out of their current mould.
On the other hand, Oasis or not, Manchester is hardly a musical desert. In my "I've Just Listened To" list I mentioned a newly released item by two Mancunians and here it is...

To say that the album artwork is basic is an understatement: it is hand stamped.

It is not going to sell thousands, whatever its merit, because it is a 12" vinyl-only release and also limited to 300 copies worldwide. Was it thus ridiculously expensive? Well no, actually, £7.99 plus the usual p&p.
The miscreants behind it are one half of 'Pendle Coven' - the 'Demdike alter ego' witch (sic) Elizabeth Southerns was identified with - and actually Miles Whittaker. The other contributor is Sean Canty, a notable vinyl collector across all imaginable genres, plus some more besides, and he is much involved with the 'Finders Keepers' label.
It might sound like folk territory but, in fact, it is total cross-genre electronica and is certainly none-the-worse for that.