New Music 2017 - Part 19 - Wrangled - Angaleena Presley

When 'The Pistol Annies' hit the world with a delightfully sardonic take on country, back in 2011, it would be fair to say that Angaleena Presley was the least well-known of the three and, perhaps actually rather importantly, the oldest. Miranda Lambert and Ashley Monroe were already better known.
She was also the last of the three to release a solo LP and that when it came was the brilliant, off-kilter 'American Middle Class' in 2014. It immediately caught my attention, in the time before Margo Price was known-about, for it's uncompromising take on the grubby underside of the American Dream.
The two have rather different takes on what at the end of the day is discrimination, inequality and sheer frustration. The thread is that they are both brilliant about putting them to words and then weaving those words into songs. Songs that people far away can still relate to. 
I'm not afraid to write this and not least because Britain has plenty of the same problems and I'm not one to try and deny that. It is a big issue and also a massively divisive one: Poverty be that of food or culture, history suggests, does not tend to bring people together.

What I will say is that, of the most recent solo albums from each of the Annies, this is (and the others both guest on it, so its very clear they are still in touch) the the point when 'Holler Annie' finally becomes Angaleena the outlaw Annie.

Angaleena Presley - Wrangled (Mining Light Music/Thirty Tigers, 21 April 2017).

Pretty much nothing that she turns her lyric to, and therefore her voice also, comes out smelling of roses. That is telling it nicely; she often doesn't.
I don't even need to include the track-list because, in true old-school fashion, it is on the cover of the record. This release has multiple issues and one of them is that it may turn out to be amongst the best albums of 2017.
Yes, of course I would like to see Angaleena play live again. Not least because I know that she is astonishing. She is far better than my photography.

Stage 1, Cambridge Folk Festival, 31 July 2015.

$200 --- a guitar or a gun?

This is a chilling question.

I'm off to a local folk music festival tomorrow and so it is likely I won't be finishing this post until Sunday. I know where I'm heading and hopefully it involves no guns but plenty of guitars. Both it and this post will continue my theme of listening to music from 2015.
Also, for the first time in ages or so it seems to me, this post will address a song lyric in detail. Not however that of a song I am likely to hear tomorrow.

It took me a couple more days than I intended before continuing but that is how it goes sometimes. On the other hand I have expanded the scope to include two songs: Both include at their heart internal contradictions. The concepts that are boiled-down here are much to do with recent events in the US and in particular the issues both addressed or avoided by the various candidates, of any particular persuasion or none, who are pitching to become the next President of The United States. It is not, I don't hesitate to add, a situation in any way unique to the US. It is just that it is sometimes easier to focus on the bare bones of the matter from a more distant viewpoint.
The first comes from Will Hoge's 2015 release 'Home Town Dreams' and a very fine album throughout. It is sung in the first person from the viewpoint of a teenage man looking for a taste of the larger world.

Guitar Or A Gun

A cool September morning, waitin' on the pawn shop to let me in. 
$200 worth of summer yard mowin' that I just had to spend.
I had my eye on two things, but I could only pick just one.
A young man's first decision; is it a guitar or a gun?

I can still hear daddy's voice say "now think about it son.
One of these will last forever, and the other's just for fun.
One can feed your family, and one will end you up in jail." 
And he seemed to know which one was which, but me, I couldn't tell.

I could learn to shoot like Jesse James, out there on the run, 
or play guitar and be a Rolling Stone, now that just sounds like fun.
A rock star or an outlaw, well either way I've won, 
when I walk out this door with a guitar or a gun.

I've thought about it long and hard, as I held 'em in my hand, 
standin' at the crossroads, still deciding who I am.
They're both just wood and metal. Six bullets or six strings?
Whichever choice I make I'll leave here feeling like a king.

Will I learn to shoot like Jesse James, out there on the run, 
or play guitar and be a rolling stone, now that just sounds like fun.
A rock star or an outlaw, well either way I've won, 
when I walk out this door with a guitar or a gun.

A cool September morning, waitin' on the pawn shop to let me in. 
$200 worth of summer yard mowin' that I just had to spend.

Should I learn to shoot like Jesse James, out there on the run, 
or play guitar and be a rolling stone, well that just sounds like fun.
A rock star or an outlaw, well either way I've won, 
when I walk out this door with a guitar or a gun.
when I walk out this door with a guitar or a gun.

With a guitar or a gun.

The protagonist admits that while his father, who is offering the advice, seems to be clear about the correct option to choose he himself is quite unclear about it all. You could say that this is an example of the wisdom that simply accrues with age and experience; even if that experience is only that of observation of the behaviours and outcomes of others.

This post was going to be about that alone until I was listening to this next song. I was really listening yesterday evening when I realized that this contained a lyric that encapsulates another more subtle contradiction - in this case one person, an adult, worrying about one problem while either oblivious to or wilfully ignoring the flip-side and that it is an attitude that is in large part driving the former.

Dry County Blues

There's a car full of pillbillies looking to score

From one of them trailer-court front-porch drug stores.

And a tired coal miner on a long West Virginia beer run.

Dry county blues, not a beer joint in sight.

Half the county's laid off, laid up or gettin' high.

At the head of the holler there's a makeshift casino

with a rusty pool table and blackjack and bingo.

Ain't nothing illegal as long as the sheriff gets paid.

There's good Christian women locking their front doors,

Praying their daughters don't turn into meth whores,

While their sons are out drinkin' and drivin' and trying to get laid.

Dry county blues, not a beer joint in sight.

Half the county's laid off, laid up or gettin' high.

Nowhere to go, not a damn thing to do.

So you turn a blind eye, and barely get by.

Dry county blues.

This is from Angaleena Presley's 2014 (in the US) and 2015 (in the UK) LP 'American Middle Class'. It is her début solo album and another cracking record. It is not even half as good however as seeing her play live so here she is doing just that.

Cambridge Folk Festival, 31 July 2015.

Cambridge Folk Festival 2015 - Part 2 - The American connection

One thing that very much appealed to me, as the line-up was announced incrementally, is that Cambridge Folk Festival does not define its sense of 'folk music' too parochially. That was particularly noticeable in the choice of artists from North America. Here are five such that I saw perform full sets. They all played Stage 1 and each was wonderful in its own special way.

The Stray Birds, from Lancaster, PA, serve to show that the old-time art of singing around a single microphone stand is far from dead. That is with good reason and the latest LP is 'Best Medicine' (2014).

This next is something a little closer to country - but not the increasingly derided bro-country. Indeed, had I not been in Cambridge (she played on Saturday) I could have seen her play Frome Cheese & Grain the previous evening. It was billed as a warm-up for Cambridge, so here is the result of that.

Gretchen Peters in support of her latest LP 'Blackbirds' (2015).

Although well known, not least to me for her work with old-time, jug band-influenced compatriots Carolina Chocolate Drops, this is that first time that I have ever actually seen Rhiannon Giddens live.

She is touring in support of her début solo LP 'Tomorrow Is My Turn' (2015), which is interesting in that it contains none of her original compositions. It takes a soul, roots trip through a variety of covers and traditional material.

Another band that has been garnering attention here in the UK recently is Brooklyn-based three-piece The Lone Bellow.

This is on the back of the band's second LP 'Then Came The Morning' (2015). It is even more difficult to assign a genre, whatever that means, to this than to the foregoing but suffice it to say that it has been gathering plaudits in its home country too and it is not hard to understand why.

To me perhaps the biggest surprise from Stateside to be announced for Cambridge Folk Festival 2015 is the last of the five that I have chosen to mention. As one of US alt-country trio The Pistol Annies, along with Ashley Monroe and Miranda Lambert, Angaleena Presley was the last to release a solo album by a country mile.

Some things are worth waiting for. 'American Middle Class' was most definitely one of them. It was a late entry into my list of Best Albums of 2014 and this set, had I had any doubt at the time, just proved to me why it was included there.

In case you are wondering about the letters on the fret of her guitar, rather obscured by the microphone stand, it is 'HOLLER' - she was 'Holler Annie' in the Pistol Annies. Miranda Lambert was 'Lonestar Annie' and Ashley Monroe 'Hippy Annie'.

New Music 2015 - Part 46 - Kacey Musgraves - Pageant Material

'Pageant Material', which is Kacey Musgraves' second studio album, is to be released on 22 June in the UK by Decca. I read the article about it in the Sunday Times today.

If the falseness of the album artwork annoys you - it is just a cliché - then please read on...

Factually, the article was fine in as far as it went (not very far) but that isn't the problem I have with it. The issue is that the author wasn't even willing to applaud the bravery that major label Mercury, and therefore not something that I might naturally feel inclined to defend, had in releasing 'Same Trailer Different Park' in 2013.
The article acknowledged that it tackled issues that would bother the moral majority: It did that and then some. 'Pageant Material' is no less incendiary in that respect but neither was Loretta Lynn when tackling issues of domestic abuse some decades ago. 

'Biscuits' is the first track released from it.

The other thing that struck me is that the impression given in the article is that Kacey Musgraves is alone in this mission. It is a fact that she isn't. Here are just two others to consider that I was well aware of in 2014:

• Razor Wire - Hannah Aldridge (2014)
• American Middle Class - Angaleena Presley (2014)

Whilst not actually courting such controversy with her début solo LP 'Like A Rose', Ashley Monroe was not afraid to tackle a taboo subject on the track 'Two Weeks Late' or a rather different one on 'Weed Instead Of Roses'. Her second LP should be revealed within a few months.
There are plenty of others too. Not least the ones that I am currently unaware of.

My 2014 in Music - Albums - Part 2

I seem to have the bit between my teeth at the moment as regards remembering, researching and writing so it is my inclination to just go with it. This list of ten albums is in no way a second-tier one in comparision to the first. The emphasis is slightly different however. The first list, viewed simplistically, comprised six UK artists, three US ones and a Canadian one. This next regarded similarly consists of six US artists, three UK ones and again a single Canadian one. It is also less heavily biased towards acts that I have seen live, at least in 2014, and more heavily towards those that I wish to see live in 2015; quite how this might influence my festival choices in 2015 remains to be seen.

• Angaleena Presley - American Middle Class
• Barr Brothers - Sleeping Operator
• Chloë Warren - The Midnight Novel
• Hannah Aldridge - Razor Wire
• Hurray For The Riff Raff - Small Town Heroes (*READ THIS!)
• Josienne Clarke and Ben Walker - Nothing Can Bring Back The Hour
• Otis Gibbs - Souvenirs of a Misspent Youth
• Red Molly - The Red Album
• Samantha Crain - Kid Face
• The Willows - Amidst Fiery Skies

In this list I have seen six of the above live at least once. Of the other four one of them is UK based but I've got it covered. That band is The Willows and playing Behind The Castle Festival on 13 June 2015.
This is the sole Canadian act in this list and the second time that I have seen Barr Brothers live. They are playing seven UK dates at the end of January 2015.

Tipi stage, End of The Road Festival, 30 August 2014.

When I took this picture, at one of the smallest stages, I knew almost next to nothing about the artist. I did however implicitly trust the curators of the stage because I was familiar with it and them. I wasn't to be disappointed.

Otis Gibbs - Saloon stage, Truck Festival 2014.

This next artist is one in the above list that at the start of the 2014 UK Festival season might have been regarded as a very long shot for inclusion here. This is how live music plays such a huge part for me;  I saw her twice in three weeks. I was it would seem far from the only one to come away with a very favourable impression. I wonder if I will be able to take a photo quite like this again...

Samantha Crain - Tipi stage, 30 August, End Of The Road Festival 2014.

Her recent touring, supporting First Aid Kit in the US and beyond has been very well received indeed and I hope has propelled her to a new level. Be that as it may, the album Kid Face is certainly worthy of all the praise that it has gathered.

This next one may be a curiosity: Amazon UK will tell you it is to be released in 2015 and also offer it for near immediate delivery. 

That might matter but it is so good and legally available that it shouldn't; I don't much care for this apparent nonsense of geographic distribution.

She, nickname 'Holler Annie', is the least known member of the Pistol Annies and the last to release a solo album. Does this matter?

On the basis of this recording the answer is a resounding NO and that is exactly why it is here.