Moulettes - Marnhull Acoustic Sessions - 9 November 2014.

This is your final warning.
You will most probably never be able to see this again. One of the UK's finest bands, The Moulettes - a six-piece usually, live in a 90-seat venue.
Sunday 9 November from 7pm, Marnhull Acoustic Sessions for tickets.  If you miss this then you will be asking yourself why before very long.

It is not folk music like you ever knew it. Moulettes is supporting Bellowhead for many dates on the the latter's UK autumn tour and taking a day off to visit Marnhull. Bellowhead is playing Birmingham Symphony Hall that same evening and you can't now sneak off to that instead as it is sold out!

My 2013 in music

You might think that my posts during the year should sum the title of this post. In a sense that is true but, in another it is not so. If I knew of another year that I enjoyed music as much as I did in 2013 then I would tell you about that. The fact is I can't.

It took in all sorts of music and in many places...

Jon Spiers and Bellowhead. Cheese & Grain, Frome, 19 November.

Bellowhead is a band with which I am well acquainted but it is no less a thrill to see them live once again and that could be said of many others too.
Not least though is the new...
I see no reason to think that 2014 can't be at least as good. On the other hand I doubt that any blog can start with a post more astonishing than this.

Thoughts of Festivals - Latitude 2011 again.

I decided to continue the theme. Almost as soon as I posted the previous one I was already half hoping that someone will convince me to change my mind.
Here are some more photos from Latitude 2011, starting on the main Obelisk Stage again and then working through the others.
  

Wanda Jackson covering Amy Winehouse's 'You Know I'm No Good'.

That it has a clock in it as rather strange: in her introduction to the song Jackson spoke of her concern for Ms. Winehouse's health.  Almost exactly a week later it was announced that she was dead.
  

Isobel Campbell again, on the same stage that her former band Belle and Sebastian had headlined on the Saturday in 2010.

A highlight for me this year, and not just because it is tented and out of the rain, was the Word Arena; they had done a pretty good job of picking the acts for this and they were very varied, which formed the basis of the post about Festival Variety in late July. Here are a couple more pictures from the Saturday.

I have only ever seen a few acts that come from New Zealand performing live. Ladyhawke (second album eagerly awaited) and Otago's Ruby Suns being two that come to mind. This is the lead vocalist of the third one...
  

Alisa Xayalith of The Naked and Famous during a volcanic set.

  

As the rain continued to fall some good old-fashioned party spirit was needed and what better to conjure that than Bellowhead?  Complete with a fiddle-duel.

  

That is the two larger stages done, at least for now, with the Lake Stage and Sunrise Arena to follow soon.

New Music 2011 - A mixed case of folk - Part 2

To continue the theme from yesterday I shall add that one long-term characteristic of folk music is the permutations and combinations game. Jon Boden and John Spiers may be two elevenths of Bellowhead - indeed the founding ones - but that does not mean the resulting endeavour has subsumed them (or indeed the other nine members).  They have also been performing as a duo - more or less - for a decade now, releasing several LPs in that time, so perhaps some kind of simple 'Greatest Hits' is in order?

Not at all. 'The Works' (Navigator Records) has been released instead and it throws some surprises not least of which include the guests: Eliza Carthy, Maddy Prior, Martin Simpson and many others. Available now, it was released in July 2011.
  
This is the track list:

1. Tom Padget
2. Horn Fair
3. Gooseberry Bush/Laudanum Bunches
4. The Birth Of Robin Hood
5. The Cheshire Waltz
6. Brown Adam
7. Rochdale Coconut Dance
8. Old Maui
9. Haul Away
10. Bold Sir Ryles
11. Prickle-eye Bush

This next album in this post is another collaborative compilation and will be released by Shrewsbury Folk Fest on September 5, 2011.

You will no doubt spot the theme here: some artists link the LPs mentioned in this and yesterday's post.  It is to be an 18-track CD - accompanied by an 18-track DVD - and I believe the price is going to be quite reasonable.
This is the track list:

1. Mining For Songs
2. Mother England
3. Jeff Sturgeon's / I Like You, You're Common / When Lenny Met Andy Met Patsy
4. Cecil's Greatest Hits Vol.1
5. Dear Kimber
6. Lover's Lament
7. The CooCoo Bird
8. Meadows of Dan
9. Ol' Groundhog
10. Black Mountain Lullaby
11. Child's Song;  Barbara Allen
12. Aunt Maria
13. Beautiful Maud
14. Veggie In The Holler
15. Earl Brand
16. Ghost Of Songs
17. The Great Divide
18. Maud & Cecil

Shrewsbury Folk Festival 2011 takes place from 26 - 29 August and, looking at the line-up, my ideas on which festivals to consider for next year are looking more complicated with each passing week.

Variety is the festival word

One of the things that I find hardest to do when thinking about writing about festivals is to devise some hopefully coherent plot.  That difficulty is actually also one of the great selling points of the very same festivals - the bewildering variety to be found there.  It is perhaps no surprise that 'Thoughts on Music' is a blog title that conveniently makes it quite difficult to go totally off-message!
Here are a few pictures, all from Latitude 2011 but in no particular order, of acts that I saw on the tented 'Word Stage' and all of which I particularly enjoyed.  Last year I spent a disproportionate time in front of the Lake Stage but this year very little in comparison. I spent it here instead.
  

The Naked and Famous, from New Zealand.

Tirelessly energetic and incredibly tight - it is hard to credit that this time last year they were all but unheard of beyond their distant home-shores. The début album 'Passive Me, Aggressive You' has certainly carved them a home from home and a well deserved live following.

  

The reliable half of a totally unpredictable, but equally legendary, musical partnership.

Carl Barât and his own band finished with something you just knew they couldn't resist!

There were plenty of those hats in tribute to HMP Peter Doherty but no delays, no bust-ups, just a thoroughly professional and entertaining set. The new solo material was very interesting too but equally I had failed to realize how good the 'Dirty Pretty Things'-era Barât material would sound live. That cello wasn't included as a nod to current trends; it played a major part in the structure of the sound.

  

More assuredly in the traditional and acoustic theme was Bellowhead. It is true that it is a 'marmite' band in that those who do not like it tend to do so with a passion. I am not one of them.

In my opinion they can do no wrong and, given this performance, I believe that I am right.

I should have taken this differently as I only managed to include nine of the eleven band members.

The next is another band that I have seen before at Latitude (in 2008, I think). If you are going to make quirky indie guitar rock then the best way to do it is with absolute conviction but on the face of it there seems to be nothing remotely unusual doing here.

  

  

You may not make as many fans that way but, as British Sea Power amply demonstrates, the ones you do will be equally passionate and quirky too. The fascination with greenery goes back to the earliest days of the band, though don't ask me why. For those wondering about the return of guitar bands in 2011 this is one to make you realize that they never really went away.

Last but not least, in what is still a far from complete synopsis of the acts I saw on the Word Stage last weekend, is James Vincent McMorrow.
  

These songs were mostly from the 2011 album 'Early In The Morning'. If you think that it is good (and it is) then live it is just something else.

Set the sails and feel the winds stirring... live in 2009

I left this category - Live Performances of 2009 - towards the end because I thought it would be amongst the easier ones to solve. Oh, how wrong could I be? These are all acts that I have seen live, in a few cases more than once, in 2009 and yet I still can't choose between them.

It has proven an invidious task to whittle the list down to ten, with some pictures to follow soon I intend, and here alphabetically is that list.

• Alela Diane
• Bat For Lashes
• Bellowhead
• Gossip
• Imelda May
• Ladyhawke
• Low Anthem
• Ohbijou
• Recode
• School Of Seven Bells

'Set the sails and feel the winds a-stirring
and towards the bright horizon sail away.'

I could do this list all over again, twice more with no items repeated, and still be quite happy with it. That just shows what I think about live music in 2009.

Note added March 15, 2010:

For more about 'Low Anthem' see here: For new info on 'The Low Anthem' see here:

http://rpgreenhalgh.blogspot.com/2010/03/for-those-who-are-still-doubters.html

Note added December, 8:

The more I think about it the more tempting it becomes.

When folk became fashionable...

It was fairly clear a year ago that 2009 was going to see a resurgence in electro-pop and electronica in general and so it has proved. A rather different genre, which has been chipping away at public indifference for several years, also made huge strides in 2009. Folk/roots and its associated acoustic palette, whether modern or traditional, had long been seen in the UK at least as predominantly the preserve of middle-aged males drinking ale in the local pub.

It became very clear that something had changed: turn on BBC Radio 1 and one can often be forgiven for thinking your tuner has changed to the traditional end of BBC Radio 2 territory and that impression could only be reinforced at many of this summer's festivals.
These are young, talented performers playing a vast range of acoustic instruments and appealing to a young audience as well as the traditional one. Last year Laura Marling, signed to EMI, blazed the trail and seems to have been touring non-stop ever since.
I have mentioned quite a few acts already, as I have always had a soft spot for such music and Bellowhead, touring 2008 album Matachin, is indubitably one of the finest of the hundred-plus live artists of all genres that I have seen this year.

Here are a few more albums/artists to consider, not all of which I have heard yet. I'll start with the latest album by the artist who has possibly done the most to promote this trend over the last decade or so...

Sweet Bells - Kate Rusby (2009, Pure Records)

One new band that seems to have found favour in influential circles is the one that, on hearing them repeatedly on BBC Radio 1, made me realize that things had really changed and that I have probably seen more banjos deployed in 2009 than since forever... In the BBC Radio 1 'Live Lounge' sessions it is expected that the band will perform a cover version: Calvin Harris' - I'm Not Alone and it was as truly amazing as it was a surprising choice.

Sigh No More - Mumford & Sons (2009, Island/Universal)

I have mentioned the eleven-piece Bellowhead already but very recently the sole female member thereof has just released her début solo project.

No Man's Fool - Rachael McShane (2009, Navigator Records)

Many of these albums comprise a mixture of interpretations of traditional songs and completely new ones and this, the second album from Derbyshire singer, songwriter and fiddle player Bella Hardy, is no exception.

In The Shadow of Mountains - Bella Hardy (2009, Noe Records)

And finally, for now...

Here's The Tender Coming - The Unthanks (2009, Rough Trade/Beggars)

They may have changed the artist act name to 'The Unthanks' but it is still the same sisters and this album also includes traditional material, including the title track that also appears on 'The High Level Ranters' album 'Ranting Lads' that I have already mentioned.

Where does that leave us? Well, I'd like to think that it bodes very well for 2010. The raised profile and popularity of the whole genre is likely to inspire others contemplating similar forays in acoustic music and that can hardly be a bad thing.

This post focusses entirely on UK artists but that is not to say that there aren't others working in similar territory and equally deserving of a mention. I have seen several of them live in 2009 and mentioned some already but a fuller retrospective should follow soon. It should bode well for the 2010 festival season, particularly those such as Green Man Festival, EOTR 2010 and The Cambridge Folk Festival.

Memories Live Longer Than Dreams --- Don't Look Down

It is something of a change, to say the least, to go to a gig with a group of friends. That was Bellowhead at the Cheese & Grain in Frome yesterday evening and what a show it was. I can quite truthfully say that I haven't seen one obviously better this year, and not for want of trying either, but personal preference might play a part. I have however seen a few that run it close, which only serves to show just how fortunate I have been, and it was on my doorstep! It was so good to have company that I never even thought to take any pictures, let alone take the measures needed to stand a chance of getting anything worthwhile, and I don't regret it for a moment.

The title of the post is however double-edged - it is also that of the final installment of the Leyland Kirby double-vinyl trilogy - and yes, I have! Now that is dealt with I think it time for another more sensible, or simply more varied, selection of new music I want.

That however is not a prospect that is going to test me any less...

Music I Want in 2009 - Part 9 - New European

I'm pondering strategies for a wet weekend at Latitude 2009 but the issues involved are not devolved; the weather is no less my responsibility than it is that of the event organisers and neither of us can blame the other for it. They have contingency plans too and so, even if not ideal, I think it will probably work out OK... Rather than say which acts I'm hoping to see, though I have mentioned a few already, I thought I'd tell you of a few that I won't be seeing because, in so far as I know, they are not playing. It is not criticism, rather curiosity, that got the better of me...

Ray Rumours is the semi-solo project of Ros Murray (Electrelane) and it sounds nothing like their electronic output and this is the second album released under this moniker.
Recorded in St. Martin l'Ardèche, in the autumn and winter of 2007-2008, it is entirely acoustic. It is released on CD by StitchStitch (March 2009) and it available either direct from either of these links or from some independent record stores.

More Scandinavian surprise, this time in the form of ambient folk-electronica from Sweden, comes in the form of the début album 'Aurora'.

The Deer Tracks (2009) - Aurora

And here is another recent release...

Lau are battling with Bellowhead, in press reviews and more, for the crown of best folk-inspired band of 2009 and it is quite obviously a discussion to be had over a couple of pints in the pub(s) of your choice (The Bourne Valley and The Griffin would be mine) but beyond that it means little except to say that we are currently spoiled by such talent and long may it remain so.