New Music 2013 - Part 7 - 'Mericana

It has taken a while for me to get around to this.  In the week that I got to write about Mike Harding's first independent "radio" folk show I thought it about time to pay dues to music from elsewhere.  Some years ago, let's say about early 2005, I had become bored with the horizons of the music that I was listening to. The result, after some vacillation, included starting this blog. That, in order to feed it and my new curiosity, led to a new era of festival attendance.
I had long liked much UK folk music, both traditional and more modern, so I suppose I was predisposed to fall for Americana, even if I didn't really know that it existed as such. Looking back now that seems astonishingly naïve - surely I should have spotted its influences on music of which I was already at least somewhat aware?
Well, apparently not.
Since then however Americana and the rise of UK contemporary folk have extensively, but not entirely, defined my musical existence: is it coincidental that while the UK is increasingly falling for Americana and alt-country 'Mumford & Sons', four tweed-waistcoated lads from middle England, are nominated for six Grammys? I suspect not.
What it has certainly done is pique my curiosity about music, especially new music in genres of which I am less aware, and that is no bad thing. In that vein, rather than a roll-call of the well-known, I'm going to mention one or two artists rather less so.
This is a new song and therefore I can pretty much guarantee that you haven't heard it before:
Lyric to 'Burn it Down', tomorrow I hope, and it's a good excuse to listen on repeat. On the other hand the song I was intending to add must wait. It is, at the request of the artist, going to be re-recorded before it appears here.

I am truly humbled for music doesn't get much newer than that. If you are out that way then catching the duo, Sylvia Novak and Clay Cutler, is still a possibility. In fact they are just waiting to go on stage this evening (5 January, 2013)...
Cigar and Fine Spirits, Auburn, AL.

Thoughts on Music - albums for interesting times...

I've been taking a break from writing posts and one that has, unusually, lasted almost a fortnight. Suffice it to say that I have still been listening to and thinking about a great deal of music in the meantime. In part I have been seeking out new music, while also thinking about bands that I would like to see at this summer's festivals...
  
I intend to try and pick up the dropped stitches with a selection of music that I have had on-rotation during this time.  It comes with a warning: this is not uplifting music except that, just possibly it is comforting for its sense of hopelessness at the state of things albeit often in an abstract sense.  That things have changed has been deftly short-circuited by the recent Grammy and Brit Awards - both in the nominations and indeed the winners.
The relationship between Music and Politics took a turn for the better and it started to change in the Bush/Blair era but, I wish to contest, now the major labels are on the defensive the tide is going to be hard to change in the Cameron/Obama one.
The rise of music, largely without the political shackles that the major labels imposed, is likely to actually be one aspect of 'The Big Society' that Cameron can rely on getting in the real world. Punk was a total break.  It laid the foundation for an intelligent blue-print on which to call and promote; as happened, and with great success: that is grunge!
Tony Blair was "friends" with Oasis, in the so-called 'Cool Britannia' phase, and he also played guitar. It happened but was actually a poor publicity stunt. 
It is hard to imagine the possible invitees (except for TV talent show cast-offs) to such a soirée at 10 Downing Street, were one to happen in this new age of austerity; less likely still those, except the desperate, that might accept the invitation.
  
That is not to say that Britain does not have a wealth of talented musical artists, and ones increasingly good at taking their talent to export markets, for it does. Just now, however, is a time when they simply don't need that particular patronage.
  
This artist should be top of the list of "the uninvited". It is the eighth studio album from one who is never shy to pull punches when it comes to politics, subject or timing and therefore was only released on the Monday just gone.
  

Can one album cause a Government to fall? Well - and at least this is true - it has not happened yet.

Cover Versions 2010: Jolene

I have mentioned a number of cover versions, both heard live and recorded, that have impressed me in 2010.  Thank you to whoever asked about this one just a couple of hours ago for it falls into that category. It is a cover of 'Jolene', written and originally recorded by Dolly Parton, performed live by Laura Marling and Mumford and Sons at Cecil Sharp House for BBC Radio 1 in November 2010.

Here is the lyric specific to that performance:

Jolene (Mumford & Sons with Laura Marling)

Your beauty is beyond compare
With flaming locks of auburn hair
With ivory skin and eyes of emerald green
Your smile is like a breath of spring
Your voice is soft like summer rain
And I cannot compete with you, Jolene

He talks about you in his sleep
There's nothing I can do to keep
From crying when he calls your name, Jolene
And I can easily understand
How you could easily take my man
But you don't know what he means to me, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him just because you can

You could have your choice of men
But I could never love again
He's the only one for me, Jolene

I had to have this talk with you
My happiness depends on you
And whatever you decide to do, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him even though you can

Your beauty is beyond compare
With flaming locks of auburn hair
With ivory skin and eyes of emerald green
Your smile is like a breath of spring
Your voice is soft like summer rain
And I cannot compete with you, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him just because you can
Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man

One thing that I cannot do, however, is supply a translation in Spanish!

As the winter winds...

It is twenty-one years since a non-Christmas seasonal song has had such resonance: The last being 'Fairytale of New York' by The Pogues and featuring the late Kirsty McColl. It still sells well on download, better than the following actually, but it finally has a rival.

Yes it was chosen by BBC Radio 1 as its seasonal song but that only makes it more remarkable: it prominently features banjo and even in the UK there has been love. That alone is an affirmation of the effort and dedication that it must have taken to write and record it, but was certainly no guarantor of its success.

Winter Winds

As the winter winds litter London with lonely hearts

The warmth in your eyes swept me into your arms

Was it love or fear that lead us through the night?

For every kiss your beauty trumped my doubt

And my head told my heart

Let love grow

But my heart told my head

This time no, this time no

We'll be washed and buried one day my girl

And the time we were given will be left for the world

The flesh that lived and loved will be eaten by plague

So let the memories be good for those that stay

And my head told my heart

Let love grow

But my heart told my head

This time no, this time no

The shame that sent me off from the God I once loved

Was the same that sent me into your arms

And pestilence has won when you are lost and I am gone

And no hope, no hope will overcome

But if your strife strikes at your sleep

Remember spring swaps snow for leaves

You'll be happy and wholesome again

When the city clears and sun ascends

And my head told my heart

Let love grow

But my heart told my head

This time no, this time no.

If this were the only good track on the album that would be something but it isn't. I am, in fact, unsure that it is any better or worse than the others, which is saying something given that this is a début album, but it is the one that is just perfectly allied with the current scenario. Most of the album would be probably be perfect listening at a barbeque on a warm summer night.

Its depiction of London has just reminded me of another song, again quite recent, and in this instance by an artist from outside the UK but that will have to wait for another post.

When folk became fashionable...

It was fairly clear a year ago that 2009 was going to see a resurgence in electro-pop and electronica in general and so it has proved. A rather different genre, which has been chipping away at public indifference for several years, also made huge strides in 2009. Folk/roots and its associated acoustic palette, whether modern or traditional, had long been seen in the UK at least as predominantly the preserve of middle-aged males drinking ale in the local pub.

It became very clear that something had changed: turn on BBC Radio 1 and one can often be forgiven for thinking your tuner has changed to the traditional end of BBC Radio 2 territory and that impression could only be reinforced at many of this summer's festivals.
These are young, talented performers playing a vast range of acoustic instruments and appealing to a young audience as well as the traditional one. Last year Laura Marling, signed to EMI, blazed the trail and seems to have been touring non-stop ever since.
I have mentioned quite a few acts already, as I have always had a soft spot for such music and Bellowhead, touring 2008 album Matachin, is indubitably one of the finest of the hundred-plus live artists of all genres that I have seen this year.

Here are a few more albums/artists to consider, not all of which I have heard yet. I'll start with the latest album by the artist who has possibly done the most to promote this trend over the last decade or so...

Sweet Bells - Kate Rusby (2009, Pure Records)

One new band that seems to have found favour in influential circles is the one that, on hearing them repeatedly on BBC Radio 1, made me realize that things had really changed and that I have probably seen more banjos deployed in 2009 than since forever... In the BBC Radio 1 'Live Lounge' sessions it is expected that the band will perform a cover version: Calvin Harris' - I'm Not Alone and it was as truly amazing as it was a surprising choice.

Sigh No More - Mumford & Sons (2009, Island/Universal)

I have mentioned the eleven-piece Bellowhead already but very recently the sole female member thereof has just released her début solo project.

No Man's Fool - Rachael McShane (2009, Navigator Records)

Many of these albums comprise a mixture of interpretations of traditional songs and completely new ones and this, the second album from Derbyshire singer, songwriter and fiddle player Bella Hardy, is no exception.

In The Shadow of Mountains - Bella Hardy (2009, Noe Records)

And finally, for now...

Here's The Tender Coming - The Unthanks (2009, Rough Trade/Beggars)

They may have changed the artist act name to 'The Unthanks' but it is still the same sisters and this album also includes traditional material, including the title track that also appears on 'The High Level Ranters' album 'Ranting Lads' that I have already mentioned.

Where does that leave us? Well, I'd like to think that it bodes very well for 2010. The raised profile and popularity of the whole genre is likely to inspire others contemplating similar forays in acoustic music and that can hardly be a bad thing.

This post focusses entirely on UK artists but that is not to say that there aren't others working in similar territory and equally deserving of a mention. I have seen several of them live in 2009 and mentioned some already but a fuller retrospective should follow soon. It should bode well for the 2010 festival season, particularly those such as Green Man Festival, EOTR 2010 and The Cambridge Folk Festival.