New Music 2011 - Part 3 - The Duke Spirit, Laura Marling, &c.

The Duke Spirit is one band my love of which pre-dates my days as a blogger.  They are a five-piece and are well advanced in the recording of their third album.  They are also awesome live and this is just how rock should be...

The Duke Spirit live in New York last weekend.

Too much reliance on the, albeit marvellous, digital age can have its downside! Still there is solace to be found in things thoroughly analogue...  FM radio and a pile of vinyl recordings.


While what I am to mention next actually belongs in 2010 its inclusion in prospects for 2011 is also apposite. Since she appeared on the new folk scene in 2006, most notably then as part of Noah And The Whale, barely a few months have gone by without her releasing something to delight us.

She recently apologised for the delay in the release of her third studio album (now due "sooner rather than later" in 2011) but instead consider it in this light. In these days a gap of  at least two years between studio albums is now quite normal due in large part to the more profitable touring commitments that might follow: her second album 'I Speak Because I Can' was however released on May 3, 2010.  That is not to say that she has stinted on the latter front and for those lucky enough to be attending the Crunch Festival, Hay on Wye next weekend you are in for a treat not least because she is headlining the music aspect on Friday evening:  There are still some tickets left if you have a gap in your diary.

I saw Laura Marling live at Latitude 2010 and the performance was flawless even in the rather wide expanse of the Obelisk stage. As well as the obvious highlights of her own song writing there is the ease with which she interprets and incorporates cover versions into the proceedings. If you can find a recording of her recent performance at Cecil Sharp House (for BBC Radio 1), with Mumford & Sons and covering Dolly Parton's 'Jolene', then I suggest you do so.  Her latest release, vinyl 7" (TMR044) physically, but also available to stream from Spotify, is another pair of covered songs recorded at Third Man Records' studio in Nashville by, label founder and analogue addict, Jack White.

The a-side (it is so good to write that and really mean it) is 'Blues Run The Game', written and recorded by Jackson C. Frank (1965) and from the album of the same name, which was to be the only one from someone stalked by misfortune from a young age.

The b-side is more a reflection on the misfortunes of others by one whose career has lasted decades, is very much ongoing, and in the current musical climate increasingly influential.  'Needle and The Damage Done' saw Neil Young tackling such territory and it was originally released on the 1972 studio album 'Harvest' but it was performed live somewhat before that and I have an admission to make. 'Harvest' was something of a joke in the days when I first started to appreciate vinyl and it always seemed to be in the 'bargain bin' - "Any 3 for £1" - and guess what?  I'm listening to 'Harvest', quarter of a century later and on original vinyl, while writing. I paid over the odds for it too - it cost me £0.50 in December 1986 - and I know that because I made a note of it inside the sleeve!

On the face of it nothing - except for my mysterious taste in music - connects the worlds of Duke Spirit and Laura Marling but in that you are perhaps misguided. In 2006 The Duke Spirit released a 7" Covered In Love comprising two tracks by artists who were then recently deceased.


 2011-related posts about Laura Marling's music:
http://rpgreenhalgh.blogspot.com/2011/01/few-bits-and-pieces.html


Further posts on New Music 2011:
Part 1  --- Esben and The Witch
Part 2  --- Yuck
Part 4  --- Low Anthem
Part 5  ---  Go!Team
Part 6  ---  Rhosyn
Part 7  ---  Emily Barker and The Red Clay Halo
Part 8  ---  Those Dancing Days
Part 9  ---  Some things I am looking forward to.
Part 10  ---  More things I am looking forward to.
Part 11  ---  New Heads On Old Shoulders?
Part 12  ---  Snowglobe - Jesca Hoop
Part 13  ---  Queen of the Minor Key

Not gone away; just taking stock of 2010.

Well I intend to write more this weekend but I haven't been idle in the meantime.  I've been trawling through all those mostly useless photos that I have taken during 2010 and also some of those from earlier festivals if and when they are still of relevance.  Sometimes I miss worthwhile ones by mistake and others become more (or less) relevant with the passage of time.
This is a recent one, taken at Latitude 2010, of a band that is of ever increasing prominence and one that is coming towards the end of a month touring the US.  This is Esben and The Witch.  The EP, available now, is Marching Song.

More live pictures to follow soon and, hopefully, also plenty more thoughts on new and/or upcoming music too.  Returning UK artists include several that I have mentioned before, including The Duke Spirit.
If there is one grain of comfort in today's 'Spending Review' it is that the London Crossrail project goes ahead: it has already resulted in the demise of the 'Astoria'.  It was a venue of Great British character - all sticky floors and heritage facilities.  You can decide which was to be found where but to be honest you'll almost certainly be right regardless, and the essence of long-faded grandeur pervaded all parts of it. The last band I saw play there was 'The Duke Spirit' and that was back in May 2005.

Those 2005 albums... (part 2)

Tour advertisement from 2005.

Following on from the last post, and if a swirling background of electric guitars is more your thing, then this might be to your liking. London based five-piece The Duke Spirit have been around since at least 2003 and while their early vinyl stuff is hard to find the 2005 album Cuts Across the Land is the obvious place to start. There is the 13-track standard version, available on CD and vinyl, and a 'Special Edition' CD that also includes an additional 10-track CD that comprises demo versions and live session recordings. Buy the former for the glory of the cover artwork and the fact that it is vinyl, the latter for the mainly very worthwhile additional recordings and because heard even live-by-proxy 'The Duke Spirit' are simply awesome!

They should be touring again in Spring 2007 and in the meantime they have released a very limited edition 7", Covered in Love and it features two tracks by recently deceased artists that they hold as influences. The tracks are Desmond Dekker's '007 (Shanty Town)' of 1967 and the Arthur Lee track 'A House Is Not A Motel' from the 1967 'Love' album Forever Changes; both are sung by Liela Moss with the band providing their signature sound.