End Of The Road 2015 - Across All Stages - Part 1

Here is an interestingly useless statistic.  EOTR 2015 saw me break my own records for both the longest and the shortest time to see two complete sets by the same band (comprising the same band members with no additions or deletions) ever. Three of the four sets happened last Saturday. 

This is US trio Ex Hex playing the Big Top stage late on Saturday afternoon. It was just 5hr 8 min between the start of the first set and the finish of the second set, on The Tipi Stage, of which more later.

The other is London five-piece The Duke Spirit. I somehow missed seeing them play at Latitude 2010 but not on the (main) Woods Stage at EOTR 2015.

The first time was one of my first ever trips away to see a live band since my student days: on 21 May 2005 I ventured to The Astoria, London to see The Duke Spirit play [I took no pictures of that]. That is also fifteen months before the first EOTR took place! 
The Astoria is no more - it was demolished in 2010 and the site is now part of the soon-to-be-opened Tottenham Court Road CrossRail station. I guess you might say that I got the live-music bug. Other than that very little has changed except to say that, 3758 days later, their music is rather back in fashion...

Liela Moss, The Duke Spirit, EOTR, 5 September 2015.

The band finished the set with 'Love Is An Unfamiliar Name' from the 2005 album Cuts Across The Land.

I have long held The Garden Stage to be the most beautiful festival venue and I'm not about to change my mind now. Headlining it on the Sunday evening is an artist whom I have seen live a number of times but, again, not for longer than I might have wished. To be fair this was a pairing of artist and stage made in Heaven and she had enough time to showcase songs both new and from way back, including 'My Manic and I' from the originally vinyl-only 2007 EP of that name.

Laura Marling - The Garden Stage - Sunday evening.

2015 Festivals --- New music, artists and everything else...

I was in the supermarket today and in front of me in the queue was a group of four people, all in their 30s I'm guessing, two male and two female, discussing the idea of going to a festival this summer - I don't know which one and I suspect that they had no particular target. The discussion, which was loud enough for me to be able to hear most of it, went along these lines...
Person 1: "I can't make a decision before the (headline?) acts are announced."
Person 2: "Or until we see the weather forecast."
Persons 3 & 4 then added various caveats - involving camping, toilets, showers and the like.

I just smiled to myself: I can see that this is a plan that is almost certainly not going to happen. This approach is a sure-fire way to never go to a festival. Even if they did do so the arguments about what to see would be likely be catastrophic.
I really wanted to say why doesn't one of you simply commit to going. If nobody else follows the leader then just go anyway and  face the music. At least you can say you were there and report back on the brilliant/awful time that you had!
Of course there is the utterly selfish approach, which is to go alone by design. That way you can't spend all the time with your friends. You have to meet and talk to strangers and it just happens. What is more you can go see whatever you want, plan a military-style campaign if you wish to, and yet change your mind as often as you please. This is the diametric opposite of loneliness.

That brings me to albums released today in the UK by two artists that I have seen before at festivals and that I plan to see again in 2015.

Laura Marling is confirmed, as of today, for End Of The Road Festival 2015.

The Staves are playing Green Man Festival 2015.

This will be the third time that I have seen each at festivals (and never anywhere else).  Indeed I have seen both at EOTR in the past and each once at a different festival too. I may look out some pictures of those performances. I shall certainly comment on both albums once I have had the chance to listen to them sufficiently to form a stable opinion.
I shall return to the artists and acts that I have not seen before very soon.

New Music 2015 - Part 11 - 'Animal Fear': video and two forthcoming LPs

The start of February is something of a 'light the blue touch paper' moment; in large part due to the impending flood of new LPs but also the much-anticipated summer festival artist announcements.
This missive concerns two forthcoming albums by artists that I have seen live at festivals before. This is the first to be released and if the video to the first single from it (below) is to be believed the second album in this post will be a posthumous release! Both artists already have a history of somewhat unsettling songs and I'm thinking of these, 'Night Terror' and 'My Manic and I' (2007), here.
Now they are neighbours in London's East End this is what happened when Marika Hackman enlisted Laura Marling for the video to 'Animal Fear', on which she plays electric bass, and taken from the forthcoming album of the former.

'We Slept At Last' will be released on 16 February in the UK.

The video below is not for little ones to watch.

Laura Marling releases her fifth studio LP 'Short Movie' on 23 March.  Both releases, I rather suspect, will propel the cause of modern folk-pop further into untraditional territory. It is in the process of evolving into something that is in-and-of-itself. Other artists I could list here are many but one that I noticed a couple of years back is Lucy Cait and especially the 'Gabriel's Wharf EP' (2013).

2013 isn't over yet...

If you think that my last post, and the ensuing hiatus, signalled the end of my blogging in 2013 then think again:

The casual chemistry between Amy LaVere and John Paul Keith makes it seem like this happens all the time - boy meets girl, boy plays girl some songs, boy and girl form band.

“It’s not that we really decided to have a band” as Keith tells it.  

“It’s just that by the time we got done having coffee she’d decided we were a band and was already booking shows for us. By the time I got home, we were exchanging ideas for band names.”
   

If you want a cover version then try this. Eddie Berman, from southern California, and Laura Marling take a shot at Springsteen's 'Dancing in the Dark'.

   

To be fair that is only just a part of it, even as regards cover versions, but this is one I love.

I'm particularly interested to hear about your own favourite covered-songs this year, be they recorded, live or whatever. You are welcome to comment here or via Twitter @thoughtsonmusic.

Goodbye England (Covered In Snow)

This is a post that I couldn't resist. I love snow, and there is plenty of it here right now, but there is however a certain ambivalence to that comment; it actually makes me want to be at home, warm and with good food. I could do the whole snowed in thing - at least for a week, I guess.
This song sums it up far better than I ever could.

You were so smart then
in your jacket and coat.
My softest red scarf was warming your throat.
Winter was on us,
at the end of my nose,
but I never love England more than when covered in snow.

And a friend of mine says it's good to hear you believe in love even if set in fear
well I'll hold you there brother and set you straight
I won't make believe that love is frail and willing to break.

I will come back here,
bring me back when I'm old.
I want to lay here forever in the cold.
I might be cold but I'm just skin and bones
and I never love England more than when covered in snow.

I wrote my name in your book,
only god knows why,
and I bet you that he cracked a smile,
and I'm clearing all the stuff out of my room,
trying desperately to figure out what it is that makes me blue,
and I wrote an epic letter to you,
but it's 22 pages front and back and it's too good to be used
and I tried to be a girl who likes to be used
I'm too good for that.
There's a mind under this hat,
and I called them all and told them i've got to move.

Feel like running
Feel like running,
running off.
And we will keep you
we will keep you little one,
safe from harm,
like an extra arm you are part of us.

You were so smart then
in your jacket and coat
and my softest red scarf was warming your throat.
Winter will leave us,
left the end of my nose,
so goodbye old England 'till next year's snow.

Where The Music Never Stops.

Just reposted from Glasto. Live with guests (from the audience) @ 6:30pm.
One of the headline artists at EOTR 2011.

New Music 2011 - Forthcoming album releases

I'll start with three - and all of them by artists appearing at EOTR 2011 - so the possibility of  hearing at leasts parts of them played live sooner rather than later is very real and all are also by artists that I have previously seen live at least once, which adds weight to my comment in the previous post.
  
Lanterns On The Lake - Gracious Tide, Take Me Home
This, the début album, is released by Bella Union Records on September 19, 2011.

The album track 'You're Almost There' is available as a free download.  The three self-released CD EPs are all sold out now but you can purchase them as downloads from the band's website. At least some of the songs will no doubt appear on the album in some form too. As well as Truck Festival and EOTR 2011 the band is playing  at Deershed 2011 [pre-booked tickets only - there are none available on the day this year] and, if you fancy a visit to the UK's highest pub and regular live music venue, LOTL is hosting a night with special guests at Tan Hill Inn on August 27 - £10 with camping included and no grumpy neighbours except sheep, one or two of which you might well find in the bar and likely in front of the fire (vying for prime space with the cats and dogs), and nothing else other than native wildlife and your fellow campers to disturb!
The band also played at EOTR 2010 - subject to a minor misfortune and ultimately a major victory.
  
Laura Marling - A Creature I Don't Know
September 12, 2011 is the release date for this, her third LP.

  
There is to be a limited version that will include 12" LP, CD and other goodies. You have been warned.  I can't wait to hear this live.  This is the track list:

• The Muse
• I Was Just A Card
• Don't Ask Me Why
• Salinas
• The Beast
• Night After Night
• My Friends
• Rest In The Bed
• Sophia
• All My Rage

Beth Jeans Houghton - [title as yet unknown to me]
An album some time in the making. Dodecahedron is promising and again another dab hand (and band) when it comes to live performance.
  
I'll add this one too, although it is an album already released, while I'm working in the genre of folk-influenced music. Much is written about regional folk music within the UK and Ireland but, in my recall at least, little of it specifically concerns that of Devon. I came across this and have now ordered it unheard, which is something that I like doing as you may well know.

The artists involved suggest goodness. Jim Causley is prime mover here but it also includes others unlikely to risk their well earned reputations on a dubious project. It was released by Wild Goose Records in March of this year.

Thoughts on Music - albums for interesting times...

I've been taking a break from writing posts and one that has, unusually, lasted almost a fortnight. Suffice it to say that I have still been listening to and thinking about a great deal of music in the meantime. In part I have been seeking out new music, while also thinking about bands that I would like to see at this summer's festivals...
  
I intend to try and pick up the dropped stitches with a selection of music that I have had on-rotation during this time.  It comes with a warning: this is not uplifting music except that, just possibly it is comforting for its sense of hopelessness at the state of things albeit often in an abstract sense.  That things have changed has been deftly short-circuited by the recent Grammy and Brit Awards - both in the nominations and indeed the winners.
The relationship between Music and Politics took a turn for the better and it started to change in the Bush/Blair era but, I wish to contest, now the major labels are on the defensive the tide is going to be hard to change in the Cameron/Obama one.
The rise of music, largely without the political shackles that the major labels imposed, is likely to actually be one aspect of 'The Big Society' that Cameron can rely on getting in the real world. Punk was a total break.  It laid the foundation for an intelligent blue-print on which to call and promote; as happened, and with great success: that is grunge!
Tony Blair was "friends" with Oasis, in the so-called 'Cool Britannia' phase, and he also played guitar. It happened but was actually a poor publicity stunt. 
It is hard to imagine the possible invitees (except for TV talent show cast-offs) to such a soirée at 10 Downing Street, were one to happen in this new age of austerity; less likely still those, except the desperate, that might accept the invitation.
  
That is not to say that Britain does not have a wealth of talented musical artists, and ones increasingly good at taking their talent to export markets, for it does. Just now, however, is a time when they simply don't need that particular patronage.
  
This artist should be top of the list of "the uninvited". It is the eighth studio album from one who is never shy to pull punches when it comes to politics, subject or timing and therefore was only released on the Monday just gone.
  

Can one album cause a Government to fall? Well - and at least this is true - it has not happened yet.

A few bits and pieces...

This is really a small collection of things that I have heard about recently, been "told" or have previously forgotten to mention.

Several people have asked me/arrived at this blog seeking an answer to this question:

• Is 'I Speak Because I Can' - Laura Marling available on 12" vinyl LP?  Well I could not find it either but, let me tell you this, it will be available within the next month or two.  The exact release date has, to the best of my knowledge, not yet been announced.
• On the same theme; the third Laura Marling album, originally and rather optimistically pencilled in for 2010, is still in the works. My hunch is that an early summer 2011 release is a good bet.

The end of 'blue January' is when new releases really start to pick up and in some ways define the direction of 2011. I have mentioned some of these already and Adele's '21' is certainly shifting units in the UK this week: it had sold more than 100,000 copies in its first two days of release and by the midweek  Top 10 album chart-preview it was comfortably out-selling #2 - #10 even if their individual sales were totalled!

My first 2011 12" vinyl acquisition is 'Violet Cries', the début album from Esben and The Witch (UK: 31/01/2011).  If you can make it then they are marking the event in their home city of Brighton the following evening.

It is an album that, in an interesting twist, eschews the inclusion of the singles 'Skeleton Swoon' and 'Lucia At The Precipice', but if you have seen E&TW live then you will know just what to expect.

If you wondered why I didn't make a specific post about where I think (live) music is heading in 2011, in contrast to previous years, then this is what I have to say.
I think 2011 might just possibly be a turning point. If it were to be so then I think that the result will not be the dominance of any particular genre but rather the acceptance of many that co-exist and can intermingle influences.  I believe that, as a result of many circumstances, the seeds of this change were first sown a few years ago.

Cover versions 2010/2011 - old music revisited

I'm sorry if this post is a bit on-the-fly. I was just about to turn in for the night when I noticed that someone (and thank-you) had ended up here while searching a Famous Web Search Engine for 'recent cover versions'.  I have mentioned a few recently - the latest only a couple of hours ago- so I decided to mention [in the side bar only], Smoke Fairies cover version of the Neil Young song 'Alabama'  and it available to stream for free here.  There is something doing - cover versions are all the rage - and I intend to come back to a selection of them soon. My ambition would be to collate a list of a few choice ones, some less likely than others, from the last few years.  Be that as it may Neil Young has cropped up at least twice very recently: Laura Marling covered 'The Needle and The Damage Done', also from the 1972 album 'Harvest', as the b-side to 7" 'Blues Run The Game', which is also a cover but an older one.

On the other hand it is not as venerable as 'Ghost Woman Blues' that has been revived, and righteously so, by The Low Anthem.

Here, as I was curious as to whether I had heard them correctly, are what I think is the lyric to 'Alabama'.

Alabama

Oh, Alabama
The devil fools with the best laid plan
Swing low Alabama

You got the spare change
You got to feel strange
And now the moment is all that it meant

Alabama, you got the weight on your shoulders
That's breaking your back
Your Cadillac has got a wheel in the ditch
And a wheel on the track

Oh, Alabama
Banjos playing through the broken glass
Windows down in Alabama

See the old folks tied in white ropes
Hear the banjo
Don't it take you down home?

Alabama, you got the weight on your shoulders
That's breaking your back
Your Cadillac has got a wheel in the ditch
And a wheel on the track

Oh Alabama
Can I see you and shake your hand?
Make friends down in Alabama

I'm from a new land
I come to you and see all this ruin
What are you doing Alabama?
You got the rest of the union to help you along
What's going wrong?

Cover Versions 2010: Jolene

I have mentioned a number of cover versions, both heard live and recorded, that have impressed me in 2010.  Thank you to whoever asked about this one just a couple of hours ago for it falls into that category. It is a cover of 'Jolene', written and originally recorded by Dolly Parton, performed live by Laura Marling and Mumford and Sons at Cecil Sharp House for BBC Radio 1 in November 2010.

Here is the lyric specific to that performance:

Jolene (Mumford & Sons with Laura Marling)

Your beauty is beyond compare
With flaming locks of auburn hair
With ivory skin and eyes of emerald green
Your smile is like a breath of spring
Your voice is soft like summer rain
And I cannot compete with you, Jolene

He talks about you in his sleep
There's nothing I can do to keep
From crying when he calls your name, Jolene
And I can easily understand
How you could easily take my man
But you don't know what he means to me, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him just because you can

You could have your choice of men
But I could never love again
He's the only one for me, Jolene

I had to have this talk with you
My happiness depends on you
And whatever you decide to do, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him even though you can

Your beauty is beyond compare
With flaming locks of auburn hair
With ivory skin and eyes of emerald green
Your smile is like a breath of spring
Your voice is soft like summer rain
And I cannot compete with you, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him just because you can
Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man

One thing that I cannot do, however, is supply a translation in Spanish!

New Music 2011 - Part 3 - The Duke Spirit, Laura Marling, &c.

The Duke Spirit is one band my love of which pre-dates my days as a blogger.  They are a five-piece and are well advanced in the recording of their third album.  They are also awesome live and this is just how rock should be...

The Duke Spirit live in New York last weekend.

Too much reliance on the, albeit marvellous, digital age can have its downside! Still there is solace to be found in things thoroughly analogue...  FM radio and a pile of vinyl recordings.


While what I am to mention next actually belongs in 2010 its inclusion in prospects for 2011 is also apposite. Since she appeared on the new folk scene in 2006, most notably then as part of Noah And The Whale, barely a few months have gone by without her releasing something to delight us.

She recently apologised for the delay in the release of her third studio album (now due "sooner rather than later" in 2011) but instead consider it in this light. In these days a gap of  at least two years between studio albums is now quite normal due in large part to the more profitable touring commitments that might follow: her second album 'I Speak Because I Can' was however released on May 3, 2010.  That is not to say that she has stinted on the latter front and for those lucky enough to be attending the Crunch Festival, Hay on Wye next weekend you are in for a treat not least because she is headlining the music aspect on Friday evening:  There are still some tickets left if you have a gap in your diary.

I saw Laura Marling live at Latitude 2010 and the performance was flawless even in the rather wide expanse of the Obelisk stage. As well as the obvious highlights of her own song writing there is the ease with which she interprets and incorporates cover versions into the proceedings. If you can find a recording of her recent performance at Cecil Sharp House (for BBC Radio 1), with Mumford & Sons and covering Dolly Parton's 'Jolene', then I suggest you do so.  Her latest release, vinyl 7" (TMR044) physically, but also available to stream from Spotify, is another pair of covered songs recorded at Third Man Records' studio in Nashville by, label founder and analogue addict, Jack White.

The a-side (it is so good to write that and really mean it) is 'Blues Run The Game', written and recorded by Jackson C. Frank (1965) and from the album of the same name, which was to be the only one from someone stalked by misfortune from a young age.

The b-side is more a reflection on the misfortunes of others by one whose career has lasted decades, is very much ongoing, and in the current musical climate increasingly influential.  'Needle and The Damage Done' saw Neil Young tackling such territory and it was originally released on the 1972 studio album 'Harvest' but it was performed live somewhat before that and I have an admission to make. 'Harvest' was something of a joke in the days when I first started to appreciate vinyl and it always seemed to be in the 'bargain bin' - "Any 3 for £1" - and guess what?  I'm listening to 'Harvest', quarter of a century later and on original vinyl, while writing. I paid over the odds for it too - it cost me £0.50 in December 1986 - and I know that because I made a note of it inside the sleeve!

On the face of it nothing - except for my mysterious taste in music - connects the worlds of Duke Spirit and Laura Marling but in that you are perhaps misguided. In 2006 The Duke Spirit released a 7" Covered In Love comprising two tracks by artists who were then recently deceased.


 2011-related posts about Laura Marling's music:
http://rpgreenhalgh.blogspot.com/2011/01/few-bits-and-pieces.html


Further posts on New Music 2011:
Part 1  --- Esben and The Witch
Part 2  --- Yuck
Part 4  --- Low Anthem
Part 5  ---  Go!Team
Part 6  ---  Rhosyn
Part 7  ---  Emily Barker and The Red Clay Halo
Part 8  ---  Those Dancing Days
Part 9  ---  Some things I am looking forward to.
Part 10  ---  More things I am looking forward to.
Part 11  ---  New Heads On Old Shoulders?
Part 12  ---  Snowglobe - Jesca Hoop
Part 13  ---  Queen of the Minor Key

Alpha Shallows

Another lyric asked for...

Alpha Shallows

He could fall and shake and weep
By his holy are my feet
And heart with mention the dear that may not speak
We feel tight when there is tension
And our eyes can make us weep

And his heart was full of fire
And the man he had become
And his soul was seldom higher
With the falsities of fun
Could embrace sweet desires in moments as they pass
But he feared ever more. He saw it didn't last

We walk up Holland Avenue
And watch the rich as they consume
That product made our hearts exhume
An emptiness unrivalled by
The Hunger that could control
He'd pray up to his God that he might save their soul.

The grey in this city is too much to bear
The grey in this city is too much to bear
And I believe we are meant to be seen
And not to be understood

And I want to be held by those arms
I want to be held by those arms

You'll work your thumbs 'till they're sore
And you'll work my heart until it's raw
And you'll call, and you'll call, but you'll never be told
And I'll fall and I'll fall and I'll fall
And I'll fall and I'll fall and I'll fall

We are basic light, we are basic light.

Vinyl, for those who have asked...

It pains me to say that, while I'm delighted to discover that so many are still so interested in vinyl, I am often not able to provide the answers requested.

If I could find 'I Speak Because I Can' - Laura Marling (2010) on vinyl then I would have let you know. This is one of the ones that I am asked about most often. I hope that Virgin/EMI will take the hint...
Amy LaVere vinyl is something I can't find either - but recently discovered that is sought-for too and if you know something about any of this please copy it to me too!

Vinyl is not dead but it needs nurturing; independent labels and the likes of us are the future and we have to keep the faith, continue to fight for it and while is not going to be something for just for the short term, that only makes it more worthwhile. It is true that, while not twenty years ago they were commonplace in charity shops and similar, they now deserve a good home.

Demand can make a difference, something that is becoming increasingly apparent, but there are rarities from times long gone that await discovery in dusty attics and the like. If it is offered to you then just accept it gracefully; you can decide what is junk at your leisure and you might just get a surprise.

If you merely wish to listen to 'The Book Of Taliesyn', and I expect that quite reasonably that will be the limit of your ambition, then it is available to download, or on CD should that take your fancy, for a very modest price.

This may appear to be little different from that quite common, but it is up to us to save them from landfill. Yes it is vinyl (T-107) but not all that it seems. In the early days (1967) Deep Purple signed to the small US label Tetragrammaton because the band could not land a deal in the UK. Tetragrammaton went bust just months after this, Deep Purple's second album release, in 1968. Major-label history followed but that was not without its quirks either...

2009 Festivals - revisited - Part 2

By request here is a larger version of the side-bar image that I posted a week or so ago. It was, perhaps quite obviously, an incomplete post. That was not the original plan but, as it happened, it is now going to be an incremental one...

Well, finally, I have got round to adding another artist but this is one less well known.

Jess Elva and band live at EOTR 2009, in the Tipi Tent, early Saturday afternoon.
Watch out for more from the Swiss/Australian, and her band, very soon.

And you never did learn to let the little things go.

And you never did learn to let me be.

And you never did learn to let little people grow.

And you never did learn to see.

And I am lower now and lower still

And you did always say that one day I would suffer.

You did say that people get their pay.

You did always say that I was going places

And that you wouldn't have it any other way.

But I couldn't turn my back

On a world for what I lack wouldn't let me

But I couldn't turn my back

On a world for what I like I need it.

Lyrics from 'Blackberry Stone' by Laura Marling, an artist now confirmed for Latitude 2010.

I Speak Because I Can - Laura Marling

Here it is at last:

It includes 'Alpha Shallows' and 'Goodbye England (Covered In Snow)' which, if you are a fan of 7" vinyl, you will recognise from that format.

I've just listened to it all for the first time, twice back-to back, and the result is oddly as damning as it is a revelation. The album is quite remarkable and yet I should have known that this kind of music could be so rooted in time and simultaneously so fresh.

There are two sides to this observation: I now think I could be better versed in the first wave of new-folk, realized well before she was born and 'Rambling Man' is a case in point; and I'm now acutely aware that this is not something in isolation here in the UK but rather that it lies on a wider plane.

I could find out about a new artist of this genre every few days without trying, which makes me think that this summer's festivals could be very interesting indeed and more on that soon, but equally I now know I need to listen to the classics of the first blooming that have to some extent passed me by. Joni Mitchell is one that comes to mind but I can think of plenty of others...

It is not that the new generation necessarily sounds like them, rather it is the influence and the ethos that matter.

Whither next?

I have already mentioned some 2010 albums that I am anticipating and you haven't yet seen the list of ones from 2009 that I haven't heard but wish I had. [Suggestions on both , and earlier ones, are always welcome by the way and can be anonymous or credited.]

The list to listen/watch, or both, in 2010 is growing at a rate faster than ever before and it makes me wonder about the kind of music that might become apparent in 2010. I know that Laura Marling is releasing her second album, 'I Speak Because I Can', probably on March 1, 2010 and I know I want that and also to see her live on the ensuing UK tour (April 2010).

On the other hand there will be new things challenging for attention and London-based three-piece Invasion might well be one of them and an oddity in that it fuses two apparently irreconcilable things: guitars and drums that come from the late 1960s flowering of heavy metal combined with decidedly other-worldly, wizard-loving, lyrics rather more typical of its resurgence about twenty years later...

...and, I nearly forgot, a vocalist who (although name-checking Ronnie James Dio) is Chan Brown, happens to be female and in possession of a decidedly soulful voice (soul divas can however scream with the best of them).
The album is incredibly short, so no self indulgent guitar or drum solos here, to the extent that it careers headlong through twelve tracks in just 22 minutes; indeed not one track actually reaches three minutes in length!
This was actually released in October 2009 but perhaps only now is its time coming. The longest track (2:55) is the last, the rather glorious 'Chaos & The Ancient Night', and this is a band now also on my 'live wants-list 2010'.

As Fools We Are

I wrote a Halloween/All Hallows' Eve themed post last year and this year I decided to have another go with the theme being the connection between Halloween, which has become increasingly "celebrated" or at least commercialised in the UK in recent years; the event known "Bonfire Night", held to celebrate the failure of Guy Fawkes and his co-conspiritors to blow up Parliament in 1665 and, this year only, the dénouement of the most fascinating US Presidential contest in my lifetime!
This wonderful cocktail of superstition, religion and politics needs a soundtrack and a dark one at that - of shock, fear, change, possibility and perhaps ultimately redemption. Here is my condensed selection of music for the next week:

To start with is the album 'Rock It To The Moon' by Electrelane. The fairground ride has the word 'pleasure' on it, the lights are lit, but the whole scene is deserted.
The music is similarly almost devoid of voices: On the first track a dog barks in a distorted electronically-warped sound-scape. When voices do fleetingly appear on tracks they are often indecipherable souls - the snatch distinguishable is "some fallen angels". This is what I imagine happens when the 'Piper At The Gates of Dawn' reaches the end of the road and is negotiating with Charon. Much of the later output by Electrelane is similarly obscure and, while less obviously so, instrumental, and seemingly concerned with some journey - the 2007 album No Shouts, No Calls would be suitable too.

In the last couple of years the UK has seen a huge explosion in music perhaps best termed nu-folk which, although not at all a unique phenomenon, has produced some remarkable artists and when dark, disturbing songs are required few can hold a candle to Laura Marling. Last Monday 'Night Terror' was finally released as a single but it originally appeared in 2007 on the 7" EP 'My Manic and I' and the title track is no less disturbing.

Not everything is so scary and, sticking with the nu-folk acoustic genre, here is a band that have been around for a couple of years now but are finally getting some well-deserved recognition. They are called Fireworks Night and take a slightly more mellow approach and, to support the Halloween theme, their female co-vocalist is Rhiannon; for those with long memories the very same as the benevolent mythical Welsh witch who was made famous, at least in music, by Stevie Nicks.

Their first release was a 7" single in 2006 rather prophetically titled
'The Day We Fell Through The Ice'.

It was followed in 2007 by the album 'As Fools We Are' and, while not exactly cheerful, it is quietly optimistic about the way things will turn out and I like it for that.

They have not been idle since and their new EP 'A Mirror, A Ghost' will be available on Organ Grinder Records very soon.

Like music, like life.

To whoever searched 'I'm A Fly' - thank you!

In the last week or so someone ended up here while looking for the lyrics to the song 'I'm A Fly' by Laura Marling and that made me realise that it was not a song with which I was already familiar. Things got even better when I discovered that it is the b-side to the 7" single release of 'Cross Your Fingers', which had also passed me by. (How careless was that?)

Cut to the chase and I have it now. The lyric for 'I'm A Fly' is below:

I'm A Fly

I'm a fly; I'll die tomorrow
So give me all you've got.
I so believe, I so believe.

I'm a fly; I'll die tomorrow
So give me all you've got.
And now here in this foreign place
I have let you down
I've fallen for a foreign place
Not fallen to the ground.
I've gone in blinding, scorching sun
And fallen to my knees.

And I've forgotten what I believe
I so believe, I so believe
I so believe, I so believe.

This is the best I can do at the moment but if you have any corrections or alternatives please let me know.
It is, however, a song I really like and it seems to me as if it is a foray into musically more "traditional" folk territory but perhaps without the customary historical lyrical preoccupations. If this is so then we could be in for even greater surprises in the not too distant future.

2008 Mercury Music Prize nominations

The twelve albums that are short-listed for the 2008 Mercury Music Prize were made public today and, as it happens, the list dovetails with both my thoughts on Latitude 2008 and several other matters on which I have commented in the last year.

To serve as a point of reference here are the 2008 Mercury nominations (in alphabetical order):

• Adele - 19
• British Sea Power - Do You Like Rock Music?
• Burial - Untrue
• Elbow - The Seldom Seen Kid
• Estelle - Shine
• The Last Shadow Puppets - The Age Of The Understatement
• Laura Marling - Alas I Cannot Swim
• Neon Neon - Stainless Style
• Portico Quartet - Knee-Deep In The North Sea
• Robert Plant and Alison Krauss - Raising Sand
• Radiohead - In Rainbows
• Rachel Unthank And The Winterset - The Bairns

The selection is, as perhaps we would like, eclectic and that makes my life easier. Two acts here - Elbow and British Sea Power - were amongst those that I saw live at Latitude 2008 and in a pantheon that was not without competition, even if some of it was not eligible for a Mercury nomination, was far from lightweight.
[As usual click the images for a rather larger version.]

I've been told many times that British Sea Power are stunning live and, if I ever doubted you, all I can say is that I now plead guilty as charged; you were right and I was wrong!

Naval pennants, foliage and Hungarian backing vocals - British Sea Power live at Latitude 2008!

On a different tack I'm delighted to see that modern folk gets two nominations and that Northumbrian band Rachel Unthank And The Winterset are amongst them is yet another massive boost for the impact that folk-inspired music now has and, as you might well know by now, Laura Marling has been on my play list for over a year and it is about time that she got some recognition.

This leads me on to another band in that genre and, as there is a collective tendency here, one with whom Laura Marling has also often played live. That is Noah and The Whale. They were at Latitude 2007 on the Lake Stage but I didn't get to see them. They were back this year, on the much larger Uncut Arena, and although there was a big turnout this time I did see them and it was another highlight of the weekend.

Noah and The Whale - live on the Uncut Arena - at Latitude 2008 on Sunday 20th July 2008.