New Music 2016 - Part 2 - Lissie - My Wild West

By this time of year I would usually be a dozen, perhaps more, posts into music forthcoming next year. That I am not is not a reflection on the lack of music, nor even on my ability to spot it coming. It is rather more a necessity borne of the sheer quantity of new music I have been introduced to in 2015. Of that more soon.

When she appeared on these shores in 2010 after a couple of very promising EPs, with début album 'Catching A Tiger' in tow, Lissie Maurus found a UK audience surprisingly receptive to her particular brand of alt-country inspired guitar rock. She and the band started playing tiny UK dive pubs and ended an eventually much extended tour with a headline gig at Shepherds Bush Empire that was recorded and released on DVD. The album was top 10 in the UK and certified 'gold' by BPI. It was followed in 2013 by a sequel 'Back to Forever', also on Colombia. I for one never got to like this as much as 'Catching a Tiger'. It was, in some ways, a little flat - it seems as if something or somebody had ironed out the quirks that made her so likeable to start with. Now we get to LP #3 and some speculation on my part as I haven't heard very much of it yet.

There are a two reasons why I have particularly high hopes for this. The first is that she is now free of any shackles, real or imaginary, imposed by Colombia Records. 'My Wild West' is released on 12 February 2016 by Cooking Vinyl Records, a label with a long history of nurturing bands that have an independent streak. The second is that between 'Back to Forever' and this release she has relocated from California back to The Quad Cities on the Iowa/Illinois border, a move that I suspect is reflected in the title of the LP. Much of 'Catching a Tiger' was or at the very least hinted at being about her time spent growing up there.

Lissie - My Wild West:

1. My Wild West Overture
2. Hollywood
3. Wild West
4. Hero
5. Sun Keeps Risin'
6. Don't You Give Up On Me
7. Stay
8. Daughters
9. Together Or Apart
10. Shroud
11. Go For A Walk
12. Ojai

She is playing Shepherds Bush Empire again in 2016 and it is very tempting indeed.

New Music 2013 - Part 30 - three forthcoming rock/blues albums

I said early last week that this would be the next in my 'New Music' series and it is. That various things including more on End Of The Road 2013 that came between them is just how the cookie crumbles.
In the last few years I have got to like blues more than ever before. In particular in that I no longer regard it as an semi-historical genre. That is something that I should have known was not true. In many ways I have my friend John to thank for this: we had intended to see Gary Moore, who we both much admire, live but ultimately we left it too late.
About the same time I saw Bex Marshall live in Frome, supporting Seth Lakeman, and that rekindles my interest in modern blues artists especially. This forthcoming album is by US artist Samantha Fish from Kansas City, MS.

UK release date (physical): 23 September 2013 (Ruf Records).

This is her second studio album, following Runaway (2011) and 'Girls With Guitars 2011', a live album also featuring Dani Wilde and Cassie Taylor.

    This next is the second studio album by an artist that, whilst I had no idea who she was at the time, I caught very briefly on one of the smallest stages at Latitude Festival. Once I had worked out that it was Lissie Maurus (from Rock Island, IL) I bought the two EPs that preceded the release of her début album Catching a Tiger (2010). It was a surprise hit in the UK charts and UK audiences also took to her live show, which can be understood and resulted in a  CD/DVD Live At Shepherds Bush Empire (2011).

Back To Forever is slated for UK release (Columbia) on 14 October 2013.

The last of these three is UK artist, although now resident in the US, Joanne Shaw Taylor. Three studio albums into her career the live CD/DVD treatment follows soon (all on Ruf Records), This was recorded at one take during an intimate performance at The Borderline in London earlier this year. I saw her at Tavistock Wharf last October and shall do so again at London's Shepherds Bush Empire in November.

UK release: 25 November 2013.

The lure of the 'Live LP' returns...

The season of 'lists of 2012' is almost upon us but, before I get into that gambit, here is something that I've been getting increasingly excited about for a couple of years now.
Back-in-the-day plenty of live LPs were released (often but not always on double-vinyl) that were recorded during at most a couple of public tour gigs and were not then messed with too much (in the sense of over-dubs and such like).

They largely disappeared with the advent of the slick-as-film 'live' DVD offerings. Now the tide is just starting to turn and, at least in my opinion, very much for the better.
I'm going to mention just three for now and the first was recorded in England in 2011. It is also the only one of the three not to be recorded anywhere near the artist's home patch (Rock City, IL) but at the Shepherd's Bush Empire, London.

Ever since the time of her 2009 EP 'Why You Running' Lissie had been touring the UK, starting in really dive venues. By the time of the release of her début LP 'Catching A Tiger' in 2010 she was playing small stages at some well regarded UK festivals. The album made the top ten of The Official UK album chart. She put in the hard work and the affection was mutual. This live album is testament to that and is a 2-disc set: CD and also full concert DVD. Lissie is expecting to release her second studio LP in 2013 (late Spring?).

That 2-disc CD/DVD format applies to the next artist too. This 2012 release was recorded at the Savoy Theatre in her home city of Helsinki.

In this case the DVD is more extensive than the CD, as it contains several extra tracks, but as long as you can play the audio through a decent system there is nothing to complain about there. Erja Lyytinen is touring the UK in the first half of 2013 and I'd like to think that a new studio album might be the reason. Neither of the above are currently available, or known to become available, on vinyl --- unless you know otherwise.
I have not seen either of these artists live as yet. On the other hand you will soon see that my 'Best of 2012' lists are heavily influenced by those that I have.

There is a slight problem with the third item in this list. It is another 2012 'live LP'. I could have it in a minute or two (as legal mp3), on Wednesday morning on CD (if I wished to pay for express delivery) but I'm not doing either. It is already on its way to me but, as there is no known UK release date for it on vinyl it is, as I write, making its way to me from the US on 2 x 12" vinyl.
I'm expecting it any time in the next ten days or so - when Christmas will come a little bit early. As well as being the only one of the three available on vinyl as of the present it is also one by a male artist (and band).

New Music 2010 - Part 16 - Across America in music.

This is perhaps going to be a hybrid of acts I heard at Latitude 2010, those that I am looking forward to at EOTR 2010 and others that have impinged on my consciousness for one reason or other.
If I can keep it focussed then it might work out OK.  If not it will become more than one post, maybe one of them devoted to Latitude artists or to US-based artists and acts.
At the start of the year I mentioned that I thought that diversity might be one of the beneficiaries of 2010 and, while I may not have specifically made that point, I'm starting to think that was a valid one nevertheless.  That which is certain is that, as regards the things I am listening to and those I now want to listen to, it most certainly is!


The US is springing surprises on an almost weekly basis and I have already mentioned some of them and 'Dead Flowers' - Caitlin Rose is on some kind of rotation as far as my personal play list is concerned. That the title track is a cover of a Jagger/Richards song only serves to make the self-written songs all the more apposite.

It is therefore not surprising that I now have the album 'Own Side Now' of which more later. What pleases me is that the US albums that I want are scattered across genres -  I have already mentioned Avi Buffalo's eponymous début album, which gets better with every listen I think. 

What is in it for...

Also on my list (and I'm hardly the first to mention this one) and if we get some late summer warmth then it is hard to imagine a BBQ that is not California-themed and sound-tracked, at least in part, by this...

...Best Coast's 'Crazy for You'.

They both have critics, of course. Some say that the lyrics of Avi Buffalo are too contorted (to be West Coast?)  while others that those of Bethany Cosentino's creations for Best Coast are too simplistic; just lyrics by numbers.   Well, and this is my point I suppose, you can take your choice: For me it is "yes, please" and "both, thank-you".

* If you are reading this, and it seems strange, you are quite normal*

In retrospect I should have gone all analogue instead and spent the time on those lyrics that simply require listening to on vinyl and putting a pencil to paper!  That of course puts me in mind of  New York, which metaphorically this trip is as yet nowhere near, and Caroline Polachek's line about 'the most evident utensil'.

While entirely imaginary this is proving suspiciously like the real thing.  Transport malfunction and unexpected detours amongst them. It was a very bad idea to start on Wednesday night, however...

The road trip can wait 'till tomorrow except that what was once tomorrow  is now today; and it has been so for a while now. I am, however, still west of the Mississippi and thus some way short of my next musical destination. The rest of today has been spent in Farmville, IA.  If  Facebook notifications are anything to go by then my sister farms a large part of it now.  She is always the industrious one.

Strange day today (August, 19) but not as bad as I thought it might be and

with it came some thoughts on music that had never really occurred to me before.

Travelling east, we will reach the home of another artist that I have mentioned. What is new is that this is now readily available in the UK.  It appeared in the US before her 2010 début album 'Catching A Tiger' and she is from Rock Island, IL. It is one of the Quad Cities that border the river that is the Iowa - Illinois boundary.

A mini-album, it is too long really to be an EP even in the broadest sense, and also totally worth a listen in its own right is Why You Runnin', by Lissie.
Tomorrow is another day so, once it is done, do I then cross the river and head east or do I take a right turn and follow the river south?


You are my guides for I do not have sat-nav for this virtual journey.
I'm heading south by popular request.
Here, therefore, is a thought for the next year and this applies to UK music even though that might seem surprising.

Pedal steel is not exactly that well known over here but it is a very worthwhile complement to slide guitar, which I have long liked.  I think we might be hearing a great deal more of both instruments in the next year or so.


As for the road trip and quite where the journey will end is anyone's guess now.  I like the idea of Seattle, or possibly even Portland, via Canada and I have my reasons why.  That said I'm not paying for the fuel and, that being so, I know exactly the vehicle I would be driving - one that I once owned.
It was nothing remotely flashy... no air con, even heating/cooling was a pretty much hit & miss affair but, at least soon after I bought it it had a CD auto-changer that had more wires than the rest of it but was one of the things that never failed.  That alone was worth all the other problems. It is a journey in progress.


I've got a docket in my pocket
It says all I've ever wanted is to be free.

2010 - The Year that...

What a year for music 2010 is turning out to be.  When, back at the end of 2009, I was trying to predict what it might bring I was fairly sure that nu-folk was finally coming to prominence.  I underestimated that, particularly the contribution to it that has come from outside the UK and from North America in particular.

It has bothered the UK charts throughout 2010 and that is reflected by the fact that of the twelve albums nominated for the 2010 Mercury Music Award three are of this persuasion:

Becoming A Jackal  ---  Villagers

I Speak Because I Can  ---  Laura Marling

Sigh No More  ---  Mumford and Sons

All three acts appeared at Latitude 2010, along with two of the other nine, and all credit to the organisers for their foresight. Of those three the only one that I didn't see live, owing to the inevitable conflicts of timing between the different stages, was Villagers. Everyone that I spoke to rated the performance highly and now the least I can do is get the album.

An artist who falls in to the Americana/roots part of the equation as mentioned above is Lissie and her 2010 album 'Catching A Tiger'; I was unable to see her perform live at Latitude.  That was a pity and it was the result of a first for me: four music stages and acts I wanted to see on all of them simultaneously! To some extent I had to go with choices that minimized the time spent between stages and maximized the time listening to music, but that is surely far better than being at a loose end?

That is not the say that the UK music scene is being overwhelmed by such things, far from it in fact, and that can only be good.  At the moment you can pretty much have anything and not be a pariah... Dub-step has moved to new levels of sophistication and, like it or not, new audiences to the point that it is bothering the charts too.  Artists such as Plan B, Professor Green and Example have all revealed albums that have proven major hitters in the chart.  If you want good old pop and all that comes with it that is still there too, along with all the rest.

Then there is the latest talent to have burst from the Brit School of Performing Arts - she is Katie B and her début single is entitled 'Katie On A Mission'. If that were just the title then so what? Hear her interviewed and, this is what has struck me about many in 2010, she comes across as thoughtful, intelligent and very much involved and immersed in the music scene as a whole.

Finally,  Eminem' 'I Like The Way You Lie' is a cracking return to form for him and the collaboration with Rihanna, whose world weary vocals actually make the song, is nothing if not inspired.

I've mentioned cover versions too, especially daring ones, and here are two more:

• Three Cigarettes In An Ashtray   ---  Patsy Cline/Eddie Miller
• Dead Flowers  ---  The Rolling Stones/Mick Jagger & Keith Richards

They both come on one 10" vinyl offering (NAMES40) - and Caitlin Rose's 'Dead Flowers' is nothing short of astonishing. Except, that is, perhaps I do have a secret liking for country after all...

Her début album 'Own Side Now' was released in the UK today (9 August). Of the ten tracks on it not one is reproduced from the seven on the item mentioned above and, as well as the Nashville country influences, it has many that are reminiscent of the West Coast music scene in the late sixties and early seventies. 

This just skims the surface of what I might mention - no rock in here for example - but if music can get better than this and I don't see any reason why not, then I want to be around to hear it.

This theme is, in many ways, continued in another post above:
New Music 2010 - Part 16 - Across America in music.

Havoc In Heaven - Festivals 2010

It is time for something more uplifting or, at the very least, forward looking. This is what I intended to post about yesterday but in some ways I'm glad that I never did as I have rather more to add now.
To start with I am going to indulge my liking for American music - the reason being that I feel justified in doing so. I don't feel any compunction about this - UK music is in fine form too, the trade is bi-directional and long may it last for mutual benefit. I'll start my list with artists that I'm looking forward to, and of an acoustic bent. On the UK side these obviously include Laura Marling and Mumford and Sons.

On the American side, and like the above both now confirmed for Latitude 2010, are the following:

The hat is probably more suited to the Manchester climate than that of California?

There have been parallels made in both cases, some of them quite tenuous, with Laura Marling. In all honesty I don't think that either side is likely to have any problem with the other. The really strange thing is that only a few years ago who could have imagined that, instead of hard-core rap, we would be trading banjo-wielding singer-songwriters?

Another artist and a stranger tale still is that of Jesca Hoop. We have long been used to UK artists eloping to the sunnier side of the Atlantic but she has now been co-opted as a Manucunian; the grey skies and drizzle perhaps being more conducive to song-writing? At least there is a good excuse to stay in and get on with it and, when it arrives, the fleeting sun will seem far more precious!
On the other hand hers is not a conventional background anyway; she is from a musical, Mormon family but later trod her own path and in time that included being live-in nanny for Tom Waits and Kathleen Brennan's three kids. Now that is something - Waits' music is challenging in itself, his comments on artists perhaps even more so. I'm not sure if she plays banjo but I wouldn't rule it out...

Lissie, a native of the part of Illinois bordering the Mississippi River, most certainly does and without any need to apologize. She is performing on the 'Sunset Stage' at Latitude 2010. It is tented, relatively small and leaks if it rains, but is actually my favourite... I will never forget seeing Crystal Castles there in 2008 - it was possibly the most frightening live performance that I have ever seen.

Lissie is not going to be scary like that... but the reviews are already quite something and she seems to be setting-up-shop in the UK for what passes as our summer. If you want to catch her live, sooner rather than later, here's your chance.

That is not to dismiss the chance to witness a full set by Sweden's 'First Aid Kit' either. They had to cancel at Latitude 2009 but I did get to see them at EOTR 2009.

They are returning to Latitude 2010 supporting their first full-length album, 'The Big Black & The Blue', and for good reason.

Slightly modernised but only in a way that kept it relevant to the early 21st century their with-no-clever-tricks-at-all live take on 'Universal Soldier', written by Buffy Sainte-Marie and from the album 'It's My Way' (1964), was actually more devastating than it was sublime.

It was received with a resonance that befitted it - awe and total silence - and a rare moment when thoughts from the Cenotaph came to a festival.

Not many can do that and fewer those still in their teens - although many of those killed in The Great War were exactly thus.