Showing posts with label autoharp. Show all posts
Showing posts with label autoharp. Show all posts

Sunday, March 06, 2016

New Music 2016 - Part 18 - Moulettes - Preternatural

Brighton-based, Moulettes return soon with their fourth long-player. The band's core remains, with Hannah Miller and Ruth Skipper providing most lead vocals in the past as well as a variety of instruments less commonly seen, including bassoon and autoharp.  There is a new band member for this project and that is Raevennan Husbandes (vocals and electric guitar).
What I strongly suspect is that the Moulettes' universe of unpredictable alt-folk-prog-rock is going to expand again.
Whereas a loose theme of their last LP, Constellations (2014) was the unknown boundaries presented by cosmology this one is taking a journey into the last unknown frontiers of planet earth --- from a tiny nematode worm (Halicephalobus mephisto and 
the title of track 4) to all the strange creatures, both newly discovered and those yet unknown to humankind, that inhabit dark and cold (or otherwise the very hot volcanic vents) of the ocean depths and similar inhospitable environments. What I am quite certain about is that the musical vision that accompanies such esoteric subject material will not disappoint.

Moulettes - Preternatural (27 May 2016).
It can be pre-ordered here (at a discount) in many formats and also bundled with related merchandise.

Moulettes - Preternatural:
  • Behemooth
  • UnderWaterPainter
  • Coral
  • Hidden World (Halicephalobus mephisto)
  • Pufferfish Love
  • Patterns
  • Rite Of Passage
  • Medusa
  • Parasite
  • Bird Of Paradise (Part II)
  • Silk

Moulettes tour the UK in April/May and internationally thereafter.

Tuesday, October 30, 2012

Live Music 2012 - North Dorset Folk Festival (Part 2)

I told you that I wasn't finished with this, for there was too much goodness for one post. 
Here is the first glimpse into the rest of the acts that I had the good fortune to see last Saturday.

I saw the last two songs of their set at End of The Road Festival, on the TiPi stage, after I had decamped from watching another on the Garden Stage. They were both remarkable acts - so I deemed it necessary to seek out The Moulettes sooner rather than later.  The 2012 album 'The Bear's Revenge' is excellent, but live they are quite something else.
Bassoon is not an instrument that is used throughout a set or always even just a song. It was, from time to time, supplanted by autoharp.
Why hug it, when not playing it, you might ask.
  
Now, returning to the Studio Stage, here is an artist that I have had the good fortune to witness live several times before and, whilst originally from North Dorset, is now resident further east on the south coast of England.
Emily Baker: singing and playing with vocals unamplified. This new song is 'Tennessee'.
Her second full-length album, All At Sea, is due for release early in 2013.
  
Owing to issues, mainly to do with half-term traffic, Tom James from Falmouth, Cornwall, became the first solo artist and only the second act to perform at NDFF when switching sets with Flatland Wolf.