New Music - Part 23 - Canadian Electronica

It seems to have been a while since I have written much about my ongoing fascination with music from Canada. What jolted me into action is the recent release of Olympia, the second album by Katie Stelmanis and her band Austra. It was with some trepidation too...

Feel It Break (2011) was almost too good to be true, until that is I saw them touring it live, twice, at festivals; End of The Road 2011 and No Direction Home 2012. Things have, quite naturally and rightly so, moved on but from initial impressions I think that Olympia is a worthy successor. I can't wait to see Austra live once again to hear the new music but it doesn't seem that I'll get that opportunity in 2013.
What it did do however, and why I don't know for it only happened this evening, is  serve to remind me about Canadian duo Purity Ring (Corin Roddick and Megan James) and their 2012 début album Shrines. I think it is fair to say that it is rather more oblique and obscure, yet ultimately just as beautiful.

The thing is that it may require some effort to come to appreciate and is disorientating.

I rarely say this but its appeal is not immediate and possibly too much effort or trouble for some. I was tempted by the tag Eclectronica for a while. You can either be bothered or you simply don't get it. I understand that.

An oasis does not a desert define.

It is, I suppose, the music headline of the summer festival season - Noel walks out on Liam and the rest of the band mid-tour, saying that it is all over for Oasis forever. How very rock-n-roll it all is, just like it was in the 1970s and 1980s. If there is one thing that surprises me it is that it hadn't happened once or twice already, another is that it might actually be good news.
The fact is that, while it is obvious that both parties are not going to live on a poverty-fuelled diet of baked beans and chips from here on (unless out of choice), both could be successful, particularly without the weight that they seem to bring to bear on each other, and musical variety could well be the winner for the listener.
The cynics, myself included, have considered the thought that it is merely à propos a future reconciliation - and the cash-machine that might go with it - but only time will tell. I admit I'm not a huge Oasis fan, though also not a hater. The possibility of collaborations is of more immediate interest to me. As Jack White, Damon Albarn and many others have done, once away from their alma mater, the brothers Gallagher could both cut it and that might result in something out of their current mould.
On the other hand, Oasis or not, Manchester is hardly a musical desert. In my "I've Just Listened To" list I mentioned a newly released item by two Mancunians and here it is...

To say that the album artwork is basic is an understatement: it is hand stamped.

It is not going to sell thousands, whatever its merit, because it is a 12" vinyl-only release and also limited to 300 copies worldwide. Was it thus ridiculously expensive? Well no, actually, £7.99 plus the usual p&p.
The miscreants behind it are one half of 'Pendle Coven' - the 'Demdike alter ego' witch (sic) Elizabeth Southerns was identified with - and actually Miles Whittaker. The other contributor is Sean Canty, a notable vinyl collector across all imaginable genres, plus some more besides, and he is much involved with the 'Finders Keepers' label.
It might sound like folk territory but, in fact, it is total cross-genre electronica and is certainly none-the-worse for that.