My Music in 2015 - Albums - Part 1

So, with December 2015 almost upon us, it is time to kick off the season-of-lists. I'm not really convinced how important this all is despite the fact that so many of us take part in it. My rather simple reason is that it helps me take stock of the year and also that I rather enjoy putting the effort into doing the same.
I was going to keep this back for the start of December but since it was essentially complete I thought that I would share it now.

There are no systemic changes from last year. The acts in each list are grouped in alphabetical order and the number of entries in each list is ten. There is no attempt to 'rank' acts in each list, or indeed between lists (there will be at least three such lists of LPs). One thing that has changed not a jot is the influence that music I have seen live during 2015 or previously has had on the overall outcome but then perhaps remarkably there are actually four in this list that I have never seen live. Needless to say all those are very much in my sights in 2016.

• Danni Nicholls - Mockingbird Lane
• Don Gallardo - Hickory
• Flo Morrissey - Tomorrow Will Be Beautiful
• Free the Honey - Fine Bloom
• Gwenno - Y Dydd Olaf
• Hattie Briggs - Red & Gold
• The Honeycutters - Me Oh My
• Jason Isbell - Something More Than Free
• Lindi Ortega - Faded Gloryville
• Marika Hackman - We Slept At Last

I am happy if people would like to make comments and suggestions. I will be equally so if this leads anyone to find music of which they were previously either unaware of had forgotten about. If it tempts you to head out and see some live music then that is a real bonus. It is also, truth be told, quite simply the music that I really liked.
Here are the photos that I promised - one each of four artists that I took at four different festivals this summer.

Don Gallardo and Friends - Saloon stage,  Truck Festival - 18 July 2015.

Flo Morrissey (solo) - The Den stage, Cambridge Folk Festival - 2 August 2015.

Gwenno - Far Out stage, Green Man Festival - 20 August 2015.

Marika Hackman - Garden stage, End of The Road Festival - 6 September 2015.

It is fair to say that Jason Isbell comes very close to the top of the list of artists that I wish to see live in 2016. If the recorded music is not reason enough then this is why.

If you wish to look further into the music of 2015 that is in my mind then, following on from these and as I promised, here is Tracks of 2015 #3.
The second selection of LPs will likely be preceded by a selection of EPs and mini-albums sometime later this week.

Green Man - Dyn Gwyrdd 2015 - Part 1

Did it rain?
Well yes, quite a lot to be honest. It was also a wonderful festival and that is certainly no lie. So how does one square this circle? A great deal of this was down to the way that the festival is organised. It is not possible to prevent it raining but there are things that can be done, and importantly were pre-emptively done, to minimize the problems it causes. It was a triumph.

That doesn't help me with where to start my commentary on the music or indeed anything else! What I have decided to do is start with two very different Welsh solo artists (who both performed the most part of their sets in the Welsh language) that are very different, indeed of different generations, but both of which I very much wanted to see live for the first time.
The first, and the younger generation, was represented by Gwenno who played songs from her recent LP 'Y Dydd Olaf' (The Final Day), which is a concept album based on a 1970's Welsh-language science fiction novel of the same title, about a dystopia ruled by patriarchs. Her comments about the songs were suitably political...  It hardly sounds like a trendsetting theme but, particularly if you are from outside the UK in 2015, you might easily underestimate the sentiment.

It took place in the Stygian gloom of the tented Far Out Stage on Thursday afternoon as a heavy and relentless drizzle fell outside.

In recent years I have been trying to catch up with what I see as the greats of the UK (and wider) folk scene from the 1960s onwards. Some are no longer with us of course, but otherwise I'm doing well and this is someone that I had somehow failed to notice, or had and then forgotten, in the releases before the event. I hot-footed it to the Mountain Stage, just as the rain was abating early Sunday afternoon, to catch this. It was worth it and then some.

Meic Stevens - Mountain Stage - Green Man Festival 2015.

And now this... Gwenno remixes Stealing Sheep's 'Not Real'

Well. If you don't look then you don't find.  On the other hand sometimes things come to those simply willing to remain aware. This is the Gwenno remix of Stealing Sheep and their song 'Not Real'.

Stealing Sheep played End Of The Road 2014 twice. This is the second time and at about 1:30 on Monday morning.
In 2015 the band plays EOTR again with the new album Not Real (Heavenly Recordings) in tow. 

New Music 2015 - Part 37 - Gwenno - Y Dydd Olaf

In the recent times of political and even cultural uncertainty in the UK this album just became an obvious choice for what, to me at least, is a difficult post to write. One thing I pride myself on is a willingness to tackle cross-genre music including that in other languages and this is certainly no exception.
I did a quick survey of my collection yesterday evening and just now: most of my music is unsurprisingly in English. Spanish language albums are in third place. In between those and by some margin...

Gwenno - Y Dydd Olaf was released, in a very limited edition, by Peski Records late last year.

It gets a very much deserved full release - vinyl, CD & d/l - by Heavenly Records on 24 July 2015.

Although - aside from a single track (sung in Cornish) - it is all sung in Welsh that is not to say that, lovely though that might be, it is full of plaintive harp and lilting tradition. The title comes from Owain Owain's 1976 novel that depicts an overbearing dystopia controlled by distant, often malign, robots.

Musically it is gently electronic kraut-pop, or at least that's the best description I can muster at this moment. This is the track-list:

1. Chwyldro 5:18 
2. Patriarchaeth 3:29
3. Calon Peiriant 5:08
4. Sisial Y Môr 5:41
5. Dawns Y Blaned Dirion 1:30
6. Golau Arall 3:31
7. Stwff 4:59
8. Y Dydd Olaf 4:15
9. Amser 4:45

It is a political concept album. It won't appeal to all, I fully understand that, but it is a curiously soothing kind of revolution even if you don't actually understand a word of it.

This is the opening track 'Chwyldro' ('revolution', but also 'rotation' and 'orbit' - generally, that which goes around).

GWENNO - Chwyldro (2014) from Peski TV on Vimeo.

As we often share a similar taste in music, and there's nothing wrong with that at all, I'd be very interested to see what De krenten uit de pop makes of this LP and not least because music in a language other than their own is their normal diet.

Never judge the artist from the album cover...

I'm taking a week off, starting tomorrow, and I've just decided that - as a matter of principle - I'm not going to take any music away with me! What I hear over the next ten days or so will almost entirely be that which a French ski resort (Les Arcs, as it happens) serves up in one way or another and that could be quite instructive but I rather doubt much of it will be of French origin. To be honest you'll probably find more of that here on this blog but it is said that 'a change is a good as a rest' and, at the very least, it will be interesting to see which artists they have picked up on.

My disappointment earlier this week with Not Too Late, the new album by Norah Jones, served to remind me that (and it was something I had stupidly forgotten for a moment) often the best things are not the ones that come with the biggest hype.
Somewhat obscure albums are good escapism as you are unlikely to be asked your opinion of them, unless of course you choose to offer it, and foreign language ones are even better because as long as they sound good there is no real need to analyse, or even really listen to, the lyrics. Or you even could try both at once but I find ignoring the lyrics hard to do nonetheless - even if they are incomprehensible!

There is some bleating at the moment that the UK chart music scene is stagnating but even if it is there is no excuse whatsoever; it is more easily changed by public opinion and marketing than it has ever been.
This is slightly more contentous: there has been much hubris on message-boards in the last year or so about the methods that certain artists (possibly helped by labels) have used to position themselves, firstly on My Space (Lily Allen, and others) and more recently on You Tube (Mia Rose is this week's bête noire in this respect) but it is just a case of new medium, old tactics; something that seems utterly lost on the "new moralists" of the internet forums (sic) who have, we can only assume, never illegally downloaded a single song between them!

As for the perceived lack of diversity in music, well I'm not having a word of it! If you can't find something of interest then you simply aren't trying hard enough!

The album below was included, strictly on its own merits, in my 'Top 10' of 2006 and if you think that The Pipettes are a strange throwback - three girls (l to r; Rosay, Gwenno and Becki) singing cleverly constructed faux early '60s pop, backed by their four-piece male backing band 'The Cassettes' - then you are taking the polka dots far too seriously. The lyrics are often so very NOT pop circa 1961' and you need to check out their 2006 début album We Are The Pipettes released on CD and 12" vinyl by Memphis Industries (MI), along with several 7" and CD singles, in 2006.

You might reasonably think that the blonde one, Gwenno Saunders, is just a 'pretty face' as she was recruited (at a gig where they were support to MI label-mates Go!Team in Cardiff) after one of the original members left in the early days of The Pipettes and because she had already appeared in Welsh language soap Pobl Y Cwm and, slightly later, as a presenter on BBC Wales.
Well maybe, but she had also already released two solo EPs on CD and they are both mainly sung in Welsh, with the exception of a few tracks sung in Cornish or English. The first of them was Môr Hud, released by Caernarfon-based CRAI Records (CRAI CD086) on 5th September 2002.

It is still available at a reasonable price but might take a little finding. The second, Vodya (CRAI CD089), was released slightly later but can equally be found and this time the title track is sung in Cornish.