The Fall of Glorieta Mountain

I thought I saw you by the side,
Illuminating foreign climes.
A figment, a splinter, a vessel for me.
To wander as freely as I'll ever be.
  
Shrapnel stars puncture brightly,
Wounding skies that stretch so widely.
Other dunes of dust, in shades of rust
Where shadows claim the both of us.
  
Is that an answer or is this an echo?
Are you the answer or are you an echo?
  
These godly skies kindly provide
The perfect scene for our goodbyes.
A providence, so palpable
It sets aflutter, palpiter.

Bleached by the moonlight
Bathed in bone white
Undercover of cobalt and shelter of slate
You appeared immaculate.
  
Is than an answer or is this an echo?
Are you the answer or are you an echo?
  
I know that distance lends enchantment to the view
But I know that I see you and I know you see me too
And so I called out.

See more here:
New Music 2013 - Part 1 - Wash The Sins Not Only The Face

I just felt like some lyrics. Not particularly cheerful but then what did you expect? The album 'Wash The Sins, Not Just The Face' is released  by Matador Records on vinyl, CD and d/l. Let us celebrate the third Monday in January at it is often said, by those that believe this sort of thing, to be the most depressing day of the year.
You can currently listen to the whole album streaming on Pitchfork here.

New Music 2013 - Part 1 - Wash The Sins Not Only The Face

As it was in 2011 so it is in 2013. The first post about new music for 2011 concerned the début album Violet Cries by Brighton trio Esben and The Witch.  The first about new music 2013 concerns their sophomore album.

You might guess by the title that this is not likely to be a whole bundle of fluffy music.
  

'Wash The Sins Not Only The Face' is scheduled to be released by Matador Records on January 21, 2013 in the UK. More detail as soon as I have it.

I anticipate adding at least one more, unrelated, post on New Music 2013 before the end of this coming weekend.

2011 in Music - Albums - Part 1

No real change in presentation here from last year; two lists of albums strictly in order alphabetical by artist. The difference is that this year I'm going to publish the lists first and, only when you have had a week to consider (and comment - see below), shall I add the links and my thoughts on why they are included and, perhaps, others are not.
In no way is this intended to be a balanced list, far from it in fact: It is quite utterly biased to what has caught my attention in a lasting way in 2011.

• Adele - 21
• Amy LaVere - Stranger Me
• Austra - Feel It Break
• Bella Hardy - Songs Lost and Stolen
• Emily Barker - Almanac
• Esben and The Witch - Violet Cries
• Jessica Lea Mayfield - Tell Me
• Lanterns On The Lake - Gracious Tide, Take Me Home
• Seapony - Go With Me
• Thea Gilmore - John Wesley Harding
• Widowspeak - Widowspeak
• Yuck - Yuck

Please feel free to add comments, queries, suggestions or questions. It is what this is all about, whether negative, positive or simply mystified!  All comments are moderated (by me alone, so you know that I read them) and while I prefer it that you can put your real identity to your piece, because you should believe in what you are saying and be prepared to stand up and be counted, I will sometimes sanction the publishing of "anonymous" comments. Comments that are defamatory, offensive or simply irrelevant in content or context will not be published regardless of source.
I'll attempt to answer valid questions and comments either in comments of my own in reply or in a more general 'round-up' post.

Sunday listening (and some more new music)...

Still feeling a bit of the post-festival blues but at least I'm not tired any more. Still looking through the photos that I have taken in the last couple of weeks and listening to... well a strange mixture really. Part of it by, or influenced by, artists that I have heard live recently but interspersed with other stuff, new and old.  Maybe the whole Amy Winehouse thing has had influences in such matters but I seem to have dug out stuff by those who expired prematurely. Alan Hull's 1973 solo album 'Pipedream' being something that was long overdue a revival, once I could find it in my collection that is.
In fact you could make the case that today's playlist is pretty gloomy and introspective but, to me at least, it doesn't seem that way. The album 'Violet Cries', as well as being by Esben and The Witch and a band that I have seen live at Latitude 2010 and 2011, is almost certain to appear on my end of year 'best of' lists.  Some acts work better on some stages but, all things considered, I'm not sure that any can beat the Sunset Stage at Latitude, even if it is raining.

Rachel Davies of Esben & The Witch. Friday, Sunset Stage, Latitude 2011.

I can think of a couple of other albums that might well be tussling with the above in those lists.  This is one that I haven't even heard yet. That sounds stupid I suppose; but then buying new music totally unheard is something that I enjoy. The problem is that the more involved I become the more I hear, which actually makes it harder to do. I've read some reviews - summery music with female vocals - of the début album from Seapony.

'Go With Me' - Seapony.  Hardly Art Records - out now on vinyl, CD and download.

  

Another strong contender is by a band that I saw at EOTR 2010 and again last weekend at Truck 2011. The début album 'Gracious Tide, Take Me Home' will be released by the Tyneside six-piece Lanterns On The Lake on Bella Union Records in early Autumn. 

  

They played a few tracks from it on the Clash Stage at Truck last Sunday, which combined with the EPs that I already have makes this a near certainty. They are also appearing at End of The Road 2011 too. Whilst on the subject of bands touring début albums the first act that I saw at Latitude this year was Montreal's BRAIDS, with the recently released 'Native Speaker' (Kanine Records - vinyl, CD and download) - what a great way to start a festival and again on the delightful Sunset Stage.

   

This stage was also the setting for the best headline show that I have seen so far in 2011, about which more to follow, and once again an act on the trail with their first album offering.

Argyria

Argyria is the condition that results from chronic exposure to, and thus poisoning by, silver or its salts; the obvious symptom is a strange but characteristic bluish-grey pallor of the skin and in its severest form, while rarely fatal, it can lead to more disturbing psychological manifestations. It may merely reveal underlying ones, one of which is synæsthesia (synesthesia).
All-in-all that is hardly a likely topic for a song.  Except, that is, when Esben & The Witch are involved...

Argyria
These strange metallic voices
Gleaming white and breeding light
Delve under your brow
Delve under my brow
Folding, unfolding
They whisper colours
Watch the rainbows flood
Dancing, we're dancing
Pebbles flirting with our toes
Listen to our heartbeats grow
Marble rivers whirl
Minerals swim like fishes
A glorious school of glittering
Innocent eyes, these innocent eyes
These strange metallic voices.

2010 in Music - EPs & mini-albums

Last year I started with this category, deeming it the easiest to solve.  This year, as will be noticeable, the inter-relation between items in all these lists and artists that I have seen live at one time or another has become much more apparent.  I find that an interesting paradigm but it does make keeping the lists distinct, let alone self-contained, much more difficult.  An extension of this, that I mentioned in my previous post, is that it is also interwoven with my thoughts on new music in 2011.
  
Ask Simon Cowell and Nick Clegg about why your votes don't always count like you thought they should have, if you will. This is not a list, nor is it a manifesto commitment; it is an exposition and therefore the rules governing lists and voting do not apply to it.
It is in reverse-date order and thus starts with the band with which I finished yesterday's post.

It is a bit of a triple-whammy, for it relates to three CD EPs by the same act:

• Lungs Quicken (not in the image above)
• The Starlight EP
• Misfortunes and Minor Victories EP

These three EPs comprise eleven tracks in total and amount to about forty minutes of music and  Lanterns On The Lake is to be filed under New Music 2011 even before the release of their first album...

...and just before the power failure during the opening chords of 'I Love You, Sleepyhead'.

The next, Esben and The Witch, has featured here before and is now also included in the fifteen-strong long-list of acts nominated for BBC 'Sound of 2011'.

This is the the 12" vinyl EP 'Marching Song'. The album is 'Violet Cries' (January 2011).

The next one is no great surprise I suppose, given my lists of  2010 albums already posted, but perhaps the most controversial.
 

She is not really enamoured with this, her first release, and when you listen to 'Own Side Now' it is perhaps possible to understand why.  I still rate it highly, which is why it is here, and I believe that I will eventually be forgiven. 

Not gone away; just taking stock of 2010.

Well I intend to write more this weekend but I haven't been idle in the meantime.  I've been trawling through all those mostly useless photos that I have taken during 2010 and also some of those from earlier festivals if and when they are still of relevance.  Sometimes I miss worthwhile ones by mistake and others become more (or less) relevant with the passage of time.
This is a recent one, taken at Latitude 2010, of a band that is of ever increasing prominence and one that is coming towards the end of a month touring the US.  This is Esben and The Witch.  The EP, available now, is Marching Song.

More live pictures to follow soon and, hopefully, also plenty more thoughts on new and/or upcoming music too.  Returning UK artists include several that I have mentioned before, including The Duke Spirit.
If there is one grain of comfort in today's 'Spending Review' it is that the London Crossrail project goes ahead: it has already resulted in the demise of the 'Astoria'.  It was a venue of Great British character - all sticky floors and heritage facilities.  You can decide which was to be found where but to be honest you'll almost certainly be right regardless, and the essence of long-faded grandeur pervaded all parts of it. The last band I saw play there was 'The Duke Spirit' and that was back in May 2005.

Warpaint & Marching Songs - New Music 2010 #20

If the title appears a little bellicose then fear not; all they have in mind is to take your heart and soul by virtue of their music alone. In these shortening days and colder nights, how could you not want that?
This is music for dark nights, warm sustenance and, perchance, much of what follows might well be amongst my listening suggestion for Halloween. I saw Esben and The Witch live on a sunny summer's afternoon in Suffolk and even then the laid-back festival vibe could not detract from the fact that this is essentially slightly menacing music. The band name is taken from a rather dark Danish folk tale... They have been signed to Matador Records since then and the Marching Song EP is their first true label release.

The band is currently mid-way through a month-long tour of the US , including and a quick trip north of the 49th to Vancouver with Cassandra (that is their trusty tour van - 6000 miles and counting), in support of Foals.  The EP is readily available on legal d/l from the usual sources.  There are also 300 12" vinyl copies out there, available from independent stores; if you want one try Rough Trade.


There is a certain irony in that while Esben and The Witch is doing this Warpaint, that hail from Los Angeles, is in the UK doing pretty much the same kind of thing. The distances are far smaller, of course, but the idea behind it is much the same.  This, I think, just goes to show the remarkable synergy that now exists between UK and North American music and long may it continue.
This is the vinyl EP 'Exquite Corpse', although you can also have it in other formats too.

Warpaint is a psych-rock four-piece that has been flicking tantalizing sparks into the wind for a long time now  - any number of line up changes and very few gigs - but it is starting to become clear that this long apprenticeship is about to reap a just reward.
The release of their début album 'The Fool' is imminent - it is expected to be 25 October in the UK - and this too is available on vinyl, CD and d/l.

     If you want an alternative take on Halloween 2010 then please do consider all these as contenders.

Warpaint are in fact signed to Rough Trade Records (in the UK at least) so I expect that there might well be a bonus disc if you buy from Rough Trade (their stores or on-line) once it is released. I can't make any promises but they do however have a solid history in this regard: support independent artists, labels and stores - your music needs you just as much as you need it!

Not least @ Latitude - Part 4 - Esben and The Witch

It is no secret that I have wanted to see this band for some months now.  On Friday at Latitude I did so, again on the Lake Stage, and they exceeded my best expectations. Named for a Danish folk tale, but from Brighton, the three piece are both powerful and involving.  The format means that they have no drummer but they are certainly not without percussive tendencies. Armed with just one drum and a cymbal, at one point all three were wholeheartedly engaged thereon!  As fellow Brightonians Blood Red Shoes amply show, and that is another band I want to hear live, it can actually take only two - Stephen Ansell and Laura Carter in that case - to make a captivating racket.

Between the three of them they handle the material admirably. The wait for their début album should not be too long and I can hardly see it making anything but waves.

Added November 27, 2010:
Here it is revealed in intent and artwork: Violet Cries

Yuck... Festival thoughts and other bands

More often than not I write my thoughts ‘live to blog’, or at least something pretty close to that given that the images have to be found and or adapted. Just at the moment I can’t seem to get started, although I know things about which I want to write. I hope you don’t mind that I’m thus minded to invite your comment here. I am cheekily using you as a sounding board – knowing that we share at least a proportion of our music in common – but the truth is I’m really not sure where my boundaries in new music lie.


Wednesday 23 June:
Glastonbury is 40 and, while I’m not going in person, I’m minded to catch as much as I can via the various media sources. Therein lies another problem: like many of you I guess I like much older music and I’m not even sure where that lies for me either. In the last few days I’ve been working my way through more vinyl: those that have particularly caught my attention are ‘LIVE – In Europe – Rory Gallagher’ (1972) and, just this evening, ‘Bruce Hornsby and The Range – On The Southside’ (1988). Two totally different albums but I like them both, a lot. In fact after some cleaning they both appear to be as essentially faultless as any vinyl that you might be prepared to risk playing.
The underlying problem is, and this has become more so over the last few years, that I like more and more new music and also a wider range of music in general. I had long believed that it wasn’t like this! The point here is that I’ve been trying to prioritize those bands appearing at Latitude 2010 that I would most like to see. That there will be unavoidable clashes is inevitable and that is just the way of things. The scarier thing is just how many, not just how many clashes, but just how many acts including the perhaps lesser known ones that I am already aware of. Previous years have been notable for my seeing ones that I was completely unaware of – that is a joy of live music – and some of them are now rather better known.
Of course I want to see ‘Florence And The Machine’, headlining the main stage on Friday, but also many others less well known. Acts as diverse as ‘Laura Marling’ and ‘Crystal Castles’, both on the (main) ‘Obelisk Stage’, are almost certain to clash with other acts, on lesser stages, that I also want to see. There will indubitably have to be some tough decisions made…
I have a long list… the problem is that I know it cannot be fully realistic, not least as I do not have the set times, but even then certainly not fulfilled.
I want to see 'Yuck’, a good band name if ever there were one and it has a blog too, ‘Esben and The Witch’ and plenty of others. What is perhaps more interesting, at least to me, are the as yet less widely known bands that are well and truly on my 'must-see' list and those as yet unknown to me.


Thursday 24 June:

The first bands are just taking to the small stages at Glastonbury as I write from a location that is just twelve miles away as the crow flies. The thoughts always come round to weather - and the mud that comes with it - when Glastonbury is mentioned.
Let me tell you this: It is 9pm and I've just been outside to take a look at a Wedgwood Blue sky with hardly a white cloud as appliqué decoration. It is warm, about 20ºC/68ºF, virtually calm and if that is not perfectly wonderful festival weather then I can't imagine what is. It is predicted to remain thus for the duration too, with just the possibility of a thundery shower on Sunday afternoon, and by then it might well be welcome relief.
I've plenty more to add, and I intend to watch as much Glastonbury coverage as I can this weekend, but this will have to do just for now.

Festival wish list - New Music 2010 - Part 8

To finish what has, aside from music and a great weekend in North Wales, been a rather lack-lustre month I thought I would add some things that have caught my attention in the last few weeks. When I started about two hours ago I had a pretty clear plan in mind; that it became well and truly wrecked on the rocks of new discoveries is just one of those things and also for the longer term good...

These are just some of the acts I originally intended to mention. I've mentioned some of these artists, if only in the side-bar, already so here are a few of them. In truth the list of those still to mention is actually now longer than it was when I started!

Esben and The Witch, Brighton, UK.

Exquisite, romantically inclined, comfortingly gothic (and occasionally electro-acoustic) new-traditional: I recommend any song you can find and they are confirmed as playing Truck Festival 2010. Last year's 'Marching Band' served as a shot across the bows of the competition, and my God has the competition become formidable on all fronts, but the one track that sticks in my mind just now is the more recent 'Lucia At The Precipice'.

The Ruby Suns, New Zealand.
Their album 'Fight Softly' is already available (released by UK label Memphis Industries) and they are confirmed to appear at End Of The Road 2010.

Ones that I have not mentioned before, and that I'd like to see live, are:

Beach Fossils, Brooklyn, NY.
I have heard a few songs and 'Day Dream' is not atypical.

Islands Lost At Sea, Bolton, UK.

The début album is 'are having a lovely time' and to be released in the UK on 26 April.

I could, and soon will, add more but it is past that time tonight. A few throw-away suggestions including, perhaps, some returning acts less well known:

Operator Please! - Australian five-piece in support of their second album 'Logic', due shortly.

New Young Pony Club - new album 'The Optimist' represents a distinct realignment by Ty Bulmer and the crew following 'Fantastic Playroom', which was their 2007 début. For more on this album see here:

http://rpgreenhalgh.blogspot.com/2010/04/optimist-difficult-second-album.html

I Tried To Do Hand-stands For You...

It is time for some new 'thoughts', more lyrics and a whole lot of new music, but I tend to fail on the vaulting of my ambition.

The most evident utensil

Is nothing but a pencil

and, from different tracks on the same album...

Permanently black and blue

Permanently blue for you.

All the garbage that you have thrown away

Is waiting somewhere a million miles away.

Your condoms and your VCR

Zip-lok bags and your father's car

Dark and silent, wait for you, yea-hey

And so much garbage will never ever decay.

And just four hints for now:

Esben and The Witch

iLiKETRAiNS - album #2

The Joy Formidable - album #2

Blood Red Shoes - Fire Like This

...and a whole lot more to follow. Guess what? I am not a robot...

'White Holes of Mole Hills', anyone, Ruth Theodore (2010)?

Some thought it was facetious on my part and others saw it for what it was. It is real and another worthy of note in the nu-folk canon, artist and album both. It is released on February 15, 2010 by River Rat Records.

Was It Worth It - Jeremey Warmsley and Elizabeth Sankey (aka Summer Camp) seem to think so...

..and (for what it is worth) so do I, very definitely.