My Music in 2015 - Albums - Part 3

Right! Here we go again and for the last time specifically concerning 2015.
This is not a list of odds-and-ends, far from it. Two of the LPs in this list have appeared near the top of many lists, proffered by major news outlets and suchlike, that are supposedly arranged in some order of merit. That consensus approach is not the way I work. All these lists are about what I liked and in particularly the impact that it had on me.

• 9 Bach - Tincian
• Emily Barker - The Toerag Sessions
• Father John Misty - I Love You, Honeybear
• Hannah Rose Platt - Portraits
• Jess and The Bandits - Here We Go Again
• Lanterns On The Lake - Beings
• Mandolin Orange - Such Jubilee
• Public Service Broadcasting - The Race For Space
• Robert Chaney - Cracked Picture Frames
• Samantha Fish - Wild Heart

There is so much more that I have liked and listened-to-death that isn't included yet still some say that there is a shortage of new music. This, even were it to be true, is a symptom of the malaise that has beset the industry and the majority of consumers for a long time. It was geared to prescribing to listeners what it wanted them to listen to and for the most part the consumer was compliant.
My introduction to two of the acts in this list goes back a long while - I saw them live for the first time at End Of The Road Festival 2009 and 2010 until which point I was completely unaware of both!
I could never have imagined what I suspect, for I do not count listens, would become my most listened-to music of 2015. This is a case of not being led by the nose but blind-sided, in a good way, instead.This third selection of LPs also includes one of the most harrowing songs that I have ever heard. It is not about some industrial accident or natural disaster. It is about the peculiar failings of humankind and is a rather sad place to end this post.



Robert Chaney is the author of The Ballad of Edward and Lisa.

EOTR 2013 - acts to see live again.

For all that I say that festivals are largely about seeing acts that I haven't seen live before there is always the pleasure of seeing one's favourites for a second, third or.... *whistles* ...time.

One of those was The Staves, three sisters from Watford who specialize in close harmony vocals, that I first saw at Deer Shed Festival in North Yorkshire in July 2012. In the meantime they have recorded an album 'Dead & Born & Grown', released by Universal - so at least the major labels are finally sensing the way the wind is blowing. Here are Camilla, Emily and Jessica on the Garden Stage at EOTR on Sunday afternoon.

This next I had only seen as recently as Truck Festival 2013 but I was happy to see their quite esoterically British show all over again. As a matter of fact, as often such things are, it was better the second time around because I noticed so many things that had passed me by on the first listen. I was right at the back of the Big Top stage and so I couldn't take pictures, which allowed me to give my full attention to the performance. This picture is therefore one taken at Truck Festival 2013 and then I found it difficult to capture what makes Public Service Broadcasting worthwhile watching (and listening too; I had the EP before seeing them live).

Public Service Broadcasting, Market stage, Truck Festival 2013.

    

I am interested to see in what direction J. Willgoose Esq. and Wrigglesworth go next but I am quite sure that, given their awareness of history and its context, they have long ago considered this issue. The Yorkshire Post wondered, somewhat less charitably, about this too following a gig at Leeds' Brudenell Social Club.

  

I have to admit that the first time I saw The Leisure Society play live I was slightly underwhelmed but, perhaps sensing this was odd, I bought their first album anyhow. I saw them again last year and, as timings worked out that way, for a third time at EOTR 2013. At last I get it!
To be honest 17:15 - 18:15 on the main stage Saturday is not prime time; well in one way it is... after 36 hours many people are suffering from mid-festival lassitude, thinking more of food than music.  The food, and the choice thereof, at EOTR is pretty good too.

The Leisure Society - Woods Stage - End of The Road Festival 2013.

  

 [post in progress - to be continued soon but I am getting hungry]
  

There will be now be an intermission. There is nothing wrong with your TV set.

Please do not adjust your eyes or ears.

That was only supposed to be temporary but the

 cauliflower cheese was good, even if I say so myself. 

I shall finish with the artist who, as far as I am aware, I have seen more times playing live than any other. For readers of this blog she probably needs no further introduction. She played twice at EOTR 2013 and I saw all of both sets. The first was on the Woods Stage as part of her on-going UK tour. That is admirably summed up, though her apparent ennui is likely affected rather than genuine, by this review from the London Guardian of her subsequent show at Shepherds Bush Empire. It is no secret that she is not a fan of large venues and early stage times (17:45 start on the Woods Stage). Similarly you can have all the recorded music she has made, and I pretty much do, but it just isn't the same.

She reappeared about 1:15am Monday morning at an unannounced (at least in the printed programme) set on the small, tented Tipi Stage...

... and this truly was Caitlin Rose live: The real deal.

    

If I still had the slightest doubt that I would buy a ticket for End Of The Road Festival 2014, without any knowledge of the line up, it had well and truly vanished by this point. I have one and 'early-bird' tickets had all sold out less than 48 hours after their release on the Tuesday. It is fair to say that that is a public vote of confidence on quite some scale. See you at EOTR 2014?

New music and festivals - random thoughts...

Some excitement.
The first tranche of acts for Deer Shed Festival 4 has been announced and it looks very promising.
Stealing Sheep and Public Service Broadcasting are just two that have appeared in these pages before. On the other hand I have seen neither live! Also of great interest to me are Glasgow five-piece 'Kitty the Lion' and singer-songwriter 'Blue Rose Code'. Things are looking up - this is the kind of news that I like the best.

A battle we should not have to have ...

The BBC is, I would unreservedly contend, a bastion of public service broadcasting across all formats. It is also, in many of them, available at no cost to those in much of the free world on radio (including the World Service in many languages) or via internet.
It now needs your input and support, wherever you may be and whatever you like about it, more than ever before. Becoming insular, in the modern world, is the last thing anyone needs...

http://twitter.com/rpgreenhalgh

I was determined to say at least something right now. Idealism is a virtue; if only an seemingly unattainable one.

IT DOESN'T HAVE TO BE LIKE THIS!

In a year that will see the UK voting for a government here is the chance to practise and, with good fortune, make a real difference. If you think that broadcasting matters then so does politics; more than ever one cannot now have one without the other and this applies whatever political opinion you may, or may not, hold. The important thing is to have an opinion whether or not others agree with it.

If you don't act on it by voting, or otherwise participating, you can hardly then claim that the outcome was a travesty. The time to act is now and it has never been easier to do something.

http://www.petition.fm/petitions/6musicasiannet/1000/

If all this seems a bit direct, perhaps because you have not campaigned on such an issue before, let me assure you that this is not going to put you on some 'list' of traitors and terrorist suspects.

It most certainly won't. What it will do is show that you care about democracy and that you are are actually prepared to put it in to words and that need not be a scary prospect. Here is a link that explains how to go about it in a persuasive, professional way...

http://www.jrhunt.co.uk/2010/03/02/how-to-save-6music/

This advice also applies to BBC Asian Net too, of course, and indeed any other service on a far wider plane that is also threatened. We have become too used to grumbling in private while contributing little that is focussed on the wider, often political, debate.

It is a typically British fault, in many respects, and accordingly I'm not advocating revolution for one moment or even suggesting other less drastic direct action, such as strikes or boycotts.

Popular revelation, even revulsion, can be the most powerful force for change.