New Music 2014 - Part 10 - Roots and Americana

I have been listening to all kinds of music lately and as you might have guessed that has included much that goes under the heading Roots and Americana. I'll start with three forthcoming albums that have come to my attention but perhaps I should add that I already have all the previous albums by these artists; to some extent I am therefore a convert already.

Jessica Lea Mayfield - 'Make My Head Sing', released on 2 June 2014 in the UK.

   

This is the third album by the Ohio native who first came to my attention at End Of The Road Festival 2010, playing the Tipi stage and previously quite unknown to me. Her albums thus far are 'With Blasphemy, So Heartfelt' (2008) and 'Tell Me' (2011), both released by Nonesuch Records, and were produced by Dan Auerbach. I'm not sure about the details of this one yet, as I have only recently found about it, except to say that it is released by ATO Records. This label is snapping up many artists in this broad music space including Caitlin Rose and Hurray For The Riff Raff who have peppered this blog over the last few years.
It is certainly a dramatic and very deliberate departure from the aforementioned albums. An interview in which she explains how it came about, and the history behind it, is here:
http://noisey.vice.com/blog/jessica-lea-mayfield-i-want-to-love-you-video-premiere

The appearance here is true of this next artist Amy LaVere too, but she is the only one of the three that I have never seen play live.

'Runaway's Dream' is released by Archer Records on 26 May 2014 in the UK.

    

It is a concept album but, before you click elsewhere in fear and loathing, be aware that this has been done before to some acclaim: In my book Anaïs Mitchell's 'Hadestown' (2010) is a case in point.
This one is however loosely based on the story of Seasick Steve, with whom she toured extensively as support, and also her own few days as a teenage runaway. To that list I shall add another bridge - Alynda Lee Segarra of Hurray For The Riff Raff and in particular the song Ramblin' Gal from the album 'Watch Out Mama' (2012). Their new LP 'Small Town Heroes' was released in the UK, again on ATO Records, on 31 March 2014. It isn't one of the three included in this post because I have mentioned it already.
    
The last of the three is this and the only one by non-American artists but like its predecessor, The Lion's Roar (2012), it was made with Mike Mogis at his studio in Omaha, NE. It is all a far cry from the time I first saw First Aid Kit live in the old-style Tipi stage at End Of The Road Festival. That is no bad thing because the potential was clear for all to hear.
   

'Stay Gold' is released by Columbia on 9 June in the UK.

It remains to be seen if First Aid Kit can sustain the momentum that was generated by 'The Lion's Roar'. One thing that I can say with certainty, having seen them play again on the Garden Stage at EOTR 2012, is that First Aid Kit certainly does not disappoint live.
Maybe I need to buy a ticket to Green Man Festival in August - I've never been before, so that would tick another box.

A thought from St. Patrick's Day.

McALPINE'S FUSILIERS  (Dominic Behan)

As down the glen came McAlpine's men with their shovels slung behind them.
It was in the pub that they drank their sub or out on the spike you'll
find them.
We sweated blood and we washed down mud with quarts and pints of beer.
But now we're on the road again with McAlpine's Fusiliers.

I stripped to the skin with Darky Finn down upon the Isle of Grain,
With Horseface O'Toole I learned the rule, no money if you stop for rain.
For McAlpine's god is a well filled hod with shoulders cut to
bits and seared.
And woe to he who looks for tea with McAlpine's Fusiliers.

I remember the day that the Bear O'Shea fell into a concrete stair.
What Horseface said, when he saw him dead, well it wasn't what the rich
call prayers.
"I'm a navvy short," was his one retort that reached unto my ears,
When the going is rough, well you must be tough, with McAlpine's Fusiliers.

I've worked till the sweat near had me beat with Russian, Czech and Pole,
At shuttering jams up in the hydro-dams, or underneath the Thames in a hole,
I grafted hard and I got me cards and many a ganger's fist across me ears.

If you pride your life, don't join, by Christ, with McAlpine's Fusiliers.

I quite like the idea of learning this song, of which this is only a part. It commonly includes a narrative element at the start that sets the scene.



In so far as I am currently aware this first appeared recorded on the LP 'Finnegan Wakes' (sic) in 1966 as Transatlantic Records (TRA 139).

The song went on to become a staple of The Dubliners' live performances and therefore it appears on many live and compilation albums since, which is how I came to know of it, as well as many cover versions. Here is a live version by The Dubliners, sung by the late Ronnie Drew.

Much later, on the 1983 studio album 'Prodigal Sons' (Chyme Records, CHLP 1030), The Dubliners recorded another Dominic Behan song on the subject of the trials and tribulations of itinerant construction workers - Building Up And Tearing England Down.

New Music 2014 - Part 9 - Denmark and New Zealand

This post on new music changes tack slightly. While both artists are primarily female singer-songwriters any direct connection with Americana is absent. In neither case is the album the first. I have already seen one of the two live and would much very like to see the other live too.

This is the new album (although it was actually released in 2013), Aventine, by Agnes Obel. Whilst she has been resident in Berlin for some years now she is from Denmark and her 2010 début album 'Philharmonics' is five-times 'platinum' in her home country but still, with worldwide sales approaching one million, she remains surprisingly unknown. Her début LP was a far cry from Scandinavian pop and this is even more so.

It is spacious, minimal, and sometimes very dark but not in any way depressing.

If one were to mention female artists from New Zealand, at the moment the most likely to come to mind would be Lorde (Ella Yellich O'Connor) and her album 'Pure Heroine'. That incidentally, in my opinion, is also one of the most inspired album titles and it is a fine album too, but not the one I intend to feature here. 

 'Brightly Painted One' is released (in the UK) by Bella Union on 31 March 2014.
   

This is acoustic, almost lighter-than-air, music but I know that it works because I have seen Tiny Ruins live at No Direction Home 2012, until which point I had no knowledge whatsoever. Suffice it to say that I hadn't forgotten about that.

Hollie Fullbrook, Electric Dustbowl stage, No Direction Home 2012.

Tiny Ruins is confirmed for End Of The Road 2014.

New Music 2014 - Part 8

While my recent posts about live music have a very obvious UK (indeed English) folk bias, and the next live act that I'm going to see is Spiers and Boden, that is not the case with the ongoing posts on new music which, even if the artists are UK based, draws heavily on US traditions and that is certainly true of both the artists featured in this post.
Both are 2014 releases by US-based independent record labels and both are by female artists. These are not country, alt-or-otherwise, but neither are they country rock either. They are not an incomprehensible change but, ultimately, they are what they are. I like them, which matters more than anything, and that is why they are here.

Angel Olsen - Burn Your Fire For No Witness - Jagjaguwar Records, 2014.

   

Slightly more challenging is this next, released by Bloodshot Records and an album perhaps inadequately described as 'country punk'. It is a demanding listen, no doubt about that, but it is well worth any effort that this involves.

Somewhere Else - Lydia Loveless - Bloodshot Records, 2014.
   

If you are left stranded, wondering what that might sound like...

  LYDIA LOVELESS - Learn to Say No from Kitchen Sessions on Vimeo.

Live, local and multifarious folk

If one were to spend the start and also the end of a weekend with live music, as I did this weekend just gone, I really think that I could not have chosen better. This was Friday evening and a fifteen minute walk from home.

Olde Boston Tea Party, a bluegrass tinged quintet from the borders of Devon, Dorset and Somerset, played as support for Oysterband. The music was excellent.

My photography, unfortunately, certainly wasn't.

    

The best thing I can say is that, come Sunday evening, I could drive just twenty miles, albeit in the pouring rain, and start all over again as if nothing had happened. This should have been a more frightening prospect but, even though the village hall was turned about-face, it wasn't.

As well as being one of the best modern folk songwriters, Steve Knightley is one of the best narrators about, and between, songs. This applies just as much to those of often mysterious tradition as it does to his own.
   

 I didn't realise, or indeed even think about that, until I was driving home afterwards.

Marnhull Acoustic Session - Phillip Henry and Hannah Martin

This is an important update on my previous post concerning Marnhull Acoustic Sessions and the event this coming Sunday (23 February). Ninebarrow are still supporting and Phillip Henry and Hannah Martin are still headlining but the big change is that the latter have just been awarded the 2014 BBC Radio 2 Folk Award for 'Best Duo'. That was in The Royal Albert Hall this evening but, if you are quick, you could see them play live in Marnhull Village Hall (capacity ~100) this coming Sunday evening. Litotes is self-defining.
Tickets, while they last, are £6 + £0.60 booking fee on-line and delivered by e-mail. I wouldn't bet on getting one on the door (£7). See you there!
Phillip Henry and Hannah Martin the first time that I saw them live...

Acoustic+, Frome, Cheese and Grain, 25 March 2011.
This an older song, Queen Gwendolen, but none the worse for that.

Phillip on dobro and Hannah on fiddle and vocals here.

New Music 2014 - Part 7- Hurray For The Riff Raff

Hurray For the Riff Raff has been around for a few years now, with once-itinerant Alynda Segarra at their steady helm. The third LP, Small Town Heroes, has recently been released by ATO Records in the US.

The UK release is the end of March but it is too good to wait for.

I'm expecting that I will see them at a festival in the UK at least once this summer and I can't wait...

Hurray For The Riff Raff live at End of The Road Festival 2012.
   

A track from the new album is 'Blue Ridge Mountain'.

This is another one to watch in 2014.

Record Store Day 2014 - old favourites

I thought I'd go back to the future with my thoughts on the forthcoming Record Store Day 2014. What are your thoughts, perhaps from RSD past, and what you would like to see in 2014?
To take it all back a step, what are the possibly unusual records from years ago that you own and treasure? There is no need for these to be rare or valuable... I own 5 copies of Thin Lizzy's - Black Rose (A Rock Legend) on vinyl but the one I am listening to right now is Vertigo 60 63 169. It sounds just the same as any other but is, in fact, the original Spanish release (1979).
To own a few curiosities, even if they have no particular pecuniary value, is appealing for some of us.
Rather soon after I went away to university, in the autumn of 1983, I was exposed to much new music some of which I liked and some not. Some of both still always reminds me of that time. Another factor is that time more or less coincided with the renaissance of Radio Caroline. As I was in North Kent and MV Ross Revenge was not that far away the station was almost receivable with the radio turned off! 
It also had, and still does, the tendency to play albums. It is arguably, along with my decision to go to festivals from 2007, one of the defining moments of my music-listening life. I credit it with, amongst others some of which I did not appreciate at the time, introducing me to the work of Bob Dylan.

I don't recall this album from that time, maybe it was deemed old even then, but I doubt that was the reason as I certainly remember the station playing Free, which was again largely new to me but just as old.
I actually have some rather strange memory-evidence for this assertion. Another artist that Radio Caroline introduced me to was Jimi Hendrix and while I well remember hearing his version of 'All Along The Watchtower' back then it was probably twenty-five years before I actually realized that it was a Dylan cover, from the aforementioned album of course. How naïve was I?
You could reasonably pin a great deal of my musical taste on that which I heard in my time at University. I still hate Phil Collins' music, for example.

This is becoming rather more "Thoughts On Music" than I planned (because I didn't actually do any planning for this post) but I'm rather enjoying it. None of this endeavour was planned anyway, and I did say that in the event that I reached 100 posts I would retire.
I'm sorry. I changed my mind: this is the 838th.

Record Store Day 2014 - A Prelude

It is now just a couple of months until Record Store Day 2014, an event that seems to be gathering momentum with each passing year. To set your mind thinking about the changes, in both the music industry and the marketing strategies involved, here is an inner sleeve from forty-six years ago and of which I took a photograph just now.

It is interesting to consider what were the perceived threats back in 1968.
Equally so, what the marketing people would have thought about vinyl in 2014.

Marnhull Acoustic Session - Tom James & Pip Mountjoy

The new season of Marnhull Acoustic Sessions kicked of this evening in fine style with a double headline bill of Pip Mountjoy and Tom James. I have quite literally just returned home and downloaded my pictures and there seemed no reason not to write while it is still fresh on my mind.
Both artists indicated that new releases are in the pipeline - a third EP from Pip and Tom's first album and the follow up to his Green + White EP (2011).
Both artists played solo sets and then collaborated busking-style for a few tracks to finish off the evening in an interesting and very successful fashion so I shall start with that.

Oh Carolina.

The contrast in their respective song writing and acoustic styles was fascinating and just the kind of thing that an intimate gig  such as this shows to best effect.
   

    

Whilst Tom laid aside his acoustic for electric guitar on a number of songs Pip down-sized to ukelele, something that I do not recall from the time that I saw her at Deer Shed Festival 2012.

    

Marnhull Acoustic Sessions returns on 23 February with a celebration of its first anniversary. Phillip Henry and Hannah Martin will be headlining with Dorset-based Ninebarrow as support. The former are nominated for 'best duo' at the BBC Radio 2 Folk Awards 2014, that take place earlier the same week and so a double celebration is to be hoped for.

Marnhull Acoustic Sessions 2014

Parts of Somerset and Dorset are indeed flooded, with no end to the deluge in sight, but please don't think that the rich musical life of both counties has suddenly vanished. Far from it indeed and the new year of Marnhull Acoustic Sessions starts this coming Sunday with two fine singer-songwriters as a double-headline show and I have seen both live just once before.
Tom James is from Falmouth, Cornwall and played at North Dorset Folk Festival 2012. To choose a cover here, rather than one of his own songs, might seem a strange choice. To cover Bonnie Raitt is a mark of bravery...

Can't Make You Love Me.

      
Pip Mountjoy is from Richmond, North Yorkshire and I first saw her live at Deershed Festival, near Thirsk and also in North Yorkshire, in 2012. She was "down south" last June, performing on the BBC Introducing Stage at Glastonbury Festival.

The Killing Kind.

She has released two EPs, 'Louisiana' and 'My Skeleton' and this track is not on either of them. This Sunday should be very special.

Tickets are £6 + £0.60 fee booked here with instant e-delivery (no need to worry about the post) and £7 on the door at Marnhull Village Hall, if any are still available at this most intimate of venues.
On Saturday 25 October 2014 it will also be the home of the third North Dorset Folk Festival and you wouldn't want to miss that...
There are only a couple of festivals for which I will book a ticket on trust, with no prior knowledge of the line up: End Of The Road Festival is one and this another.

New Music 2014 - Part 6 - Harriet Jones

Barely a week after I discovered one new act from Plymouth (WHOANOWS) as I was listening to Kathryn Tickell's show, on Amazing Radio this evening, along came this statement of intent from 20-year-old singer-songwriter Harriet Jones also from Plymouth.

The track Dealin' Man Blues is released as a single today and is as good a slice of soul-blues as I have heard in some time. It is remarkable for, amongst other things, the minimal accompaniment to her vocal and that works because it simply doesn't need more. Another one to watch in 2014 and I would love to see her play live.

If I were to meet her I should be very wary: If I am reminded by this of any one other song in particular then it is a cautionary tale, with a moral ending - 'The Ballad of Frankie Lee and Judas Priest' and I'm not convinced that I would come out on the right side of this.
It may seem a curious comparison but it works for me. What she might conjure up next is anyone's guess but hers. I'm fascinated by the possibilities.

New Music 2014 - Part 5 - Arc Iris

'Singing So Sweetly' is the début single from band Arc Iris, the new project of former Low Anthem member Jocie Adams. Here it is:

The self-titled album Arc Iris will be released by Bella Union in the UK on 31 March and by Anti- Records (North America) on 1 April. Arc Iris will play in Bristol, UK, at The Louisiana on 6 May and this doesn't sound remotely like her former band. To say that it is eclectic, as some already have, is only the half of it.

The Low Anthem is also to release new music in 2014. Exciting times, yet again.

[to be continued soon]

New Music 2014 - Part 4 - Smoke Fairies

I'm not sure that I have ever tried to write two posts on-line simultaneously but I see no reason why not to try it.
The Smoke Fairies self-titled forthcoming third album, released on 14 April by Full Time Hobby Records on DL (various file formats) to vinyl (but perhaps not cassette) just as you might wish.

Beyond that I can't tell you much other than to say that I have almost all of their previous LPs, EPs and none of them have disappointed.
I can't remember how I first came to know of them but the first time I saw them live was at Latitude Festival 2009 on the Thursday evening and a performance (in a marquee, fortunately) that was interrupted by a truly epic thunderstorm.  I shall look at the ghosts of festivals long gone and try and find some pictures.

This is the only remotely usable one from Latitude 2009 - Katherine Blamire on guitar.

On the Garden Stage at End of The Road Festival 2010 the sun was shining and all this explains, at least in part, why I wish to see them play live once again.

Jessica Davies playing slide guitar.

2013 In Music - Albums - Part 3

In early December I said that I would do this. I always forget some albums that should be included and this year is no exception to the rule. There are in addition, several that I simply hadn't heard, or otherwise understood insufficiently, in time for them to be included in the first two lists. I have been busy with that and, while it might not be finalised for a week or so, this list might possibly run to another half-dozen. I will add them piecemeal as and I get the opportunity to do so.
They are in no particular order but this list will have images. It is again very much tied in with music I have seen live in 2013.
The first is Jo Harman and Company and the début album 'Dirt On My Tongue'. 

Albeit impressive at the first Frome Blues Festival in 2012; the return in 2013 was some triumph. She had it pretty much sewn up.
  

Only The Nimmo Brothers kept it from being the highlight of the day and, as they acknowledged, they have a fair few more years at the grindstone and under the belt. If you find the album is good then you need to see Jo Harman live. That actually applies to The Nimmo Brothers and also King King too - and I had the extreme good fortune to see all three acts in the space of six weeks.
   
The next is the début album by another band that I saw live for the first time at Truck Festival 2013, and another from the small Saloon stage that was curated by Clubhouse Records. This is one reason that I am very much minded to go to Truck Festival 2014 (19/20 July). That band is The Cedars and the album Little Copper Still.

Fermented in America, distilled in Britain.

This leads me to another festival that is tempting, and I thought about it last year. Maverick Festival 2014 (4 - 6 July 2014, nr. Woodbridge, Suffolk). There are no published artists for this yet but I have the feeling that it is unlikely to disappoint and I really like the idea of going to at least one weekend festival that I have never attended before.
   
I made and stated some rules concerning 'best of lists'. If this happens to breach them then, as they are my rules they are also mine to break. Fear not - I have no ambition in politics.
I didn't have this album in time to comment in the two previous lists but the EP 'The Weight Of The Globe' featured here and rightly so. This is about as good as it gets. EOTR 2014, are you listening?

It is also just one of a trio of releases that feature similar superimposed images as artwork... Warpaint - Warpaint is one of the other two that I have in mind. That is however a 2014 release.

    

[To be continued soon.]

New Music 2014 - Part 3 - Tiny Ruins

Time catches up with us all - this however is one of the good times. One of the 2014 "artists to watch" is indubitably New Zealand's Ella Yellich O'Connor, better known as Lorde and not least for her 2013 album 'Pure Heroine'.
Another New Zealand artist well worth hearing is Tiny Ruins, the project of Hollie Fullbrook. I first became aware of this when I was at No Direction Home Festival in 2012.

Hollie Fullbrook (guitar and vocals), Cass Basil (bass). Electric Dustbowl stage.
  

I was reminded yesterday whilst listening to a Mixcloud compilation of singer-songwriter fare in 2013 when I suddenly thought "Oh! a Laura Marling song I don't know and a good one at that." That is never a bad thing; I was wrong about the artist, however.

It turned out to be the song 'Always You, Tiptoeing Through', which is the final track on Tiny Ruins' 2013 EP 'Haunts', which I didn't have. Well worth the cost of the download (the physical copies are long gone). Even better is that a new studio album is coming this spring. I haven't even got the last one yet - Some Were Meant For Sea (2011).

Catch up, Richard!

I now remember why this was. I had intended to buy it at the festival but they had all sold. In any case it has made a lovely start to the New Year, the only blot being that it looks like No Direction Home was a one-off festival. On the other hand I would very much hope to see Tiny Ruins, with the new album in tow, at End Of The Road Festival 2014.

2014. Whither am I bound?

Time to think about festivals again. From experience I can tell you this - it doesn't get any easier. The title applies just as much to artists too.
The first ever Behind The Castle Festival, a one day mostly folk event in Sherborne, Dorset, on June 14 is a must. I shall, of course be attending End Of The Road 2014 but then that probably goes without saying. This is the start of the road.
I'm not a great believer in resolutions for the New Year but this time I decided upon a few. Some are more instantly commenced than others.  This is one that certainly is active immediate.
I shall listen to - and pay proper attention to - at least eight hours of music that is new (to me at least) each week. The investment will be in time, for there is no reason for this to cost much and it could be done entirely legally on-line. It's going quite well I must say but then many good intentions founder before the end of January. The fact that it has rained almost continually has helped and that January looks like it will be a very quiet month for me as regards going to see live music isn't going to be a hindrance either, although that would also count if it were new to me.
One can spend many happy hours trawling through profiles, reading reviews and listening to Soundcloud, Mixcloud and the like, as quite often I do and it costs nothing. On the other hand the likes of Amazing Radio can provide much that is just there and ready for the listening. The presenters have done the pre-filtering for you but, and this is important, not too much filtering. It is free, legal and available worldwide.
I am happy to tell you that, until about twenty minutes ago, I was quite unaware of Finnish accordion player Johanna Juhola. Here is that track and Amazing Radio was the reason that I got to hear it.

You might like Olivia Chaney too ---  yet another one to watch in 2014.

My 2013 in music

You might think that my posts during the year should sum the title of this post. In a sense that is true but, in another it is not so. If I knew of another year that I enjoyed music as much as I did in 2013 then I would tell you about that. The fact is I can't.

It took in all sorts of music and in many places...

Jon Spiers and Bellowhead. Cheese & Grain, Frome, 19 November.

Bellowhead is a band with which I am well acquainted but it is no less a thrill to see them live once again and that could be said of many others too.
Not least though is the new...
I see no reason to think that 2014 can't be at least as good. On the other hand I doubt that any blog can start with a post more astonishing than this.

2013 isn't over yet...

If you think that my last post, and the ensuing hiatus, signalled the end of my blogging in 2013 then think again:

The casual chemistry between Amy LaVere and John Paul Keith makes it seem like this happens all the time - boy meets girl, boy plays girl some songs, boy and girl form band.

“It’s not that we really decided to have a band” as Keith tells it.  

“It’s just that by the time we got done having coffee she’d decided we were a band and was already booking shows for us. By the time I got home, we were exchanging ideas for band names.”
   

If you want a cover version then try this. Eddie Berman, from southern California, and Laura Marling take a shot at Springsteen's 'Dancing in the Dark'.

   

To be fair that is only just a part of it, even as regards cover versions, but this is one I love.

I'm particularly interested to hear about your own favourite covered-songs this year, be they recorded, live or whatever. You are welcome to comment here or via Twitter @thoughtsonmusic.

2013 in Music - My favourite list so far...

I have read many lists of 2013 music and shall read many more I expect, in part as a reference to compiling my own humble additions to the canon. Of all of them this is the most interesting so far by a country mile...

I shall return to this list and what I think it means for 2014, perhaps beyond, in the coming weeks.

2013 In Music - EPs and mini albums

This is the post that I delayed from earlier in the week. I've been thinking about it all the while and yet I am still not sure quite how it will turn out. I think that it will just evolve over the next day or two...

There a few times, when one hears for the first time a new artist or act of which one was previously completely unaware and the first instinct is simply WTF? Festivals are happy hunting grounds for this... indeed albums by two artists that first took me this way have already appeared in this year's lists of albums.

2013 in Music - Albums - Part 1

2013 in Music - Albums - Part 2
    

This is not my first mention of an artist that I had first seen live at End of The Road Festival 2011 (although then under a different name). It was a foregone conclusion, before End of The Road Festival 2013, that this would be here...

Available in, as well as other formats, 12" vinyl (as pictured here).

The Graphite Set live at End of The Road 2013.


THESE STREETS, The Graphite Set from Louis W Hudson on Vimeo.
  

This next EP might be a tough one to convince you of the merits of and for the very same reason that may also affect one album on each of my two lists so far! The last song is the only one sung in English and will hopefully make it all worthwhile. Even finding the EP on CD can be a challenge but your best bet is here. Another artist I want to see live in 2014.

This post, as you might have already noticed is not in alphabetical order by artist. It is not in any other known order either. In the spirit of my first ever such round-up post, also of EPs and back in 2007, I'm going with whatever eligible recordings suit my mood.
It would be wrong to include any act other than on merit. If that happens to be one from not so far distant then that is all the better.

Wolfhound is signed to Bristol-based Jelli Records.

Whilst on the subject of bands including sisters, Natalie and Sally Joiner in the case of Wolfhound above and Anja Quinn on the far right, here is another .

Lily & Madeleine Jurkiewicz have now released their eponymous début album.

This EP however, on 10" vinyl, was their beautiful calling card. The comparison to the Swedish Söderberg sisters, aka First Aid Kit, is valid but not to be dwelt on to excess.
In all probability this thread will have a second post, just as the album thread will have a third. Good times.

2013 In Music - Albums - Part 2

Despite what I said I might do in the last part of this review series, this is not EPs and mini- albums of 2013. It is the second tranche of 'albums of 2013'. The former category is proving far more fascinating, and therefore complex, than I imagined even a couple of weeks ago. It will have to await my attention this coming weekend. The first part afforded you one album that was largely sung in a foreign language. This will include another but the comfort is that at least both of them are sung in the same foreign language. I make no excuses about this, the links, or indeed the variety of music included. You won't catch me adding a link to NME very often but here I chose to do so:

• Danni Nicholls - A Little Redemption
• Deap Vally - Sistrionix
• Emily Barker and The Red Clay Halo - Dear River
• Ethan Johns - If Not Now Then When?
• Joanna Gruesome - Weird Sister
• Joanne Shaw Taylor - Songs From The Road
• Lanterns on the Lake - Until The Colours Run
• Phillip Henry and Hannah Martin - Mynd
• Siddi - Un Tro
• Texas - The Conversation
• Troubadour Rose - Find An Arrow
• Wild Belle - Isles

I've seen seven of these acts live, four of them more than once, and the other five are well and truly on my list of 'ones to see'. Choose your own favourite, not from these, unless you really want to do that, because it is your turn. Write about it - somewhere, anywhere legal.

The Blog Sound of 2014 – the long list.

I have to say that I'm a newbie as far as this goes. Thank-you Robin Seamer and Breaking New Waves for inviting my contribution. None of my three suggested artists/acts made the long list and in some ways I'm happy about that, for myself but also for them. If bloggers agreed about much then, sooner rather than later, the situation would be back to the hegemony of old. I'll risk suggesting that none of the artists on our lists really want that.
The artists on the long list (full version with links) is as follows:

• BANKS  
• EMBERS
• GEORGE EZRA
• HELLA BETTER DANCER
• HOCKEYSMITH
• HONEYBLOOD
• IYES
• KHUSHI
• LYLA FOY
• MARIKA HACKMAN
• MT WOLF
• ROYAL BLOOD
• RHODES
• SIVU
• SOPHIE JAMIESON
• WOLF ALICE

...an eclectic selection and I like that. There are a few acts here that I have seen live and also several of which I was completely unaware. That is also very important. Don't doubt that I shall continue to root for my nominations in 2014.

The list of blogs that were part of this exercise is as follows:

17 Seconds, A Pocket Full Of Seeds, All Noise, Alphabet Bands, Beat Surrender, Both Bars On, Brapscallions, Breaking More Waves, Brighton Music Blog, Cat From Japan, Daisy Digital, Details Of My Life, Don’t Watch Me Dancing, Dots and Dashes, Drunken Werewolf, Eaten By Monsters, Echoes and Dust, Electronic Rumours, Faded Glamour, God Is In The TV, Gold Flake Paint, Hearty Vibes, I Love Pie, In Love Not Limbo, Just Music That I Like, Killing Moon, Like 1999, Little Indie Blogs, Love Music : Love Life, Music Broke My Bones, Music Liberation, Music Like Dirt, My Band’s Better Than Your Band, My Day By Day Music, Not Many Experts, Peenko, Pop Dodger, Repeat Button, Scientists Of Sound, Scottish Fiction, Skeletory, Sleep In Music, Some Of It Is True, Sound Influx, Sounds Good To Me, Sounds Of Now Music, Sweeping The Nation, The Blue Walrus, The Devil Has The Best Tuna, The Electricity Club, The Evening’s Empire, The Mad Mackerel, The Metaphorical Boat, The Sound Of Confusion, The Underclassed, The VPME, This Must Be Pop, Thoughts On Music, When The Gramophone Rings
Check them out - this is a gold mine.
                                 
Expect more of my comments on all this, and more of my own personal reflections on the music of 2013, in the run up to Christmas. That is not to mention some other thoughts on music and prospects for 2014.

New Music 2014 - Part 2 - The Banshee and The Moon

This is in part a reflection on my thoughts about why I like listening to new music so much and also the part the festivals play in that. Back in 2008, whilst at Latitude Festival, I happened across an artist whom I had never heard of before performing on the small Sunset stage at the start of play on Sunday morning, which is the quietest of times for audiences. That artist was Tallulah Rendall and I was impressed. I took some pictures then and this is one of them.

At that time I was not so good at keeping up with new artists as perhaps I am now and I had largely forgotten about her after that. Fast-forward almost five years, to last spring and the emerging artist list for Sunrise Festival 2013. I was already minded to buy a ticket, not least as was to be held a mere five miles from home. I had however remembered the name and when Tallulah Rendall appeared on the list of artists playing that finally tipped the balance and I bought a ticket there and then.
There she played the main stage on Friday afternoon.

During this set she mentioned that she was recording a new album and revealed that it would be titled 'The Banshee and the Moon' and that it would be crowd-funded in large part. It is to be released in early 2014.

The Banshee and the Moon - Tallulah Rendall

The album is currently available only as a limited edition, signed and numbered, 12" vinyl release in a gate-fold sleeve and with a unique download code for the whole album in <.wav> format.
One to see live in 2014.

2013 In Music - Albums - Part 1

There a few subtle changes in presentation from the last three years. The lists of albums remain strictly in alphabetical order, by artist. There may however be more than two lists and indeed nobody noticed that my first 'dozen' last year was a baker's dozen in so much as it had thirteen entries!
The next list will most probably be one concerning EPs and mini-albums. On the other hand as this is so tricky, it might not. This is another category in which I have acquired an unprecedented selection this year. In no way is this intended to be a balanced list, far from it in fact and the albums in this first part are not chosen as being "better" than those in subsequent list(s): It is quite utterly biased by what has caught my attention in a lasting way in 2013.  It is vastly influenced by artists that I have seen live, either this year or somewhat previously, and I make no bones about that fact. The others are all on my list of 'ones to see live'.
Here it is:

• Caitlin Rose - The Stand-In
• Carrivick Sisters - Over The Edge
• Carthy, Hardy, Farrell, Young - Laylam
• Daisy Chapman - Shameless Winter
• Daughter - If You Leave
• Deadstring Brothers - Cannery Row
• Georgia Ruth - Week Of Pines
• Gill Sandell - Burn The Boats
• Jason Isbell - Southeastern
• Josienne Clarke and Ben Walker - Fire & Fortune
• Melrose Quartet - Fifty Verses
• Samantha Fish - Black Wind Howlin'

Comments are always most welcome!

It is what this is all about - whether negative, positive or simply mystified!  All comments are moderated (by me alone, so you know that I read them) and while I prefer it that you can put your real identity to your piece, because you should believe in what you are saying and be prepared to stand up and be counted, I will often sanction the publishing of "anonymous" comments.
Comments that are defamatory to artists or others (but not necessarily me and my choices), offensive or irrelevant will not be published.

I don't bite either. I'll attempt to answer questions and comments either directly if that is appropriate, in comments of my own or in a more general 'round-up' post.