Showing posts with label Marika Hackman. Show all posts
Showing posts with label Marika Hackman. Show all posts

Saturday, December 16, 2017

The rogue's gallery - a live music journey in 2017.

To break up the infernal list-making, much as it appeals to me, I have decided to have a bit of fun. The artists that make it on to the lists aren't necessarily those that I have had the most fun watching live. Nor, for that matter, are the artists that are not featured in lists any less deserving of attention. 
I have posted a couple of "road trips" in the last year or so. They were virtual and very rewarding to compile but also hard work.
This one, and I'll be compiling it over the next couple of days, is put together from a very different perspective. It is what I saw; vitally it is what I pointed my camera at.

It is sometimes possible to catch acts sound-checking; rarer still to capture the rituals that accompany this and so that is where we shall start. I have to say that if there is a theme here then you are probably going to have to identify it yourself.

Hinds - Far Out stage, Green Man Festival, 18 August 2017.


Two long delays, both on Sunday evenings, provided the material for these photos of acts very late on stage. This first was due to the total failure of the sound board for the stage monitors.

Marika Hackman - Tipi stage, End Of The Road Festival, 3 September 2017.


Owing to the set being delayed by six hours because of extremely adverse weather this next gig became virtually a private show for the couple of dozen of us that turned up to see it. By this time most of the potential audience had thrown in the towel and gone home wet, muddy and dispirited. I had no real reason to leave early. It also had the advantage that it no longer clashed with anything else that I wanted to see. This is amongst the very best live sets that I have witnessed in 2017 and that now numbers over 150.

Billed as Michele Stodart but The Magic Numbers in all but name. Nest stage, Truck Festival, 23 July 2017.


There is also a situation, and I guess artists feel this too, where the question is 'can it work like a dream?' I had exactly that issue with 'Hurray For The Riff Raff' at Green Man. On one hand I wanted thousands to come watch. On the other hand I wanted to be right at the front of the Mountain stage come what may. 
Even given the positive reception of 'The Navigator', Alynda Segarra took a big risk and played a full-on, politically-liberal set. It could have gone horribly wrong. It was another of the highlights of 2017 for me because it was beyond what, even in my wildest imagination I had thought it could be. The crowd swelled to a surprising size. Then the crowd started singing to her un-encouraged. It was a wonderful place to be and the sun came out. This is the point at which she couldn't really hear her own vocals any longer. Priceless.


Hurray For The Riff Raff, Mountain stage, Green Man Festival, 18 August 2017.

Sunday, November 29, 2015

My Music in 2015 - Albums - Part 1

So, with December 2015 almost upon us, it is time to kick off the season-of-lists. I'm not really convinced how important this all is despite the fact that so many of us take part in it. My rather simple reason is that it helps me take stock of the year and also that I rather enjoy putting the effort into doing the same.
I was going to keep this back for the start of December but since it was essentially complete I thought that I would share it now.

There are no systemic changes from last year. The acts in each list are grouped in alphabetical order and the number of entries in each list is ten. There is no attempt to 'rank' acts in each list, or indeed between lists (there will be at least three such lists of LPs). One thing that has changed not a jot is the influence that music I have seen live during 2015 or previously has had on the overall outcome but then perhaps remarkably there are actually four in this list that I have never seen live. Needless to say all those are very much in my sights in 2016.

I am happy if people would like to make comments and suggestions. I will be equally so if this leads anyone to find music of which they were previously either unaware of had forgotten about. If it tempts you to head out and see some live music then that is a real bonus. It is also, truth be told, quite simply the music that I really liked.
Here are the photos that I promised - one each of four artists that I took at four different festivals this summer.


Don Gallardo and Friends - Saloon stage,  Truck Festival - 18 July 2015.

Flo Morrissey (solo) - The Den stage, Cambridge Folk Festival - 2 August 2015.

Gwenno - Far Out stage, Green Man Festival - 20 August 2015.

Marika Hackman - Garden stage, End of The Road Festival - 6 September 2015.


It is fair to say that Jason Isbell comes very close to the top of the list of artists that I wish to see live in 2016. If the recorded music is not reason enough then this is why.

If you wish to look further into the music of 2015 that is in my mind then, following on from these and as I promised, here is Tracks of 2015 #3.
The second selection of LPs will likely be preceded by a selection of EPs and mini-albums sometime later this week.

Sunday, August 30, 2015

Green Man - Dyn Gwyrdd 2015 - Part 3 - The Mountain Stage

The Mountain Stage, the main one at Green Man Festival, has a strong claim to being as perfectly situated as any at a UK festival. When The Garden Stage was the main one at End Of The Road Festival, before the addition of The Woods Stage in 2012, then that was probably the one but the Mountain Stage is far bigger and its situation in an amphitheatre, the result of a long vanished country house garden and with views of the mountains (weather permitting) as a backdrop seals it. 
On early Sunday evening, with a low sun illuminating the stage, it was pretty amazing.

Jessica Staveley-Taylor of The Staves, Mountain Stage, Sunday evening.

The sun was an even rarer commodity on Saturday but during the couple of hours when it graced us with its presence one of the beneficiaries was the awesome Marika Hackman performing completely solo.
Without any doubt this set was one of the highlights of the weekend.

Indeed, Saturday afternoon on the mountain stage was on good form generally. She was followed by the always heart-warming, and every-time-better-than-the last The Leisure Society.
While, despite the release of five LPs, still not really well known in the UK Australian Darren Hanlon deserves to be more so. This was the first time I had seen him play live and it was time well spent. Songs based on observations of detail and a very special way with words.
A bonus of going to multiple festivals is that, when they share the same acts it is possible to ameliorate the situation as regards clashes somewhat. Natalie Prass, from Richmond VA, also appears this coming weekend at End Of The Road 2015.
 The other possibility, and it happened to me a couple of times last summer, is that one simply decides to see them twice!

Monday, February 02, 2015

New Music 2015 - Part 11 - 'Animal Fear': video and two forthcoming LPs

The start of February is something of a 'light the blue touch paper' moment; in large part due to the impending flood of new LPs but also the much-anticipated summer festival artist announcements.
This missive concerns two forthcoming albums by artists that I have seen live at festivals before. This is the first to be released and if the video to the first single from it (below) is to be believed the second album in this post will be a posthumous release! Both artists already have a history of somewhat unsettling songs and I'm thinking of these, 'Night Terror' and 'My Manic and I' (2007), here.
Now they are neighbours in London's East End this is what happened when Marika Hackman enlisted Laura Marling for the video to 'Animal Fear', on which she plays electric bass, and taken from the forthcoming album of the former.

'We Slept At Last' will be released on 16 February in the UK.


The video below is not for little ones to watch.




Laura Marling releases her fifth studio LP 'Short Movie' on 23 March.  Both releases, I rather suspect, will propel the cause of modern folk-pop further into untraditional territory. It is in the process of evolving into something that is in-and-of-itself. Other artists I could list here are many but one that I noticed a couple of years back is Lucy Cait and especially the 'Gabriel's Wharf EP' (2013).