My Music in 2015 - Albums - Part 1

So, with December 2015 almost upon us, it is time to kick off the season-of-lists. I'm not really convinced how important this all is despite the fact that so many of us take part in it. My rather simple reason is that it helps me take stock of the year and also that I rather enjoy putting the effort into doing the same.
I was going to keep this back for the start of December but since it was essentially complete I thought that I would share it now.

There are no systemic changes from last year. The acts in each list are grouped in alphabetical order and the number of entries in each list is ten. There is no attempt to 'rank' acts in each list, or indeed between lists (there will be at least three such lists of LPs). One thing that has changed not a jot is the influence that music I have seen live during 2015 or previously has had on the overall outcome but then perhaps remarkably there are actually four in this list that I have never seen live. Needless to say all those are very much in my sights in 2016.

• Danni Nicholls - Mockingbird Lane
• Don Gallardo - Hickory
• Flo Morrissey - Tomorrow Will Be Beautiful
• Free the Honey - Fine Bloom
• Gwenno - Y Dydd Olaf
• Hattie Briggs - Red & Gold
• The Honeycutters - Me Oh My
• Jason Isbell - Something More Than Free
• Lindi Ortega - Faded Gloryville
• Marika Hackman - We Slept At Last

I am happy if people would like to make comments and suggestions. I will be equally so if this leads anyone to find music of which they were previously either unaware of had forgotten about. If it tempts you to head out and see some live music then that is a real bonus. It is also, truth be told, quite simply the music that I really liked.
Here are the photos that I promised - one each of four artists that I took at four different festivals this summer.

Don Gallardo and Friends - Saloon stage,  Truck Festival - 18 July 2015.

Flo Morrissey (solo) - The Den stage, Cambridge Folk Festival - 2 August 2015.

Gwenno - Far Out stage, Green Man Festival - 20 August 2015.

Marika Hackman - Garden stage, End of The Road Festival - 6 September 2015.

It is fair to say that Jason Isbell comes very close to the top of the list of artists that I wish to see live in 2016. If the recorded music is not reason enough then this is why.

If you wish to look further into the music of 2015 that is in my mind then, following on from these and as I promised, here is Tracks of 2015 #3.
The second selection of LPs will likely be preceded by a selection of EPs and mini-albums sometime later this week.

Cambridge Folk Festival 2015 - Part 3 - down at The Den (with an exception)

You might have spotted that my previous post consisted entirely of acts that played the main stage and that this is uncharacteristic. You are right --- this therefore is almost all about The Den, the smallest of the four stages. It is situated in the Cherry Hinton camp site that is adjacent to the Arena and it is Indian-themed, sort of. It is also very red and translucent, which makes photography something of a challenge. I'm not making excuses here, it is for you to judge how I coped with that but it was certainly an issue; an interesting one, however. The music, even if the artists were lesser known, was uniformly awesome.
Here are a few of my highlights; I missed several acts that I would like to have seen, because of clashes, but that is only to be expected.
This first one was someone that I first thought was totally unknown to me. When he started playing I realised that this was not so - simply that I didn't know or had somehow forgotten his name.

Jake Isaac - remember him. I will now. 

His 2014 War Child EP might be a good place to start.

The advertised acts on Saturday evening (there are open slots thereafter) were rounded out by Hampshire-based eight-piece Threepenny Bit, which just about fitted on the stage. Here is just tree farthings (or a quarter of part of it), caught between playing their parts.

From one rowdy band to another...
I have also swapped days and stages, for this is now Sunday evening in The Club Tent.

From Canterbury, Kent  ---  CoCo and The Butterfields.

Finally, returning to The Den again, this is London artist Flo Morrissey (no relation of the other Morrissey, as she mentioned, and tinged with regret I think, whilst introducing a cover of one of his songs). Most of what she played was from her recent début album 'Tomorrow Will Be Beautiful'.

I have mentioned this LP before. Seen and heard live and close it is almost surreal.
Flo Morrissey also plays End Of The Road 2015.

Listen, seek, read and wait - in no particular order

This is something that could never have been planned. Last Thursday it was my birthday and I didn't have much idea of a present that I might buy for myself.  Yesterday, as I was taking a day off work, I walked into town in the summer sunshine with the main reason that I wanted to purchase tickets for King King live in November.
I was in no particular hurry to get home and decided to poke about in the various charity shops on my way back. Just sometimes interesting railway books are to be found languishing on the shelves, but not on this occasion.
It turned out however to be a decision that gave me a birthday present to myself for next to nothing. I have been collecting such things for a while. I remember being introduced to the music of Bob Dylan by Radio Caroline in the early 1980s when I was a student at UKC. It may have taken me the better part of thirty years to catch up with this release, the much reviled electric-one, but better late than never.
Then there was a problem - how much would it cost. I didn't want to look too excited or draw attention to the particular one that I had found in a newly-arrived box of fifteen vinyl records.
I enquired and some vacillation followed. In the end I offered £20 for the lot as an opening gambit. It was accepted immediately and I headed home with a box that was heavy to carry even with handles made of parcel tape by the staff in the shop.

It is Columbia CS 9189 - the original US release from August 1965. There have been many other releases of it subsequently, even on vinyl. The first song on it is 'Like A Rolling Stone' and it was recorded for the album on 15 June 1965 (so fifty years to the day). Columbia doubted its viability as a single as it is over six minutes long; it remains Dylan's best selling single.

At the other end of the time scale is this: Flo Morrissey is an artist who, at just twenty, seems to have wandered out of Laurel Canyon without ageing in the intervening decades to release her début album Tomorrow Will Be Beautiful on Glassnote.

Tomorrow Will Be Beautiful is not the perfect album but in a way it would be worrisome if it were. It's title might indeed allude to that. There is far too much pressure on new artists now.
This is 'Sleeplessly Dreaming', live.


It is however a thing of rare vision. Few realised the importance of Bob Dylan or Joni Mitchell at first. Flo Morrissey played Green Man Festival last year but I didn't see her play. This was a big mistake but then again I can't be in more than one place at a time. She plays End of The Road 2015 and I shall be there watching and listening.