New Music 2016 - Part 54 - Yola Carter - Orphan Offering

Another post and another perspective.  This is released next week and the excitement around it is as deserved as it is palpable. What it is not is the sudden appearance of a new artist.  A change of moniker, yes, but still the star that she always was.

Yolanda Quarty as she was then known is a singer and, very importantly, a song writer from just outside of the Bristol metropolitan area of the UK. Far enough outside the city, which is significantly multicultural, to be a real problem. She toured the world as vocalist with Massive Attack, playing to crowds numbered in the tens-of-thousands, but that was no outlet for her song-writing.  She also became the lead vocalist and songwriter of a band called Phantom Limb. Yes they were good, very good indeed.
I first saw Phantom Limb live when they played The Griffin in Frome one Sunday afternoon in August 2008 playing to an audience of tens (just a few tens). I wrote about that here. They recorded two studio albums, Phantom Limb and The Pines (2012) as well as Live in Bristol (2009).

Now Yola Carter is the new best thing. This is her, writing for herself, with a band chosen to make that what she wants it to be. 
My first comment is that it is amazing. It doesn't really matter if you have or have not heard the earlier works but you might well find them interesting. There are some stunning songs on both LPs and the live versions certainly don't disappoint. In fact that is the way to seek them. Yola Carter is therefore very much towards the top of my list of artists to see live in 2017.

Yola Carter - Orphan Offering (Ear Trumpet Records, 1 November 2016).

Yola Carter - Orphan Offering:

• Home
• What You Do
• Orphan Country
• Heed My Words
• Dead and Gone
• Fly Away

Orphan country, live at The Golden Lion, 244 Gloucester Road, Bishopston, Bristol. I'm not sure who is playing percussion here but that aside, l - r, this comprises Nuala Honan (guitar), Kit Hawes (guitar), Yola Carter (lead vocals), Beth Porter ('cello) and Aaron Catlow (fiddle).

2012 In Music - Albums - Part 1

No real change in presentation here from the last two years; two lists of a dozen albums each and both strictly in order alphabetical by artist. In no way is this intended to be a balanced list, far from it in fact: It is quite utterly biased to what has caught my attention in a lasting way in 2012.  It is vastly influenced by artists that I have seen live, either this year or somewhat previously, and I make no bones about that fact. Here it is:

• Alabama Shakes - Boys and Girls
• Awna Teixeira - Where The Darkness Goes
• Bex Marshall - The House of Mercy
• Boy - Mutual Friends
• Cowbois Rhos Botwnnog - Draw Dros Y Mynydd
• Ellen and The Escapades - All The Crooked Things
• First Aid Kit - The Lion's Roar
• Hurray For The Riff Raff - Watch Out Mama
• Joanne Shaw Taylor - Almost Always Never
• Karine Polwart - Traces
• Phantom Limb - The Pines
• The Tatsmiths - Curiosity Shop
• Trailer Trash Tracys - Ester

Please feel quite free to add comments, queries, suggestions or questions. It is what this is all about, whether negative, positive or simply mystified!  All comments are moderated (by me alone, so you know that I read them) and while I prefer it that you can put your real identity to your piece, because you should believe in what you are saying and be prepared to stand up and be counted, I will sanction the publishing of "anonymous" comments. Comments that are defamatory, offensive or totally irrelevant will not be published.

I don't bite either. I'll attempt to answer questions and comments either in comments of my own in reply or in a more general 'round-up' post.

I intend to post the second of these lists later this coming weekend. I am intending to add links to related content in both the above mentioned posts as soon as I can.  It is my intention to deal with the ever more interesting category of "EPs and mini-albums" in the meanwhile and I'd like to do that as a post complete with such links from the get-go.

New Music 2012 - Part 1 - Phantom Limb - The Pines

Where better to start than with this?  'The Pines', released in the UK on February 13, is the second studio album by Bristol-based Phantom Limb and the follow up to their 2008 eponymous début. The more recently released 'Live In Bristol' only me makes me want to hear this LP more, and then live once again.

It has long escaped me why Phantom Limb is not already better known. This, I would like to think, is the album that will finally make amends for there is nothing even two-dimensional about the whole deal: A remarkable vocalist for sure, but most importantly a band that is supremely able to cope with the considerable demands she places on them. Better still is the song-writing and the arrangement is top-drawer.

  

February 9, 2012.

The reviewer at The Independent (London) seems to like it too...

http://www.independent.co.uk/arts-entertainment/music/reviews/album-phantom-limb-the-pines-naim-edge-6699396.html

Withering Bones - and other lyric considerations

I have promised far more lyrics than I have delivered, particularly recently, and I am well aware of this shortcoming. This is my best attempt at one, the detail of which still defeats me, that has been asked after more than a few times...  In this case I really, really would like some help here.  It is a song from the self-titled début LP from a band that I sincerely hope we will hear more of in 2011. I know that they have been working (at least in part in LA) on their second during 2010 and that band is 'Phantom Limb'.

Withering Bones
  
I don't want to fade into withering bones
No, I don't want to die alone
But I won't be pulled asunder by a mean old lover
So I guess I'll be waiting on the stone.
  
I don't want the thorns without the rose
No, I don't want to die in vain
I'm gonna buy my family a house in the country
So I guess I'll be waiting for that day.


What comes after this I am quite unsure about, even though I have heard it performed live on at least three occasions...  I'm not convinced that it is not, at least to some extent, variable ad-lib when performed live and that is perfectly reasonable.  The real problem is that I can't figure the album version with any degree of confidence either.  I can persuade myself of the veracity of various versions but in no sense am I confident in any of them; let alone in choosing a particular one from amongst them.
It is a great song - one of the highlights on a vastly under-rated album - but I have to admit defeat by Yolanda Quarty's song writing and vocals on this one, at least for now.

Don't Say A Word - Phantom Limb

Don't Say A Word


Don't say a word
For I've already heard
It feels so good
But don't feel like it should
So don't say a word
Cos I've already heard
You are sweetness and charm
Without loving arms.

You are a soldier
Swimming up-stream
You are a shoulder
On which I should lean.
From what I can remember
You always looked keen
With the shimmer of the last
Fallin' light summer rain.

Don't say a word
For I've already heard
It feels so good
But don't feel like it should
So don't say a word
Cos I've already heard
You are sweetness and charm
Without loving arms.

You are the proud one,
Looking at me
Softly in the eyes
And rosy your cheeks
From what I can remember
You were never lame
Just a haze and a memory
And a distant pray.

Don't say a word
For I've already heard
It feels so good
But don't feel like it should
So don't say a word
Cos I've already heard
You are sweetness and charm
Without loving arms.

Don't say a word
Don't say a word
All I need is you love
Don't say a word

Don't say a word
For I've already heard
It feels so good
But don't feel like it should
So don't say a word
Cos I've already heard
You are sweetness and charm
Without loving arms.

Someone asked about this song and its lyric yesterday. Given this evening's frustration with posting images, etc. a bit of ab initio lyric-divining seemed quite an attractive alternative. The above is what I think the lyric is. I have listened to the album version many times - including several times just now - and also seen the band live on three occasions too. There may be variations, not least because of inaccuracies of transcription on my part, but also in live performances. If you get a chance to see Phantom Limb live then take it!

The new studio album is much awaited (the above is from their first, the self-titled Phantom Limb) and there is also a live album, recorded in their home city of Bristol in 2009.  Another outstanding track from this album, never more so than when performed live, is 'Withering Bones'; I might well add the lyric for that tomorrow.

Lyrics again - not just my obsession?

I love it that so many like lyrics too but it has certainly proven rather more of an interest than I imagined. I thought, when I first mentioned the matter, that all was doing was setting myself up for ridicule because it was merely of foible of mine.
It would seem that I was much mistaken. I will try to do my best but the list of requests is becoming as interesting as it is daunting, even for those that I have a reasonable chance of doing.  Here is today's list and they are all from albums that I have mentioned before and thus have only myself to blame.


'The Green Fields Of Canada' - Planxty (1974)
'Don't Say A Word' - Phantom Limb (2008)
Deranged - Stacee Lawson (2008)
That's a whole album, 'Deranged', and two songs. That is quite a lot of lyrics to do, so please don't expect them tomorrow!


Stacee Lawson's 'Deranged' includes a rather worthwhile cover of Edie Brickell and the New Bohemians' 'What I Am', originally from the equally worthwhile album 'Shooting Rubber Bands At The Stars' (1988).
Phantom Limb, while from Bristol more or less, are in LA and recording their second album.
The Facebook site I use-music-as-an-escape-from-my-problems has its merits too but is struggling, if not for attention then certainly diversity.  If anyone feels like writing a bit about music; any music that you like is just fine (or even that which you don't), and why, please feel free to join in and add something.  It is not a scary prospect, I can assure you of that, and if you choose to add something slightly challenging then that is all the better.

Life live?

Two venues and five bands in six hours is a good deal however you view it. That it all took place within a fifteen minute walk from home is just a dream scenario. The supposedly showery weather did not materialise for the International Food Event - I had Kenyan fried chicken with spicy accompaniments and, while rather beyond my usual menu choices, it was totally delicious.

The weather was near perfect and the turn-out was quite amazing. The first band was Praying For The Rain and even that couldn't make it happen... The next band, Phantom Limb, could probably invoke a hurricane without warning if they so wished with their unashamed tales of death and despair... and that couldn't do it either.

... but gathered a young following regardless.
This was the final song 'Withering Bones'.

Time to head over to the Cheese & Grain for Acoustic Plus not least because there is not another until September. I got there just in time to hear the last four tracks of the first set:

Ruby Brown live at Acoustic Plus, Frome , Cheese & Grain - 4 July 2009.

Next up, The Rusticles playing energetic cross-genre tunes of their own devising...

and to wind the evening up some funk rock from their début album.

I'll Be On The Common - Port Erin

www.myspace.com/porterin

Black Is The New Black

Note added 18 May 2009:
***Nancy Black live in Frome - 5 June 2009 as part of Acoustic Plus at the Cheese and Grain***

Yesterday I mentioned the part that traditional music shops still have to play in the current music environment. One aspect that has changed immeasurably in the digital age is one that is as new and as revolutionary as downloading and yet less often mentioned in wider circles. What is that?
Well, for better or for worse, you are reading one of many manifestations of it!
User created digital content has just made the sharing of music easy and global, it has done the same for the sharing of information about it. Barely a decade ago the truism was that 'everyone is local to somewhere' now, thanks to the internet, it might better be summed up as 'anyone is local everywhere', or at least have we have the means to exploit that potential if that is what we want to attempt.
If you hear a band or album that surprises you can review it for an audience of millions - almost instantly and for next to no cost except your time and effort. The obvious question I think is this: "Isn't that too good to be true?"
"Yes and no" is my unhelpful but considered answer. If I can have my opinion I have to accept that you can have yours too, that you can let me know it, and that we might not agree. That is part of the bargain and why I will publish comments to this blog even if I don't actually agree with them. One outcome that critics levelled at this explosion of content, be it MySpace or customer reviews on Amazon or blogs, was that it would create homogeneity based on the lowest common-denominator. It might not be thus if I were a music critic by profession, but from my point of view it has been anything but that way. Everyone is still local to somewhere, just now I know about artists that in the earlier situation I would almost certainly never knew existed.

Add to that is the fact that there is plenty of local live music worth hearing. I have mentioned Bristol-based Phantom Limb before and their gigs at the Griffin Inn are already local legend and they play there again on 2 April 2009.
The previous evening, and just a couple of minutes stroll away, is the opportunity to see another local act that is gathering good reviews from further afield:

www.myspace.com/nancyblackmusic

Is the hype justified? I'd say that it is.

On the subject of hyped artists or acts one that most certainly has been so in recent months is London's Florence and the Machine, so you might think that new releases are easily available in the UK. Well that is not quite so, and another example of the fact that it has not become a case of one-size-fits-all globalisation. I have the A Lot Of Love, A Lot Of Blood 12" EP on pre-order...

...and while it is from Puregroove in London, is a US import item only!

Happy New Year 2009

What is happy about 2009, you might ask? Well you have three options:

• I'm an optimist
• I'm resorting to escapism
• I'm doing both

Well, in my first post of last year I didn't include 'happy' and look what happened in the world in 2008. Not all of it was bad of course but I'd rather be one looking forward in anticipation than that dwelling on what happened (or didn't) and fortunately music lends itself to this approach.

This is thus my thoughts on 'New Music - Part 1' What to look forward to in 2009. I have just pre-ordered my first 2009 release and it is the curiously titled début album by a band I mentioned last summer, having seen them live at Latitude 2008, and that is The Joy Formidable.

A Balloon Called Moaning - The Joy Formidable
UK release: 9th February 2009

This is the first 2009 album that I have ordered so far and I rather hope that it will be just the first of many. That looks likely because 'Two Suns', Bat For Lashes' second album, is set for an early April 2009 release, which will then be followed by a short UK tour. Music in 2009 will provide endless surprises and even the main reviewers know that, sometimes.
Pop, and curious fantasy, will be prominent again - Victoria Hesketh who (after many band-related trials and tribulations) seems to be the main stream reviewers' favourite in her true-self incarnation 'Little Boots'; likewise I've already mentioned Florence Welch (and The Machine) and that could be pretty scary until you add the apparently cute, but often lyrically shocking, SoKo (newly a singer and songwriter but long an all-round performance-artist, Stephanie Sokolinski) to the list whereupon 2009 starts to look decidedly special and that is that is just for starters! [See here for a recent review of her performing live and here for my review of her set at Latitude 2008.]
I will mention Phantom Limb again. I want to remind you about the album and point out that they are performing live at The Griffin in Frome, where they are already something of a phenomenon, on Friday 16th January 2008. If things go the way they should then in six months time that will no longer be possible! Then again it is a little luxury to live within walking distance of a pub that brews its own beers and has its own MySpace page!

Phantom Limb

Spending much of Sunday afternoon in the pub is pretty decadent, and something I very rarely do, but I have to say that The Griffin is in my opinion the best pub in Frome, which has quite a few to choose from, and not least because it has its own on-site brewery. In this instance it was simply the music that clinched it!
This Bristol-based six-piece have been stirring up favourable comment since SXSW 2008, and thus a Glastonbury booking on the Jazz/World Stage, where their largely acoustic southern soul/blues caused quite a stir. It also resulted in a record deal with Irish label Naim Edge. The really impressive thing is their innate virtuosity. Their début album comprises only original compositions, recorded and mastered in Bristol and Monmouth, and was released on August 25, 2008. The vinyl release, also mastered and cut in Bristol, is to follow on September 15, 2008.

The Griffin was far too crowded to take any worthwhile photos, given that it is not huge and Phantom Limb are a six-piece band so that takes up space, but the music was quite amazing. Lead vocalist Yolanda Quarty also provides about half the vocals on the forthcoming Massive Attack album, and has toured worldwide with the same, but trip-hop this is not and they could well lose her to this project, for which she also writes the majority of the lyrics, simply because her voice and the musicians suit the material so well.

The band is something approaching a Bristol 'super-group' and it seems oddly fitting that one of Bristol's premier music venues is a pub called The Louisiana. Check out the album:

1. Don't Say A Word
2. Withering Bones
3. I'll Never Be The Same
4. My Love Has Gone
5. Playing With Death
6. Run
7. Good Fortune
8. We Will Carry
9. Spring Flowers
10. The Hard Way

This is the track list but I couldn't tell you which ones that I like most as I simply haven't decided yet, and when I do I'll probably change my mind.