Bella Union is 15 (Part 2) - EOTR 2012

It has certainly taken me a little longer than I intended to put this, the second half of my account of Friday at End Of The Road Festival (EOTR), together but my ambition increased as I was writing the first part and I decided to include some stuff about bands that were performing but that for reasons of clashes I was unable to catch on August 31 but have had the good fortune to see live at other recent festivals.
I am indeed going to start with one of them, London four-piece 'Veronica Falls', fronted by Roxanne Clifford that appeared on the Big Top Stage at 20:30 on Friday (whilst I was watching 'The Low Anthem' on The Garden Stage).
Here they are performing at the first No Direction Home Festival at Welbeck Abbey back in June this year - a festival that has the same team as EOTR behind it.

  

They were excellent then, notably including several new songs not on the album, and I heard similarly good reports about their more recent performance at End Of The Road.

    

The act that had preceded them on this stage at EOTR was the Swedish electro-gaze duo of Fredrik Balck and Maria Lindén, with bass and drums for the live gig, otherwise known as 'I Break Horses' and touring their 2011 début album 'Hearts'. It proved to be a quite fascinating dichotomy. Whilst on the recorded version, to which I am listening as I write this, the music is really rather soothing and fittingly autumnal - evoking mists and mellow fruitfulness - the same proposition live is by turns squally and unpredictable; decidedly that of the darker side of autumn, of gales and lashing rain but also sudden, striking glimpses of the sun. Given the recent renewed interest in releasing live albums, which really ought to be the basis of a future post, this would certainly be an interesting prospect.

'I Break Horses', The Big Top Stage, EOTR 2012 performing Winter Beats.

  

The first Bella Union act to grace a stage on Friday was a four piece from Oklahoma that, in terms of live music certainly, was quite new to me. I was impressed...

'Horse Thief' live on the Big Top Stage at about 11:55 on Friday morning.

So good in fact that one way and another I saw them play two complete sets within the same calendar day - and there aren't very many acts or artists about which I can say that.

As for the next band what can I say? It is the third time I have seen them live at EOTR in four years... It is of course 'The Low Anthem'...

On the Garden Stage, where else, at 20:20 on Friday.

  

Then came the really big decision. 'Midlake ' headlining The Garden Stage at 21:45 or 'Beach House' doing that duty on the Woods Stage from 21:30. This was for me one of the easier decisions of the day and there was no chance that it would be anything other than watching all of one or all of the other. I have seen 'Midlake' twice live but never Baltimore's 'Beach House'...

'Beach House', The Woods Stage at EOTR 2012 at 22:03 Friday evening.

        

This was one set, of only a few, where I had no particular interest in being right at the front --- for me it was almost entirely about the music performed live and it certainly did not disappoint.

When they came off stage, at about 11pm, there came the realization that it was now 11 hours of live music today and with four hours more still to go - and then to do it all over again for the next two days.

New Music 2011 - Part 4 - Smart Flesh - The Low Anthem

Well I knew it was well in hand by the time I returned from EOTR 2010 almost exactly two months ago.  It seems such a long time but now what I said then is finally to become reality.

Recorded in disused industrial premises in Providence, RI it is to be entitled Smart Flesh. The current release date on Nonesuch/Bella Union (in the UK) is February 21, 2011 and I for one can't wait. They played some of the putative tracks from it live at EOTR 2010 and, oh my God Charlie Darwin, they were so good once again!


Other recent and relevant posts:
The Pirates of Providence...Low Anthem @ EOTR 2010
While I'm on this general subject their cover of 'Ghost Woman Blues' (George Carter, 1929) is something of an ear-opener.

Further posts on New Music 2011:
Part 1  ---  Esben and The Witch
Part 2  ---  Yuck

Part 3  ---  Duke Spirit
Part 5  ---  Go!Team
Part 6  ---  Rhosyn
Part 7  ---  Emily Barker and The Red Clay Halo
Part 8  ---  Those Dancing Days
Part 9  ---  Some things I am looking forward to.
Part 10  ---  More things I am looking forward to.
Part 11  ---  New Heads On Old Shoulders?
Part 12  ---  Snowglobe - Jesca Hoop
Part 13  ---  Queen of the Minor Key

The Low Anthem - EOTR 2010 - Part 5

As it was at the End Of The Road 2009, so it was at the End Of The Road 2010.
While they hail from Providence RI, the band seems to have adopted Larmer Tree Gardens as their second home and they are seemingly busier, and certainly better, than ever. They appeared, often in part and/or with others, in many places and many guises.

These pictures are simply The Low Anthem using instruments as is their voluble wont.

A particularly notable other was former Low Anthem band-member Daniel Lefkowitz, who also performed his own live material in a separate set: there is clearly no hard feeling on either side and that is amply attested by the production credits on his forthcoming début solo album.

In addition to such obvious favourites as 'Charlie Darwin', 'Ticket Taker' and 'To The Ghosts Who Write History Books', they performed a rousing version of  'This God Damn House', a song that he wrote when he was a member of the band.
Equally interesting were the songs-as-yet-unreleased. In part at least, and this is no secret it would seem, destined for the forthcoming third album. I thought that they sounded good.
Far be it from me to even try and second-guess what the album might sound like - The Low Anthem is far too talented and unpredictable for that - but on the other hand I'd wager that whatever it turns out to be I'll like it nonetheless.

EOTR and The Pirates of Providence...

I wasn't planning to put a finger to the keyboard about EOTR 2010 until Wednesday at the earliest but you, whoever you are,  just got the better of me by asking the right question.
Low Anthem and friends in the Tipi Tent -  and so what's not to like!  My pictures aren't much good but since you asked here is one of them taken early on in the proceedings. 

This is just one of the many things that makes EOTR unique...

End Of The Road 2010

'New Pornographers' will swap the ice-hockey rink for Larmer Tree Gardens in September 2010.

They will be joined, inter alia, by the following confirmed acts:

The Mountain Goats, The Low Anthem, Iron & Wine, Black Mountain, Wilco

Dengue Fever -- Felice Brothers -- The Unthanks

AA Bondy, The Antlers, Elliott Brood, Cate Le Bon, Citay, Cymbals Eat Guitars, Daredevil Christopher Wright, Deer Tick, Diane Cluck with Anders Griffen, Django Django, DON’T MOVE!, Frank Fairfield, Forest Fire, Jonny Kearney & Lucy Farrell, Ladyhawke, Jessica Lea Mayfield, Mountain Man, Nurses, Papercuts, Phosphorescent, Joe Pug, The Ruby Suns, Snowman, The Fresh & Onlys, Timber Timbre, The Wilderness Of Manitoba...

...and a whole lot more yet to be revealed. Tickets are on sale now:
http://www.endoftheroadfestival.com/tickets/

It is all looking pretty good... I'm going to add links to the artists when and where I can, not least because I enjoyed and appreciated reading them myself. They are not intended to be definitive, and certainly not comprehensive, rather a guide to how I understand the chosen artists might relate one to another.

One of the many outstanding performances of EOTR 2009 was that by 'The Low Anthem' on the Garden Stage on a glorious, sunny Saturday afternoon and they are to return in 2010.

For those who are still doubters...

Charlie Darwin

Set the sails I feel the winds a'stirring

Toward the bright horizon set the way

Cast your wreckless dreams upon our Mayflower

Haven from the world and her decay

And who could heed the words of Charlie Darwin

Fighting for a system built to fail

Spooning water from their broken vessels

As far as I can see there is no land

Oh my god, the water's all around us

Oh my god, it's all around

And who could heed the words of Charlie Darwin

The lords of war just profit from decay

And trade their children's promise for the jingle

The way we trade our hard earned time for pay

Oh my god, the water's cold and shapeless

Oh my god, it's all around

Oh my god, life is cold and formless

Oh my god, it's all around.

That is just the first track of many but do you yet know (2007 album) What The Crow

Brings?

Set the sails and feel the winds stirring... live in 2009

I left this category - Live Performances of 2009 - towards the end because I thought it would be amongst the easier ones to solve. Oh, how wrong could I be? These are all acts that I have seen live, in a few cases more than once, in 2009 and yet I still can't choose between them.

It has proven an invidious task to whittle the list down to ten, with some pictures to follow soon I intend, and here alphabetically is that list.

• Alela Diane
• Bat For Lashes
• Bellowhead
• Gossip
• Imelda May
• Ladyhawke
• Low Anthem
• Ohbijou
• Recode
• School Of Seven Bells

'Set the sails and feel the winds a-stirring
and towards the bright horizon sail away.'

I could do this list all over again, twice more with no items repeated, and still be quite happy with it. That just shows what I think about live music in 2009.

Note added March 15, 2010:

For more about 'Low Anthem' see here: For new info on 'The Low Anthem' see here:

http://rpgreenhalgh.blogspot.com/2010/03/for-those-who-are-still-doubters.html

Note added December, 8:

The more I think about it the more tempting it becomes.

Music I Want In 2009 - Part 10 - Infinite Light

Well we might not be getting 'the barbeque summer' that back in the spring we were promised would be ours to lift the mood, at least here in the rain-sodden UK, but not all is bad. August may traditionally be a quiet time for new releases, particularly of albums, but here are a few that I would like...
From Canada - and arguably where else - comes this.

Amber Webber and Joshua Wells - both also members of 'Black Mountain' - return with a second album release from their side-project 'Lightning Dust', the first of which was the self-titled album that I have mentioned before and, very importantly, still love to bits. Infinite Light is, as was the first album, released (yesterday in the UK and today in the US and Canada) by Jagjaguwar Records and is available on 12" LP, CD and download.

Now jump continents, and styles, as here is Sweden's First Aid Kit that was unfortunately a last-minute no-show at Latitude 2009. All is not lost on the live front as they are appearing at the 'End Of The Road Festival' in September, along with many other acts I want to see, and so I'll be there too.

Live at Puregroove Records, London. Better pictures soon I hope!

The 8-track 'Drunken Trees EP' (more of a mini-album really) is available on vinyl too and although in part currently best known for an act of breathtaking bravado --- covering Fleet Foxes' Tiger Mountain Peasant Song barely months after its original release --- they have thus been compared with Seattle's 'Fleet Foxes' and also their 2009 heirs and successors, Providence, RI based 'The Low Anthem' --- but they did more than simply got-away-with-it. Unlike the other two aforementioned, who are signed to Bella Union in the UK, they were snapped up by UK indie label Wichita Recordings.

Maybe, decades later, they still have somebody who can spot such things? I hope so...

I hear you singin' in the wire,

I can hear you through the whine

And the Wichita lineman

Is still on the line.

Whatever the truth this recording suggests that they could get along just fine in such company because the self-written tracks are also pretty special too, so now the surprise factor...

They are two sisters from Stockholm, with a combined age of thirty-five and a remakable world-weary take on music for two so young. In a truly inspired piece of booking, doubtless done months ago when what I have just written was far from obvious, all three bands are on the bill for 'The End Of The Road'!

I've plenty more to add, including more fascinating developments in the pipeline from Bella Union, but this post is getting long enough and unfortunately I have rather more important, but much less interesting, things to do just now.

Spoiled for choice... a new dilemma.

Whatever things might be wrong in my world finding, or simply being notified of, new music isn't usually one of them. In one sense it is almost becoming a problem of its own - what to do about it all - but then that is a positive as music is, at least in part, an escape from reality so to be confronted with a different problem is a change if not a rest.

To illustrate that point here are two items. Firstly UK act Blackbud, local to this part of England as it happens, about which I was asked today (by someone in the US) and the second that I was told about today (a US act as it happens) that I had never heard of before and quite fortunately they are not directly comparable.

Released in 2006 this really should be better known. To say that it is traditional rock is something of an injustice and not least because every track on it is an original composition. That would not matter if it were no good but in fact some songs are so surprising that it merely begs the question "why were they not written before?" It is rock, laid back rock, yes, but certainly not asleep. The illustration is actually that of the 12" LP release (ISOM62LP - Independiente Records, 2006).

On the other hand I learned about this today and it is released in the US tomorrow!

The Low Anthem - Oh My God, Charlie Darwin

The multi-instrumentalist threesome (Ben Knox Miller, Jeff Prystowsky and Jocie Adams) are from Providence, RI and went as far from civilisation as is possible in Rhode Island to record this acoustic album in winter. I gather that, and the data is plentiful, it is a masterwork of modern acoustica. It is available from the US on vinyl and so, as an indulgence, it is my birthday present to myself.

It won't be the end of the problems though...

...it is hard enough to keep in touch with UK new releases and this is one that isn't.
Little known over here it is, however, amazingly good.