The rogue's gallery - and thinking about 2018 festivals
I had so much fun putting the first of these together that I was looking for any excuse to do something similar. A cold, wet day spent doing household chores and backing up the computer prompted me to look at more of the pictures of music that I have taken over the last decade or so. In turn this has inclined me to think about some festival plans for 2018.
There is no obvious place to start this but it has reminded me of several artists that I have seen live but not thought about more recently.
Cate Le Bon, Garden stage, End Of The Road 2014.
What was this all about? There's nothing like a band going off on a whim. Particularly if the result is leaving your drummer lost, head-in-hands. It's even better when it unfolds in front of you.
There is no obvious end to this either. Festivals became something I was curious about. Therefore I had to go and see why there was so much fuss made about them. That finally happened in July 2007 with a trip to Latitude.
Photography was something that came with that because it seemed a convenient way to remind me what I had seen live. It was thus but it only partly served to overcome my lack of note-taking and the fact that the great majority of acts that I saw were ones that I had never even heard-of, let alone heard live or otherwise at the start of the respective set. Rather importantly I had a great time that weekend despite more than a few misgivings about the venture of solo festival attendance the nearer I got to actually having to deal with it.
In time it, both festivals and photography, turned out to be a greater deal than that. It is certain that the Garden stage at End Of The Road Festival is extremely influential in this.
Photography was something that came with that because it seemed a convenient way to remind me what I had seen live. It was thus but it only partly served to overcome my lack of note-taking and the fact that the great majority of acts that I saw were ones that I had never even heard-of, let alone heard live or otherwise at the start of the respective set. Rather importantly I had a great time that weekend despite more than a few misgivings about the venture of solo festival attendance the nearer I got to actually having to deal with it.
In time it, both festivals and photography, turned out to be a greater deal than that. It is certain that the Garden stage at End Of The Road Festival is extremely influential in this.
The same stage three years later...
Julia Jacklin returned. She had played the Tipi stage at End Of The Road 2016. 3 September 2017.
What was this all about? There's nothing like a band going off on a whim. Particularly if the result is leaving your drummer lost, head-in-hands. It's even better when it unfolds in front of you.
Hinds, Far Out stage, Green Man Festival, 18 August 2017.
Welcome to live music. This is why it is so much fun. Sometimes I scare myself, if only retrospectively. I made a complete dog's breakfast of taking pictures of Holly Macve when she played the Sunday opening slot on The Garden stage at End Of The Road 2016. I got another chance... and possibly I did a little better this time.
Holly Macve - Mountain stage, Green Man Festival, 20 August 2017.
I'm sure that there will be some more trips back down memory lane as I consider festival options for 2018.
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