Life live?

Two venues and five bands in six hours is a good deal however you view it. That it all took place within a fifteen minute walk from home is just a dream scenario. The supposedly showery weather did not materialise for the International Food Event - I had Kenyan fried chicken with spicy accompaniments and, while rather beyond my usual menu choices, it was totally delicious.

The weather was near perfect and the turn-out was quite amazing. The first band was Praying For The Rain and even that couldn't make it happen... The next band, Phantom Limb, could probably invoke a hurricane without warning if they so wished with their unashamed tales of death and despair... and that couldn't do it either.

... but gathered a young following regardless.
This was the final song 'Withering Bones'.

Time to head over to the Cheese & Grain for Acoustic Plus not least because there is not another until September. I got there just in time to hear the last four tracks of the first set:

Ruby Brown live at Acoustic Plus, Frome , Cheese & Grain - 4 July 2009.

Next up, The Rusticles playing energetic cross-genre tunes of their own devising...

and to wind the evening up some funk rock from their début album.

I'll Be On The Common - Port Erin

www.myspace.com/porterin

Yeah So?

It is almost as far as is imaginable from the boisterous indie of Arctic Monkeys but no less genuine for it - Slow Club is the other shimmering face of Sheffield indie music. They are appearing at Latitude 2009 for a third successive year, which may be a record, and this time it is just after the release of their first album, Yeah So, (Moshi Moshi, release date 6 July 2009)!

and then they are off to tour it in the US and Canada.

More links, including the lyric for the 2008 EP Let's Fall Back In Love:

http://rpgreenhalgh.blogspot.com/2008/09/lets-fall-back-in-love.html

http://rpgreenhalgh.blogspot.com/2008/09/to-whoever-just-asked-about-slow-club.html

London, band, Kelly White, Glastonbury...

For those looking for information try here:

The Equations are the band - Kelly White is a member of it - and Amy Turnnidge is Theoretical Girl. Watch out for the début album in August... they are now signed to Memphis Industries.

From The Outside Looking In - Glastonbury 2009

There has been some fuss in the press today. It is said that the BBC spent as much at £5 million on their coverage of Glastonbury across TV, radio and on-line. How many millions do they spend annually on soaps and sport, none of which I watch? I don't watch much TV as a rule, but I certainly still pay the same licence fee. This weekend I watched enough to almost make it worth it alone. I'm not saying that everyone should feel the same way but I'd like to thank the BBC - this is precisely the never-ending dilemma faced by a public-service broadcaster. Please stick to your guns...

This must be also true of choosing acts for a festival but from all accounts it was quite some festival, even by it's own standards. There was rain, and the concomitant mud, but only in reasonable proportions and would it be the same without it?

Starting as it didn't go on... Friday dawns over one of the many camp sites.

The festival atmosphere should electrify but someone left the charger on too long. By lunch time on Friday the sun had appeared and so it remained for all three days! Thanks to all the aforementioned BBC coverage I soon came to one conclusion - I should have tried to get a ticket!

I thought all three headline acts were excellent and enjoyed every moment of each. What however impressed more was just how much the newer acts were gathering coverage and large crowds. The Yeah, Yeah, Yeahs - though not very new as they recently released their third LP, It's Blitz, were show-stopping. Three genuinely new artists in 2009 were:

La Roux, whose début album would have been a run-away at the top of the UK charts on Sunday were it not for the demise of Michael Jackson. As it was it made #2, which was an incredible result for the duo of Elly Jackson and Ben Langmaid and single 'In For The Kill' has already become one of the signature sounds of 2009.

Little Boots was another obvious winner and also deservedly so I think.

The third artist that I put in this category will be no surprise either, even though that first album, 'Lungs', is not physically released until this coming Monday (in the UK). Florence and The Machine were simply on another planet.

It would be hard to persuade anyone who had come across them for the first time, that fifteen months ago they were almost unknown outside South London. As well as the main set, which was on TV, they also recorded an acoustic BBC6 Music Hub Session on Friday:

BBC6 Music DJ was Cerys Matthews and she joined them for a duet with Florence Welch.

The Green Fields of Canada...

I still wonder how they do it...

The track that is the title of this post is actually a traditional song - I have two recorded versions of it and neither are by Canadians. They are from the following albums both of which I can recommend, particularly for their original content.

• Cold Blow And The Rainy Night - Planxty (1974) (12" vinyl LP - Polydor Super 2383 301)
  
• A Lily For The Spectre - Stephanie Dosen (2007) (CD - bellacd137x)

The former is now readily available on CD and mp3 but, surprisingly, also as a 1990 vinyl re-issue that is available at about £15 / € 18 / $25. The latter I saw live at Latitude 2007 and if you think she sounds good recorded let me tell you that live she really is something else.

That is something that the three new releases, which follow this reflection, also promise in abundance.

I digress however, for what I have to mention are new releases by three Canadian acts that are in a broadly similar vein. This is in part More New Music I Want but, while all three albums are by Canadian artists, I already have one of them.

Po' Girl - Deer In The Night

I have listened to a great deal of roots/modern folk in the last eighteen months and it is not the nature of the genre to be groundbreaking, in part by definition, but this blew me away the first time I listened to it and on repeated listening it has got even better. I haven't come to any conclusions about favourite tracks yet...

[well kinda - all of them really]

A trio now (R - L), Allison Russell and Awna Teixeira write most of the songs while Benny Sidelinger not only plays guitars and such (as do the aforementioned) but also builds the ones that they play!

I have mentioned this artist before and in fact none of these are début albums so there is an albeit short back catalogue to consider too! I'll continue with this as her début solo album, Honey From The Tombs, was the subject of a very early post on this site and I still play it often so it was a clearly a good choice. This is the second solo album from (Stars and Broken Social Scene regular) Amy Millan. It is due to be released by Arts & Crafts on vinyl, CD and download on September 8.

Amy Millan - Masters of the Burial

Note added 13 July 2009:
A Canadian tour to go with it was announced today. I wish that we could be so lucky.

And, when there could surely be no more from Canada, back to the artists at the top of this post...

Everyone Is Someone is the third LP from Canadian acoustic-pop duet Dala. Not the easiest item to find in the UK at the moment but amazon.ca have it in stock and will ship to the UK without any problem.

Thinking about Thoughts on Music

Before thinking about today's big news, and the start of Glastonbury 2009, I'd already been thinking about the wider aspects of performance music thanks to two items that very recently came my way.
The first may seem almost inconsequential as it was just a flyer in an album I received...

You can probably see why this appealed to me - and what a great way of making buying physical music more appealing - though I had just bought this, Iamsound IAM024, and imported it from the US anyway unaware of this bonus. The album is Dance Mother - Telepathe on 12" vinyl and the best thing, apart from the fact it is available on vinyl at all, is that doing so is not prohibitively expensive.

I am also reading a book that is proving much more fascinating than I expected it would be. It is a question that lies behind all music, recorded music and live performance, although it is predominantly concerned with the former.
What do we mean when we say "That sounds really good." and why?

If anything that is only an easy question: Is it possible to find answers, or even gauge trends, in a topic so obviously fraught with individual tastes and tolerances?

How do I know if the CD I am listening to now even sounds the same to you as it does to me, regardless of whether it is to your liking or not? It could have been a book of untold ennui but, as I got a free copy to review, I decided to take the risk.
I have only read about half of it so far - at nearly four hundred pages it is no light-weight matter - and the further I get the harder it is to put down. It is factual and sometimes analytical but only because the topic requires it to be thus at times; at others it is reminiscent of a detective novel in search of those responsible for the way in which the story unfolded and what the influences and motives were, or in some cases, might have been.
I am finding it enlightening and simply fascinating. It is certainly not necessary to read it to enjoy recorded music but will it increase my enjoyment of recorded music?
My answer is that it is probably too early to tell really but it is unlikely to do any harm. It is already making me think about the whole process in a different light.

You can find many blogs that discuss the merit of Dave Sitek's production duties on various albums of late, and one of those is that by Telepathe that I mention above (and helpfully I've recently seen them play live, for comparison). Reading the book and listening to this and (other) albums might inspire some to write a PhD thesis. Count me out, I'm too old for that kind of thing now, but tell me about it and I'll gladly read yours.

Do you recall the day the music died?

Today has been one in which news has been dominated by an event directly related to music. When I heard the news of the sudden death of Michael Jackson this morning two things suddenly sprung in to my mind:
The first was the (pre-digital age) response to the assassination of John Lennon but the soundtrack to it wasn't Lennon at all - it was Don Mclean's 'American Pie'. I have no doubt that in the digital world of downloads this week's charts will be full of Jackson's songs and indeed, if that were not true it would be surprising.
While Don Mclean has been careful never to unequivocally confirm or deny that the song was, at least in part, inspired by hearing of the death of Buddy Holly (in the year after Jackson's birth) and the complex and largely unfathomable lyric seems fitting to Jackson, who as much as he was a pioneer of new musical format as spectacularly demonstrated by the video to 'Billie Jean' amongst others, has remained a staple of gossip and speculation concerning his lifestyle and behaviour. Not without reason did the UK tabloid press coin the phrase "Wacko Jacko" at least two decades ago.

In addition there are some hundreds of thousands of ticket-holders for a massive series of come-back gigs at the O2 arena in London and for them in particular this couplet might sum up the current situation pretty accurately:

I knew that I was out of luck
The day the music died.

Now The Green Blade Rises - a lyric hymnal

Note added 25 June 2009:

10:30pm on THURSDAY 16 July, according to the Smoke Fairies' latest e-mail update. Live music on the Thursday evening hasn't been a feature of Latitude as I remember but is certainly a welcome development.

Note added 19 June 2009:

Smoke Fairies has just been added to the bill at Latitude 2009 on the "Film and Music Arena" - see here for current programme - but the day and time are not currently specified. While not a headline act this is certainly something I don't want to miss...

Note added 18 June 2009:

I've just listened to the recorded lyric (several times) while now able to compare it with the (supposéd original) one below. There are some minor differences and I'll post what I think are the actual song lyrics tomorrow.

Richard

I'm sorry about the delay in posting lyric for The Smoke Fairies download single but here it is, or at least that for 'Now The Green Blade Rises' as it appears in the Ox­ford Book of Car­ols, 1928.

Now The Green Blade Rises

Now the green blade rises from the buried grain,
Wheat that in the dark earth many years has lain;
Love lives again, that with the dead has been:
Love is come again, like wheat that springs up green.
In the grave they laid Him, Love Whom we had slain,
Thinking that He’d never wake to life again,
Laid in the earth like grain that sleeps unseen:
Love is come again, like wheat that springs up green.
Up He sprang at Easter, like the risen grain,
He that for three days in the grave had lain;
Up from the dead my risen Lord is seen:
Love is come again, like wheat that springs up green.
When our hearts are saddened, grieving or in pain,
By Your touch You call us back to life again;
Fields of our hearts that dead and bare have been:
Love is come again, like wheat that springs up green.

I didn't imagine when I started this blog, and even though I subsequently realised that lyrics were not simply a curiosity of mine, that I would ever be asked about ones such as these or, for that matter, still be enjoying the challenge even more almost 350 posts later. I now wish I could add more sooner...
For the original post about this song:

http://rpgreenhalgh.blogspot.com/2009/06/now-green-blade-rises.html

Alright Dynamite - Music I Want in 2009, Part 8

Ooh, just listen!
The Canadian multi-tasking, collective-inspired, ethic is still alive and well I am delighted to report.

A member of Canadian band 'The Paperboys' and also part of the collective 'Outlaw Social' - she plays with both - this is Kendel Carson's second solo album and, as well as being a redoubtable fiddle and violin player, she is a fine vocalist too.

I mentioned Amy Millan's alt-country début solo album 'Honey From The Tombs' (2006) a long time ago and so I now can't wait to hear this too. Nor can I deny my curiosity about Millan's second solo album, currently being recorded I believe. Both of Carson's were largely written and produced by Chip Taylor, with input by Carrie Rodriguez, and that is hardly likely to be a bad thing. The first was this album and I want it too.

Rearview Mirror Tears (2007)

Spoiled for choice... a new dilemma.

Whatever things might be wrong in my world finding, or simply being notified of, new music isn't usually one of them. In one sense it is almost becoming a problem of its own - what to do about it all - but then that is a positive as music is, at least in part, an escape from reality so to be confronted with a different problem is a change if not a rest.

To illustrate that point here are two items. Firstly UK act Blackbud, local to this part of England as it happens, about which I was asked today (by someone in the US) and the second that I was told about today (a US act as it happens) that I had never heard of before and quite fortunately they are not directly comparable.

Released in 2006 this really should be better known. To say that it is traditional rock is something of an injustice and not least because every track on it is an original composition. That would not matter if it were no good but in fact some songs are so surprising that it merely begs the question "why were they not written before?" It is rock, laid back rock, yes, but certainly not asleep. The illustration is actually that of the 12" LP release (ISOM62LP - Independiente Records, 2006).

On the other hand I learned about this today and it is released in the US tomorrow!

The Low Anthem - Oh My God, Charlie Darwin

The multi-instrumentalist threesome (Ben Knox Miller, Jeff Prystowsky and Jocie Adams) are from Providence, RI and went as far from civilisation as is possible in Rhode Island to record this acoustic album in winter. I gather that, and the data is plentiful, it is a masterwork of modern acoustica. It is available from the US on vinyl and so, as an indulgence, it is my birthday present to myself.

It won't be the end of the problems though...

...it is hard enough to keep in touch with UK new releases and this is one that isn't.
Little known over here it is, however, amazingly good.

Innovate never imitate - Music I Want in 2009, Part 7

In a year that electro-pop is back in favour in a big way here is a timely reminder of one of the most consistent and hard-working bands that has been tirelessly trying to raise the status of such music for six years now. They DJ in the UK and abroad, they run club nights, even their own club, and if that were not enough Command is their fourth album as a band and I have already mentioned their third album, Heartland, when it was released in 2007.

The defining streaks are command and control: almost military anonymity [band members are still officially Clients A, B & E] and the musical integrity remains untouched. If the agents at Station X had run riot, in the spare time that they didn't have, and used the machines to make music it would probably have sounded like this far earlier than it did.
I've got to get this - hence the post - as Heartland was in My Charts of 2007 and I can't understand why they are not better known already. It is of course released on the label Out of Line, which is their own, and also this...

Maybe they could run the country too.

Now The Green Blade Rises.

You hadn't forgotten about The Smoke Fairies and the amazing 2008 single 'Living With Ghosts' had you? Well, even if you had you are forgiven as the Frozen Heart EP is out on June 29.

In the meantime they are back with the track 'Now The Green Blade Rises' which, if you are quick, you can have legally and free on <.mp3> and it is a perfect slice of made-for-summer languorous folk.

It is traditional, up to a point. The melody is French - it dates from the 15th century - and still one that accompanies the carol Noël Nou­ve­let although this arrangement of it owes much to that of Martin Fallas Shaw (1875 - 1958). The English lyric was written by John Macleod Campbell Crum (1872 - 1958) who started his career as as­sist­ant cur­ate at St. John the Evan­gel­ist, Dar­ling­ton (1897 - 1901) and ended it as Ca­non of Can­ter­bu­ry (1928 - 43).

Not quite the everyday history of a 2009 cover version!

For the traditional, and largely unchanged, lyric see http://rpgreenhalgh.blogspot.com/2009/06/lyrics-again-now-green-blade-rises.html

Thoughts on 2009 music.

Well, after my musings yesterday, I've had some more thoughts. To choose one release in each month of 2009 isn't really representative, so I have decided not to do that, and June is young yet so I'm not worrying about it either, but in time it does not look like being an issue.

I can think of three obvious contenders already but about the fourth and fifth I can't decide but I have determined that the order in which they appear will be random and I'll do it the old fashioned way - with a numbered list of albums and corresponding anonymous 'tickets' - I'll get the draw done at work so I can even blame the resulting order on anyone but myself!
It makes sense to me - these are albums/EPs that I like enough to not wish to attempt to put in any kind of order - and the pickers will in all probability have heard none of them which makes it double-blind!
I may then add one or two more items (which will be clearly mentioned as such) taken from anything and anywhere, perhaps for contrast and comparison or just because I love them. The thing is, if I go with this, I'm gonna need to explain why...
It is starting to sound a bit like hard work but on the other hand it is very tempting.

Rivals - Theoretical Girl

There is simply no let up in the richness and variety of new releases on offer and, as The Guardian commented a little while ago, "....it is a mystery why anyone in a position to do so has not already signed her up after seeing her play live.....4/5".

This is 'Rivals', the latest single by 'Theoretical Girl' Amy Turnnidge who is nothing less than a solo performer but is also often accompanied by three-piece backing band -- The Equations -- Kelly White (guitar), Max Taylor (bass) and Harry Bennett (percussion).
They are now signed to Memphis Industries and the début album is due to appear on August 17, 2009.

Just a little warning note:
Do not confuse (London's) Theoretical Girl with the short-lived late 1970s 'no wave' band from New York called 'The Theoretical Girls'. It would certainly be musical surprise but, as much of their output has been recently re-released, an easy one to make.
It has happened before, with a pair of bands called Ilya (see here for my post about that issue), but another reason to mention this is that the Californian Ilya are now well and truly in the midst of recording their third studio album and I'm very much looking forward to it.

Hello, June Fool.

It has just struck me that I've recently spent a lot of time posting about new artists and/or new releases that I want to listen to but then provided precious little feedback on those that I have heard live or acquired as physical recordings. I'm still adding new ones, as ever, and I'll keep adding those but what I intend to do next is a resumé of the 2009 music that has caught my attention so far. I'm not sure of the format yet; perhaps it could be like an 'Amazon List' or maybe not, as that format doesn't allow much comment, but I can see certain points in favour of both approaches.
My inclination is to take the 'Ash' approach in reverse and to review my current six favourite releases from the first six months of 2009 at the rate of one a week. I don't know if I can do it but surely there would be no harm to at least try. They may not even be albums and some items may not be by UK artists or even readily available in the UK.
It is not, as such, a change of plan as I intend to continue adding the usual random 'Thoughts On Music' but rather a just a new challenge and if I only achieve one such each fortnight then I will still reach the end of 2009 in even time. That said, it might be good to slip in the occasional older one from time to time too, if only by way of comparison or contrast. No promises...

Hello June Fool is also the title of an album by East Coast indie rockers Madder Rose, which is a decade old now. I have mentioned it before and it still seems relevant to me but the self-titled Saint Low is just iconic.

The Devil is in the detail

The devil is in the detail and that makes Latitude what it is. There are the headline acts and there are others including those that have been long known, to me at least, but that is only just a part of what matters. The currently less well known acts on all music stages are an equal part of the experience and I don't expect 2009 to be any different. Here are two more such - very different, one from the other - both with a ferocious attitude to live performance!

No 'Florence and The Machine' but that is no problem! 'Marina and the Diamonds' come from Wales and appearing on the Lake Stage at Latitude 2009, which is once again curated by Radio 1 DJ and champion of music from Wales, Huw Stephens.

He is also the power behind the ever growing Sŵn Festival (held in venues across Cardiff in 2007 and 2008 and to be repeated again from 24 - 26 October 2009) , which is showcasing Welsh bands, and any others that make waves, in both Wales and across the UK throughout the year - everywhere from Brighton's recent multi-venue indoor festival 'The Great Escape' to the surprising venue that is housed within the surplus shed of the still very much operational Wrexham Central station.

Is this the price we pay for progess?
Taking one step forward...
...for every six we take back.
Does your dirty, oil-stained money make you happy?
Do you just want to be remembered
...book your place in history?

Another band confirmed for Latitude 2009 is Leeds' iLiKETRAiNS, which can hardly be a bad thing in my world. Would I like to hear 'The Beeching Report' live? You bet I would!

The Penny Has Dropped --- Old imprint, new brand.

Until very recently there was the 'Universal Classics and Jazz' imprint with a name that quite accurately had all the impression of one that, while representing a very broad approach to the palette implied (also true), was chosen as the result of a lack of a better idea.
Well, its changed... not to some clever digital-age acronym but instead to that of an old friend from the strictly analogue age!
"The penny has dropped" is an appropriately old-fashioned analogy and one of certain relevance.

It is I think part of a policy that is actually more widespread in the world of major labels; witness the current major promotion of the 50th anniversary of Island Records, now another Universal imprint. The rôle of the major label as behemoth isn't the panacea the industry once believed it would be and it certainly isn't cool anymore, if it ever was, with a public that more than ever need tempting with incentives to buy music on whatever format rather than just download it illegally.

Oral or aural - Ritalin or Hjaltalín?

If Ritalin were a band it would of course have its detractors. In fact it is a drug, capable of addiction and a variety of other side-effects, that is increasingly used to treat ADD and other such disorders, most commonly in children. That it not to say that it doesn't have an important rôle to play or that, very possibly, better treatments will be developed from it.

Hjaltalín, while not clinically trialled, is about as good as any homeopathic therapy ever could be. You don't need a prescription, certainly shouldn't swallow even one of them, and it is available as a totally legal download. It might however do exactly the job it is supposed to...

Band members slightly variable, typically seven to nine, always both male and female.

The UK and Iceland may have fallen out about fishing, and much more recently banking, but when it comes to music it is unthinkable. Sigur Rós (Latitude 2008) clones they most obviously are not; nor really quite like any of the many others you can probably call to mind.
Aurally narcotic the album 'Sleepdrunk Seasons' might be and they are confirmed as appearing at Latitude 2009.

Awesome...

They're only putting in a nickel and they want a dollar song.
We're only putting in a little to get rid of a lot that's wrong.

More thoughts later.

No place like home?

Well it's a big claim but I sometimes wonder...

Kerosophiles be aware...

Much anticipated, at least in the UK, is the album 'Hands' by Little Boots and the UK release date is 8th June. It will of course be available to download and on CD from any number of places.

If however, wax-lovers, you want one on vinyl then you had better look sharp and check out the nice folks at Pure Groove.

Black velvet...

A fortnight ago I became the custodian of a few dozen (more) 7" singles originally dating from the late 1960s to the late 1980s that had lain, forgotten and unplayed, for more than a decade. They were quite unsurprisingly very dusty, and thus in need of some basic tlc, but otherwise they are mostly fine and I can imagine few better uses for a wet and windy Saturday afternoon than dealing with a stack of 7" vinyl!
One of the most recent (1989, Atlantic A8742) amongst them happens to be one of my favourite pop songs from the 1980s...

While never a major artist in the UK, Black Velvet was a big single (reaching #2 in the UK) and still frequently appears on mainstream radio play-lists some twenty years later. It is neither pop-rock nor is it a ballad but it does what few try and fewer still succeed in doing, which is both at the same time.

Another classic, and also a blast from the past, is this single...

Twenty-seven years old and by a band appearing at Latitude 2009.

A single that never was - Nice Boys

I don't know exactly what happened to this except to say that it never saw the light of day as a fully fledged single release.

It appears on the album 'My Paper Made Men', which I recommend without reservation, but the release was abandoned perhaps because it was seen as too close to her earlier material as evidenced on her 2003 album 'False Smiles'. Whatever the reason, why would I turn down the chance when offered a promo copy - including the 'radio edit' and six remixes - for a song? We might not share the same taste in music but neither are we stupid!
I have to say that pulling its release as a single was almost certainly a good decision - there is nothing really wrong with it but neither is it, when compared with other tracks on the album, anything remarkable and if there is a 'filler track' then this is it.

The World Is Not My Home, but the good get better...

Another day, another EP but this time it is one quite genuinely from across the Atlantic and it was released on CD in the US - on April 1, 2009 - again on Archer Records. The title track is a cover of the traditional 'Railroad Boy (Died of Love)', 'Lazarus' is a take on a traditional lament and 'Green Grass' is a cover of the Tom Waits song and that is just half of it.

Added: Thursday, 14 May:

I'm sorry that this post sort of ended prematurely. I was tired and I published it rather than saving it. Thanks to whoever added a comment to this asking for 'links' today and I assume that it was to this post you were referring. If not please let me know and I'll try to fix that.

If you want to buy or legally download 'Died Of Love' here are some links:

US & UK CD (cdbaby.com)
US Download (amazon.com)
UK Download (amazon.co.uk)

I do not know of any UK distributors of the CD version but independent music distributor cdbaby do shipping to the UK very well and at competitive prices. They publish reviews, both their own and those written by customers, too.
For more press reviews of Amy LaVere, see here.

Things you just discover --- Songs for Edna.

It is not possible to keep up with all that is going on but there will always be interesting new discoveries. This is one of them and yet another that comes from Brighton. The Edna of the album title is Edna St. Vincent Millay (1892 - 1950) who was the first woman to receive the Pulizer Prize for Poetry, for The Harp-Weaver and Other Poems (1923). Caroline Weeks has appeared in these pages before however, if only in pictures as her alter ego Ginger Lee as part of Bat For Lashes' band at Latitude 2007.

This picture was taken by Natasha 'Bat For Lashes' Khan.

The album is available on vinyl Manimal Vinyl Records (MANI 004).

I suspect that it will not be an album threatening the best-seller lists of 2009 and that is a shame. The seemingly recherché source material does not mean that this album is in any way difficult or inaccessible. It is the sublime; neither obviously poems set to music nor music to accompany poems and what you didn't know you would probably never even suspect.

Stuck on repeat...

In the midst of a global market in melt-down, and with the music industry having long claimed it was in crisis, you might have thought that any release might be readily available anywhere. That it is not the case may actually be a sign of things to come; that the fat, sweaty fingers of greed are finally losing their grip on an industry that might never be the same again. They have strangled the life out of it so, if such a demise is true, both artists and music buyers should celebrate but with both caution and restraint.
That is not to say that the brave new world will be without problems, for it will have plenty of its own, but at least it is a start and the signs are there. It is out there to be found and just as in the old days, of 'wants lists by snail mail,' it still takes some finding but it is more than worth the effort...

'Stuck on Repeat' and 'Meddle' on vinyl are awesome so how good is the album going to be?
Now get this...

A Lot Of Love A Lot Of Blood - Florence and The Machine.

Another vinyl 12" by IAmSound (IAM 027), and one for which the track list is in the wrong order on both sides, is equally magnificent. The blistering bombast of Welch is apparent on tracks such as 'A Kiss With A Fist', 'Hospital Beds' and 'Dog Days' and there is no doubt that she can write as well as sing; the last of these also appears again as a long, but quite beguiling, dance remix.

You might imagine it would be some gritty anthem - she's not afraid to attempt songs by 'The Clash' live and can snarl venom with the best of them after all - but it isn't anything of the kind and the real curve-ball is a cover, and a very short one at that, which is another startling demonstration of the New York state of mind.
'You've Got The Love', a dance-pop song written using left-over bits and pieces of lyric and melody, originally recorded by Candi Staton in collaboration with 'The Source' for a TV documentary in the 1980s, was not released as a single until 1991, and this is a truly worthwhile version of it.

Bittersweet - and it gets under your skin.

It is arguably harder to review this album than most other things if for one reason only; it just so happens that Sloe Jam is a band from these parts - Somerset, UK and that defines it about as poorly as could be imagined - the cross-genre magnificence of the Glastonbury Festival defines music better than the Wurzels could ever hope to. It would be easy if I could say they were 'Scrumpy & Western' or just another pub-band but fortunately they are not.

For a start Next To The Skin consists only of original compositions and, while I have no issue with judicious covers, that is worthy of note and at eleven tracks (49 minutes) is it not short but certainly never overstays its welcome. The band is tight and the production as clean as it needs to be but still quite unforced.
When global warming means that the Somerset Levels again resemble a delta at least there is the soundtrack to go with it and a far bigger stage than this surely beckons....

Sloe Jam, live at the Frome Festival, on a damp 5 July 2008.

Stand-out tracks? That's hard to say, but possibly 'Believe In Magic', 'A Wanderer, She Said' and 'Open More Wine'.
Or try it this way instead and it is a very rash suggestion indeed: play an Eric Clapton album, each track interleaved with one from 'Next To The Skin', and just listen...
They are in no way the same but try and imagine what it might have sounded like if Clapton had a female co-vocalist and Pee Wee Ellis guesting on saxophone...
I did exactly that - using 'Unplugged' as the Clapton album - and now I really understand why they don't do covers. If you want to spoil yourself and also baffle your blues-rock loving friends then this album is mandatory and on two tracks Pee Wee Ellis really does play saxophone!

Too Late To Change Me? - New Music I Want (Part 6)

I'm not sure quite why my taste in music has developed over the years, and in particular why it has become so much more diverse. There is not much that I liked twenty years ago that I dislike now but had you asked me then, about much that of the genres I now devour, I very much suspect that you would have got a pretty withering answer.
I don't think that I'm becoming less discriminating and isn't age said generally to lead to increasing conservatism? Then again would I (if it were possible then) have written what I think in a blog at all let alone in the "this is what I like now, how I feel about it, and if you disagree that's fine and you can just tell me" way I am doing at this moment? Absolutely not!
Neither would I have believed that in 2008-9 I would get to see an average of one live band a week or that I could find out about so much new music and in large part this is a result of the digital revolution of the last decade or so - MySpace and blogs included. On the other hand, and this is a matter of active choice rather than conservatism, I can now find may of those artists and their new music on vinyl...

Perhaps not the album 'Too Late To Change Me' on vinyl, (yet...), but a good example of the way things have changed and the tide of music from, or influenced by, New York.
This particular ripple hasn't really reached these shores yet, more than a year after its US release, but that's no reason not to give it a mention. If you like the style of piano-led songwriting exemplified by, to give just two examples, Regina Spektor and Sara Bareilles then you might consider this.

The next problem is to get my paws on a copy of the six-track CD, as my local independent record store certainly doesn't have one. This is where the cyber-local independent store cdbaby comes to the rescue. This album has already gotten very positive reviews there and I strongly suspect, that once mine arrives on this side of the pond, there will be another and it will appear here first!
Another album that I found out about by the same route last year, and find myself listening to with increasing frequency, is Kira Fontana - The Inner Revolution, which is slightly more alt-rock/pop and was mixed by Howard Bilerman, who has worked with Arcade Fire and Godspeed You Black Emperor, so you can probably now see how this tallies with my Canadian-indie addiction and yes, before you ask, I am going to see Metric live in Bristol next Saturday.
Many thanks are due to Ariel Publicity, NYC for giving me the chance to find out about and mention artists that would have otherwise almost certainly escaped my notice.

The item I was going to include next no longer falls in the 'new music I want' category and it is about as local as it gets. I bought it last week and it deserves a review of its own.

Blue Roses - Doubtful Comforts - lyric

When you come home tonight, my love

Will you take me out somewhere?

You're so good at getting my hopes up
Where they don't belong-
I can't reach them.

This is the place that appears in my mind,
Covered with orange lights,
That I've seen countless times.
When can we find a place where we'll stay for a while?
Till we come back in style,
Oh, they don't know the half of it.

Walls crumble and fall,
You don't have to carry the weight of it all.

For the full lyric of the album Blue Roses see here:

http://rpgreenhalgh.blogspot.com/2009/08/lyrics-again-blue-roses.html

Coast - Blue Roses, lyrics

To whoever asked here they are (click image for an enhanced version)...

Give the artist her dues please...
Why not just buy the album, on any format you like?

This blog does not have unlicensed music available to download and the reason is as much moral as legal: it is no more mine to provide than it is yours to rip. I'm sorry but that is how it is.

This is the real deal: the 12" vinyl version of 'Blue Roses'.
Gate-fold sleeve, illustrated lyric book...

For the full lyric of the album Blue Roses see here:

http://rpgreenhalgh.blogspot.com/2009/08/lyrics-again-blue-roses.html